Bøger i NEW MATERIAL HISTORIES OF MUSI serien

"Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe"--

"An Unnatural Attitude traces a style of musical thinking and listening that coalesced in the intellectual milieu of the Weimar Republic and its legacy-the phenomenological style, which involved a search for contact with the world of perception. Resisting the influence of naturalism, figures in this milieu argued for a new understanding and description of the musical experience as something based not in introspection but rather in an attitude of outward, open orientation, where musical experience acquires meaning when the act of listening is physically (materially) shared with others"--