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Speculative Fictions places Alexander Hamilton at the center of American literary history to consider the important intersections between economics and literature.
Andy Doolen's monograph reorients literary history, turning to the neglected Western writings that shaped the distinctive process of U.S. expansionism in the years following the Louisiana Purchase
Writing the Rebellion presents a cultural history of loyalist writing in early America, dissolving the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility.
Combining nuanced literary interpretations with significant legal cases, Family Money reveals a shared preoccupation with the financial quandaries emerging from interracial sexuality in nineteenth-century America. At stake, Clymer shows, were the very notions of family and the long-term distribution of wealth in the United States.
Drawing on novels, film, and photographs, Living Oil offers a literary and cultural history of modern environmentalism and petroleum in America.
Propaganda 1776 reframes the culture of the U.S. Revolution and early Republic, revealing it to be rooted in a vast network of propaganda.
Playing in the White brings postwar white life novels back into conversations about the nature of African American literature and the unique expectations imposed upon black texts.
Surveyors of Customs explores literature's insights into how America-its soft capitalism, its "democratized" inequality, its Americanization of power-"ticks." Joel Pfister argues that writers from Benjamin Franklin to Louise Erdrich can be read as critical "surveyors" of customs, culture, hegemony, capitalism's emotional logic, and much else.
Studies the role popular literature in the systematic racism present in easy-going activities, ordinary feelings, and casual interactions. The volume uncovers this history of 'racial ordinariness' through various genres such as campus novels, Civil War elegies, regionalist sketches, and gospel sermon.
White Writers, Race Matters explores the popular tradition of white-authored novels about racism in America. What explains their success, and what are their limitations? This study examines these questions through rich case studies combining biography, historical analysis, close reading, and literary theory to map the significance of this genre and its ongoing relevance.
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