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Features the essays that investigate both contemporary and historical practices of representing sexualities and genders in science fiction literature. This title includes discussions about sextrapolation in New Wave science fiction, stray penetration in William Gibson's cyberpunk fiction, and the queering of nature in ecofeminist science fiction.
Combining the methods of genre theory, reception theory, and the sociology of cultural production, the readings of these six narratives trace a history of sf's increasingly feminist, racially and ethnically diverse, philosophically ambitious, and politically engaged character from the 1960s to the present.
Animal Alterity uses readings of science fiction texts to explore the centrality of animals for our ways of thinking about human.
The Liverpool Companion to World Science Fiction Film offers critical insights into SF far beyond the more common Anglo-American narratives.From the dinosaur myth that became Godzilla to Brazilian science fiction comedy, from China's Death Ray to Kenya's Pumzi, this book will broaden the horizons of scholars and students of science fiction.
Critical discussion of cult cinema has often noted its tendency to straddle or ignore boundaries, to pull together different sets of conventions, narrative formulas, or character types for the almost surreal pleasure to be found in their sudden juxtapositions or narrative combination.
A unique collection of critical essays on writer and philosopher Stanislaw Lem, evaluating his influence on twentieth-century literature and culture.
A cultural study of an array of popular North American science fiction film and television texts, Excavating the Future explores the popular archaeological imagination and the political uses to which it is being employed by the U.S. state and its adversaries.
An engaging and accessible book looking at 1970s sf writing, film and television - alongside music and architecture - to reclaim the decade as a crucial period in the history of science fiction.
A major, groundbreaking intervention into contemporary theoretical debates about SF. It effects a series of vital shifts in SF theory and criticism, away from prescriptively abstract dialectics of cognition and estrangement and towards the empirically grounded understanding of an amalgam of texts, practices and artefacts.
A second edition, with a completely new contextual introduction and other new material, of a superb selection (first published in 1973 and for long out of print) of some of the best science fiction from continental Europe. Franke (Germany), Wolfgang Jeschke (Germany), Gerard Klein (France) and others.
Contestations over the meaning and practice of sexuality have become central to cultural self-definition and critical debates over issues of identity and the definition of humanity itself. This title includes essays that investigate both contemporary and historical practices of representing sexualities and genders in science fiction literature.
Originally conceived as atrilogy, this is the first of five volumes that chart the history of thescience fiction magazine from the earliest days to the present.
This important collection of essays acknowledges the long and distinctive history of the alternate history genre whilst also revelling in its vitality, adaptability, and contemporary relevance, with many of the chapters discussing late twentieth- and early twenty-first-century texts which have previously received little or no sustained critical analysis.
The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines.
Transformations concludes with an examination of the new found interest in sf magazines during the late 1960s and the incredibly influential roles Star Treck , the film 2001: A Space Odyssey and, above all, the first manned Moon landing played in transforming the sf magazine.
This collection explores 'Gothic sf' from 1980-2010. Ranging across narrative media and across genres, taking in horror, sf, the Gothic, the New Weird and more, essays examine questions of genre, medical science, gender, biopower and capitalism.
Stanislaw Lem: Philosopher of the Future brings a welter of unknown elements of Lem's life, career, and literary legacy to light in order to mete out cognitive justice to the writer who preferred to be known as the philosopher of the future.
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