Bøger i Mark Twain Papers serien

"e;I've struck it!"e; Mark Twain wrote in a 1904 letter to a friend. "e;And I will give it away-to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography."e; Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "e;Final (and Right) Plan"e; for telling the story of his life. His innovative notion-to "e;talk only about the thing which interests you for the moment"e;-meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "e;dead, and unaware, and indifferent,"e; and that he was therefore free to speak his "e;whole frank mind."e; The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

The surprising final chapter of a great American life. When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt; founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare's plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography's "e;Closing Words"e; movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "e;Ashcroft-Lyon Manuscript,"e; Mark Twain's caustic indictment of his "e;putrescent pair"e; of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B. Frank, Amanda Gagel, Sharon K. Goetz, Leslie Diane Myrick, Christopher M. Ohge

Mark Twain's complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain's life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick

Spanning the years 1883 to 1891, a period during which Mark Twain's personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history, this title offers a view of this turbulent period, whose triumphs were tempered by intimations of financial disaster and personal bitterness.

Contains the letters that trace young Sam Clemens' remarkable self-transformation from a footloose, irreverent West Coast journalist to a popular lecturer and author of "The Jumping Frog", soon to be a national and international celebrity.

Gatheres the 188 letters that show Samuel Clemens having few idle moments in 1869. This title captures Clemens on the verge of becoming the celebrity and family man he craved to be.

Contains 338 letters that document the first two years of the author's loving marriage to Olivia L Langdon. This title recounts a tumultuous time: a growing international fame, the birth of a sickly first child, and the near-fatal illness of his wife.

A volume of Mark Twain's letters, the twenty-fourth in the comprehensive edition known as "The Mark Twain Papers" and "Works of Mark Twain".

Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. This is sixth volume contains 348 of his letters covering this period, all of which have been thoroughly annotated and indexed.

In several instances Mark Twain gave the impression that for him plotting a novel was a rather simple affair... But in actuality, this volume illustrates that he experienced much more trouble than this statement would suggest in delimiting his fictional world, establishing its nature, and maintaining control over the characters placed therein.

This collection of correspondence between Clemens and Rogers may be thought of as a continuation of Mark Twains Letters to His Publishers, 1867-1894, edited by Hamlin Hill. It completes the story begun there of Samuel Clemenss business affairs, especially insofar as they concern dealings with publishers; and it documents Clemenss progress from financial disaster, with the Paige typesetter and Webster & Company, to renewed prosperity under the steady, skillful hand of H. H. Rogers.But Clemens's correspondence with Rogers reveals more than a business relationship. It illuminates a friendship which Clemens came to value above all others, and it suggests a profound change in his patterns of living. He who during the Hartford years had been a devoted family man, content with a discrete circle of intimates, now became again (as he had been during the Nevada and California years) a man among sporting men, enjoying prizefights and professional billiard matches in public, andin privatelong days of poker, gruff jest, and good Scotch whisky aboard Rogers's magnificent yacht.

Provides the texts of Twain's writings, both fictional and factual, about the people and places of his home town, Hannibal, Missouri. This title presents details about antebellum Hannibal, its society and its attitudes toward slavery, and to vivid memories about the child, his mother, and his father in the 1840's and 1850's.

For years, many of Twain's philosophical, religious, and historical fantasies concerning the nature and condition of humanity remained unpublished. This title includes thirty-six of these writings.

In fleeing from a war which principle and temperament prevented him from supporting, Clemens entered into the first stages of his literary career by serving as a reporter for newspapers in Virginia City and San Francisco. This title deals with his life.

In the summer of 1855, when the nineteen-year-old Sam Clements traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow.About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens irregularities, inconsistencies, errors, and cancellations unchanged. Clemens cancellations are included in the text enclosed in angle brackets, thus <word>; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word. The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant.