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One of Poland's most important and independent postwar artists, Andrzej Wroblewski (1927-57) created his own highly individual, suggestive, and prolific form of abstract and figurative painting. This volume offers a fresh presentation and thorough reevaluation of his work and its legacy in the international context of art history.
Thanks to its very nature, performance enters into natural dialogue with art, new media, politics, and the social sphere as a whole. Always happening in the here and now, and with a unique freedom and openness to the unknown, performance is a medium with a special ability to question its own subjects, materials, and languages. As a result, it is often best reflected in the dynamic character of contemporary art and contemporaneity in the broadest sense of the word. Points of Convergence explores these ideas and investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners. With twelve essays by leading figures in the field of performance arts, this illustrated volume is structured in two parts. The first, authored by academics in the discipline, features an introduction to key areas of scholastic research. The second part, authored by curators and other researchers, then focuses on an account of individual traditions of performance. Taken together, the contributions identify new possibilities for interaction between the theoretical aspects of performance art and the ways performance plays out within local contexts.
A volume that coins the term "Team 10 East" as a conceptual tool to discuss the work of Team 10 members and fellow travelers from state-socialist countries - such as Oskar Hansen of Poland, Charles Polonyi of Hungary, and Radovan Niksic of Yugoslavia.
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