Bøger i Oxbow Insights in Archaeology serien

An ethnographic study of the monumental buildings from the prehistoric to early medieval periods in northern and northwestern Europe.

The Death of Archaeological Theory? addresses the provocative subject of whether it is time to discount the burden of somewhat dogmatic theory and ideology that has defined archaeological debate and shaped archaeology over the last 25 years.

More than quarter of a century ago Richard Bradley published The Passage of Arms. It was conceived as An Archaeological Analysis of Prehistoric Hoards and Votive Deposits, but, as the author concedes, these terms were too narrrowly focused for the complex subject of deliberate deposition and the period covered too short. A Geography of Offerings has been written to provoke a reaction from archaeologists and has two main aims. The first is to move this kind of archaeology away from the minute study of ancient objects to a more ambitious analysis of ancient places and landscapes. The second is to recognise that problems of interpretation are not restricted to the pre-Roman period. Mesolithic finds have a place in this discussion, and so do those of the 1st millennium AD. Archaeologists studying individual periods confront with similar problems and the same debates are repeated within separate groups of scholars - but they arrive at different conclusions. Here, the author presents a review that brings these discussions together and extends across the entire sequence. Rather than offer a comprehensive survey, this is an extended essay about the strengths and weaknesses of current thinking regarding specialised deposits, which encompass both sacrificial deposits characterised by large quantities of animal and human bones and other collections which are dominated by finds of stone or metal artefacts. It considers current approaches and theory, the histories of individual artefacts and the landscape and physical context of the of places where they were deposited, the character of materials, the importance of animism and the character of ancient cosmologies.

Newgrange in Ireland is a world famous monument not only because of its vast scale and elaborate megalithic art, but also because of its renowned alignment to the sun on the winter solstice. Yet the origins of Newgrange remain somewhat mysterious. Across Ireland over two hundred similar passage tombs are found, some of which are considerably older than Newgrange. These less investigated monuments reveal that the origins of Newgrange may be hidden in plain sight. A progression in the scale and sophistication of construction of these passage tombs, developments in the styles of megalithic art, and an increase in the scale and craftsmanship of associated artefacts may be observed, which taken together indicate a lengthy process of development. In short, Robert Hensey uncovers an untold history at Newgrange; an island-wide story of incremental changes over hundreds of years, of a society in evolution, perhaps in extremis, who left behind such a rich, enigmatic and patterned legacy. This book not only charts the earlier history of Newgrange, but addresses why it was constructed, what was its purpose. In the Boyne Valley, through Newgrange and related sites at Bru na Boinne, we have evidence not only of extraordinary physical accomplishments, but of tremendous acts of imagination; a testament to rich and developed inner worlds. In this book, it is proposed that the concept of an otherworld which could be embodied by and accessed through passage tombs was a central motivator in passage tomb construction from its earliest beginnings. Newgrange is at the end of a long tradition of monuments dedicated to the religious needs of Neolithic communities, from small-scale monuments built by early farming groups; to potent otherworld centres of ritual training at the edge of society; eventually to temple-like monuments standing at the very heart of the religious and political sphere in Neolithic Ireland. Challenging both orthodox archaeological opinions and popular conjecture, this will be an important book for anyone interested in Neolithic archaeology.

John Waddell presents a personal exploration of the notion that myth, especially as portrayed in medieval Irish literature, may illuminate archaeology and archaeology may shed light on myth.