Bøger i Moon Country serien

Poems that break with traditional syntax and disrupt our perceptions of how language works in this first collection in English of poems by one of South Korea's most established contemporary poets and critics. These poems build strikingly on the breakthroughs of Korean forebears like Yi Sang and Oh Kyu-won. They also establish Lee as an interlocutor in a wider conversation: her problematized "repetitions" chime with and against those of Gertrude Stein and Leslie Scalapino, while her refiguring of the mundane reads like a darkly inverted congener to that of Alfred Starr Hamilton. Marked by a distinctive voice and approach, Just Like introduces a brilliant and singular contemporary Korean writer into English. The poems of Lee Sumyeong's Just Like evince a striking tension between clarity and complexity. Purged of any heightened diction or preciously wrought syntax, Lee's writing can give the impression of being austere to the point of crystallinity. But it is the opposite-a teeming space where concrete objects become unstable and where simple propositions constantly buckle and fissure.

First English-language collection from a leading poet in South Korea. Kim Haengsook is one South Korea's most eminent contemporary poets, but a complete collection of her poems has never appeared in English before now. This selection draws on her work across her career and five books in Korean. Haengsook's poetic spaces are shrouded in a magic fog that is clarifying instead of obscuring. Built out of a language that incorporates a strategy of what she calls "precise ambiguity," her work radiates outward like great waves whose philosophical rhythm you can't help but get caught in.

Cold Candies encapsulate the saccharine strangeness of a woman's life. Fragments of narratives about girls, dolls, sisters, mothers, men, lizards, the moon, and pillows are brought together into otherworldly images that are devastating, yet familiar. Lee Young-ju is one of South Korea's most original minds, and this collection, curated and translated by National Endowment of Arts Fellow Jae Kim, features a selection from her extraordinary body of work. These prose poems are often self-portraits, and together, they are as much an account of her life as it is an attempt to understand it. Pulling out threads from her past, she examines its traumas and tragedies and unravels a haunting dreamscape of intimacy and kinship.