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Simultaneous Revolutions offers a meeting place for individual expression in this plague year where, forced to look within and stay afar, people can do both with these companion poems. With poems about Bob Dylan, contemporary singer Grimes, the Clash, Dolores O'Riordan of the Cranberries, Allen Ginsberg, and also featuring voices from warehouse rave to the ignored alley, from the blurry highway to a couple's river-walk to a calm man's tilling, these poems offer a provocative panorama of our both ancient and neon times.Headed down the wounded highwaylike a nurse on the same road,don't know what the banners say today,but sense the ill from the good.-from "Soulphone Ringing"Who hasn't traveled the revolutions of living? What would that map look like, as varied people chart their own ways to harbor? Find out by checking out Simultaneous Revolutions. From the Lower East Side to the Lehigh River Gorge, from Standing Rock to Chesapeake Bay, from St. Louis to Vermont to San Francisco, Simultaneous Revolutions stands exactly at the broad confluence of a hundred nourishing, wild, wounded rivers-coming together-flowing to a gathering of power, becoming one.

Clamor magazine was a movement publication that existed between 2000 and 2006, covering radical politics, culture, and activism. Clamor published 38 issues and featured over 1,000 different writers and artists. The mission statement was: Clamor is a quarterly print magazine and online community of radical thought, art, and action. An iconoclast among its peers, Clamor was an unabashed celebration of self-determination, creativity, and shit-stirring. Clamor publishes content of, by, for, and with marginalized communities. From the kitchen table to shop floor, the barrio to the playground, the barbershop to the student center, it’s old school meets new school in a battle for a better tomorrow. Clamor is a do-it-yourself guide to everyday revolution. This analysis is presented as a case study on how movement projects and organizations deal with vital but rarely discussed issues such as management, sustainability, ownership, structure, finance, decision making, power, diversity, and vision.

Bang. The door to your cell is shut. You have survived the arrest, you are mad that you weren’t more careful, you worry that they will get others too, you wonder what will happen to your group and whether a lawyer has been called yet—of course you show none of this. The weapon, the fake papers, your own clothes, all gone. The prison garb and the shoes they’ve thrown at you are too big—maybe because they want to play silly games with you, maybe because they really blow "terrorists" out of proportion in their minds—and the control over your own appearance taken out of your hands. You look around, trying to get an understanding of where you’ll spend the next few years of your life.Prison Round Trip was first published in German in 2003 as "Einmal Knast und zurück." The essay’s author, Klaus Viehmann, had been released from prison ten years earlier, after completing a 15-year sentence for his involvement in urban guerilla activities in Germany in the 1970s. The essay was subsequently reprinted in various forums. It is a reflection on prison life and on how to keep one’s sanity and political integrity within the hostile and oppressive prison environment; "survival strategies" are its central theme."Einmal Knast und zurück" soon found an audience extending beyond Germany’s borders. Thanks to translations by comrades and radical distribution networks, it has since been eagerly discussed amongst political prisoners from Spain to Greece. This is the first time the text is available to a wider English-speaking audience."Klaus’s take on survival strategy tells us we can not only survive thusly but can as well continue to serve the cause of liberation—which are really the same thing. We can be captured without giving in or giving up." —From the Preface by North American political prisoner Bill Dunne

Radicals, feminists, environmentalists. Activists for animal rights, human rights, civil rights. There are plenty of rebels and dissidents putting their asses on the line. Conversely, there's never been a shortage of reactionaries seeking to repress such vision and passion.Learning how to fight and/or defend yourself is not the same as promoting belligerent, anti-social behavior. While talk of non-violence is understandable and the struggle for peace has never been more essential, let's face it: The odds are that sooner or later you're going to end up in a confrontation that may escalate into physical violence. So, why not be prepared?Self-Defense for Radicals will get you off and running in the right direction. From eye gouges to groin punches—you'll find a powerful collection of tactics with which we can fight back. Interspersed with words of wisdom and guidance from Emma Goldman, Bruce Lee, Angela Davis, and even Patrick Swayze, this pocket-sized pamphlet will inspire readers to not only speak truth to power but also deliver a sharp elbow to power's jutting jaw.Presented in the street-smart style we've come to expect from Mickey Z., Self-Defense for Radicals dares you to re-examine what we perceive as acceptable behavior—both by the oppressors and the revolutionaries.

