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Landscape as Urbanism in the Americas is the second issue of NESS.docs, focused on the concepts and terminology coined by Charles Waldheim and the OFU from Harvard GSD on the potentials for landscape as a medium of urban intervention in the specific social, cultural, economic, and ecological contexts of Latin America cities. Landscape as Urbanism in the Americas features more than twenty projects developed by Latin American practices, who also reflected on their work and its ecological and territorial implications. Ness.docs gathers original texts from Latin America Practices as well as essays on different urban specialists' point of view. The second issue of our monographic series reflects on the project of Landscape as Urbanism in the Americas, lead by Charles Waldheim and the Office for Urbanization at Harvard Graduate School of Design. Curated together with Mercedes Peralta and Jeannette Sordi, NESS.docs 2 explores the potentials for landscape as a medium for urban intervention in the specific contexts of Latin-American cities. More than twenty Latin American practices are shown and grouped in five different themes: Biological Environments, Resilient Grounds, Performative Systems, Revealed Protocols, and Assembled Natures. Finally, a conversation between Charles Waldheim, Florencia Rodriguez, and Luis Callejas deepens the discussion of our academic curricula, drawing as representation, political spaces, and the general sensitivity around landscape. With Contributions of:Ana Elvira Ve¿lez Villa & Lorenzo Castro Jaramillo / Ana Mari¿a Durän Calisto / Beals Lyon Arquitectos / Bulla / Camilo Restrepo / CAPA / Ciro Najle / Enlace Arquitectura / Fäbrica de Paisaje / Francisco Walker Marti¿nez / FUPAM / LUME, H+F Arquitetos / Metröpole Arquitetos & UNA Arquitetos / Gaeta Springall Arquitectos / Groundlab, LyonBosch+Martic, Idom & Sergio Chiquetto / Guillermo Hevia Garci¿a & Nicoläs Urzüa / Husos / In~aki Echeverri¿a Gutie¿rrez / Jeannette Sordi / Jose¿ Alfredo Rami¿rez / Juan David Hoyos & Sebastiän Monsalve / LCLA O ce / Luis Callejas / Manuel Gausa / Mercedes Peralta / Metro Arquitetos Associados / Opera Publica / Plan Comün / Plan:B Arquitectos & JPRCR Arquitectos / RDR Arquitectos / Se¿rgio Bernardes / Tatiana Bilbao Estudio / Teresa Moller Landscape Studio
NESS.docs on Hashim Sarkis Studios has two parts: Projects and Dialogues. The first section includes enticing visual documentation on HSS's projects (Balloon Landing Park, Housing for the Fishermen, Daily Mosque, Town Hall & Park, Float Pavilion, Watermelon Landscape, and Courtowers) complemented by critical remarks by Nader Tehrani and Sarkis. In the Dialogues section issues an interview to Sarkis by editors, Florencia Rodriguez and José Mayoral, a conversation between Angelo Bucci and Sarkis, and a discussion between Stan Allen, Kenneth Frampton, and Sarkis."Architecture simultaneously responds to two parallel and seemingly contrasting inputs. First, to the internal concerns of the architect who seeks to react to his own intellectual, emotional or social preoccupations through built work. In some cases, that internal impulse inspires the architect to materialize the same interest again and again, through every work. Second, there are specific requirements for each built work: an encounter with reality and the need to consider the context, people and society, all factors which make every architectural project a highly specific venture. This secondary input provides a solution for challenges that can at first seem extremely undefined. In the case of Hashim Sarkis, such dialectic relationships are expressed throughout one consistent focus: the relationship between the sky and the ground. This relationship is present in every work despite diverse contexts, that bring singularity to every architectural project. Through his numerous built works, we have seen the many ways in which sky and ground can be constructed, framed, viewed, approached, dis-covered, and reinterpreted. A rich set of operations redefine the challenges present throughout every built work: how does a building emerge from a discrete plane and close towards the infinite sky? How do we negotiate the certainties of reality with the uncertainties of that which we cannot measure, that which is not only void, but that in its dynamic movements and constant transformations imprints upon the real? By the real, we mean the façades of buildings, the reflection of windows, and all of the internal and external attributes of the built fabric as well as those of landscapes with color, temperatures, humidity, and, of course, the passing of time that is registered in every component, except in the sky." (Extract of Jose Mayoral & Felipe Vera's opening essay, "Understanding a Reflective Practice: Drawing the Third Line")
NESS.docs is Lots of Architecture's monographic series. Each issue features one practice or subject for in-depth analysis: interviews, texts, and a variety of graphic pieces cooperate to unveil singular work that can globally inspire modes of thought about architecture and landscape.
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