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The first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850, offering a transnational perspective. It places in dialogue the growing field of celebrity studies in the two countries, especially by engaging with Antoine Lilti's seminal work, The Invention of Celebrity.
Uses the reproductive histories of six celebrity women to demonstrate that pregnancy affected celebrity identity, impacted audience reception of performance, changed company repertory and altered company hierarchy, influenced the development of new plays, and had economic consequences for both women and the companies for which they worked.
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