Legendary legal scholar Staughton Lynd teams up with influential labor organizer Daniel Gross in this exposition on solidarity unionism, the do-it-yourself workplace organizing system that is rapidly gaining prominence around the country and around the world. Lynd and Gross make the audacious argument that workers themselves on the shop floor, not outside union officials, are the real hope for labor’s future. Utilizing the principles of solidarity unionism, any group of co-workers, like the workers at Starbucks, can start building an organization to win an independent voice at work without waiting for a traditional trade union to come and "organize" them. Indeed, in a leaked recording of a conference call, the nation’s most prominent union-busting lobbyist coined a term, "the Starbucks problem," as a warning to business executives about the risk of working people organizing themselves and taking direct action to improve issues at work. Combining history and theory with the groundbreaking practice of the model used by Starbucks workers, Lynd and Gross make a compelling case for solidarity unionism as an effective, resilient, and deeply democratic approach to winning a voice on the job and in society.

“For my parents and grandparents, Jewish identity, in religion, culture and language, was a given. Not so for me. I’m not religious, not a Zionist, so in what consists my Jewishness? Is a love of chopped liver and a belief that chicken soup cures all ills enough? And does it matter? This is the story of my search for answers. It is an argument with myself, with song lyrics to embellish the argument.”Like so many of those others in Britain of Jewish lineage, songwriter and award-winning folk singer Leon Rosselson is descended from antecedents who fled pogroms in eastern Europe. Pertinently, he questions what being a Jew means—is it adherence to Judaism as a religion, an ethnicity, a citizen of Israel, or someone who eats “chicken soup with knedlach”? He describes clearly and with historical insight how any concept of “Jewishness” can involve all of those things and more. In his own life, he has decided to pick and choose from this tradition and history and build on what he deems to be the progressive, humane, and universalist values of that Jewish background.Rosselson is a strong supporter of Palestinian rights, seeing in the victimization of Palestinians by the state of Israel parallels with historical Jewish persecution. He concludes this short essay by stating: “I share with the growing number of Jews in the diaspora who place solidarity with the oppressed above demands of tribalism and with those in Israel who dare to stand against the powers that be.”

When the socialist politician Salvador Allende dramatically won Chile’s presidential election in 1970, a powerful cultural movement accompanied him to power. Folk singers emerged at the forefront, proving that music could help forge the birth of a new society. As the CIA actively funded opposition media against Allende during his campaign, the New Chilean Song Movement rose to prominence, viscerally persuading voters with its music. Víctor Jara, a central protagonist at the time, became an icon in Chile, Latin America, and beyond for his revolutionary lyrics and life. Inti-Illimani, Quilapayún, and other musicians contributed by singing before audiences of workers outside factories or campesinos in Chile’s rural countryside.A short cultural history, “Venceremos“ charts the development of the movement from the years before Allende’s victorious campaign to the brutal U.S.-backed military coup on September 11, 1973, that overthrew his presidency and imposed the dictatorship of General Augusto Pinochet. Featuring interviews from key figures and lyrical analysis, “Venceremos“ gives insight into how the New Chilean Song Movement’s revolutionary anthems came to be.From the early folkloric documentation of Violeta Parra in Chile’s countryside to “Venceremos,“ the triumphant anthem of Allende’s Popular Unity Coalition, the music of Chile’s Nueva Canción was shaped by the larger history occurring all around it. Within the songs, all the hopes, dreams and apprehensions of the nation were reflected. At the same time, as its influence grew, the cultural movement claimed its own principal space as catalyst of not only Chile’s musical but its political future as well. So dangerous were its creations that the Pinochet dictatorship censored and attempted to destroy them. Most tragically, Víctor Jara’s life was taken in the bloody repression that immediately followed the coup.