Bøger i Popular Culture and Philosophy serien

Hannibal Lecter, the subject of best-selling novels, movies, and the acclaimed TV series Hannibal, is one of pop culture's most compelling characters. In Hannibal Lecter and Philosophy, 16 philosophers come at Hannibal the way he comes at his victims - from unexpected angles and with plenty of surprises.What does the relationship between Hannibal and those who know him - particularly FBI investigator Will Graham - tell us about the nature of friendship? Does Hannibal confer benefits on society by eliminating people who don't live up to his high aesthetic standards? Can upsetting experiences in early childhood turn you into a serial killer? Why are we enthralled by someone who exercises god-like control over situations and people? Does it make any difference morally that a killer eats his victims? Can a murder be a work of art?Several chapters look at the mind of this proud and accomplished killer, psychiatrist, and gourmet cook. Is he a sociopath or a psychopath, or are these the same? Is he lacking in empathy? Does his moral blindness give him compensating abilities, the way literally blind people gain heightened senses? Does it harm us that we are drawn into Hannibal's world by identifying with him?

The philosophically rich David Bowie is an artist of wide and continuing influence. The theatrical antics of Bowie ushered in a new rock aesthetic, but there is much more to Bowie than mere spectacle. The visual belies the increasing depths of his concerns, even at his lowest personal moments. We never know what lies in store in a Bowie song, for there is no point in his nearly 30 albums at which one can say, "That's typical Bowie!? Who else has combined techno and hard rock, switched to R&B love songs (with accompanying gospel) to funk to jazz-rock fusion and back again?Among the topics explored in David Bowie and Philosophy are the nature of Bowie as an institution and a cult; Bowie's work in many platforms, including movies and TV; Bowie's spanning of low and high art; his relation to Andy Warhol; the influence of Buddhism and Kabuki theater; the recurring theme of Bowie as a space alien; the dystopian element in Bowie's thinking; the role of fashion in Bowie's creativity; the aesthetics of theatrical rock and glam rock; and Bowie's public identification with bisexuality and his influence within the LGBTQ community.

Red Rising and Philosophy has gathered together a crew of the wisest Helldivers philosophy can offer. Could humanity's love of physical enhancements cause its extinction? Do people doom humanity by trying to all be the same? Can a person love someone, while at the same time wanting that person destroyed? Is equality always the best principle on which to organize society? What is evil, and how does it exist in contemporary life? Does one remain the same person, even after changing every physical aspect of one's body? Is it moral to sell oneself into slavery, whether it’s through sex or manual labor? Is it ethical to sell one's children into slavery, on the promise that their children will live in peace and tranquility?These questions and more are what make Brown’s Red Rising trilogy such an impactful story. Brown pulls no punches, and philosophy works best in such an environment. Red Rising and Philosophy is not for the timid or the faint at heart. It’s not The Passage, since no one will die from reading it, but reading it could be a life-changing experience.

Philosophical feedback on the messiah of electric rock

Philosophers probe the popular TV spy show.

Deep thinkers plumb the chilling depths of American horror

The Man in the High Castle is an Amazon TV show, based on the Philip K. Dick novel, about an "alternate present" (beginning in the 1960s) in which Germany and Japan won World War II, with the former Western US occupied by Japan, the former Eastern U.S. occupied by Nazi Germany, and a small "neutral zone" between them. A theme of the story is that in this alternative world there is eager speculation, fueled by the illicit newsreel, The Grasshopper Lies Heavy, about how the world would have been different if America had won the war.In The Man in the High Castle and Philosophy, twenty-two professional thinkers look at philosophical issues raised by this ongoing enterprise in "alternative history." One question is whether it really made a profound difference that the Allies won the war, and exactly what differences in everyday life we may expect to arise from an apparent historical turning point. Could it be that some dramatic historical events have only superficial consequences, while some unnoticed occurrences lead to catastrophic results?Another topic is the quest for truth in a world of government misinformation, and how dissenting organizations can make headway.

In The X-Files and Philosophy, thirty-six fearless philosophers seek for the truth which is out there, in here, at least somewhere, or (as the postmodernists claim) nowhere. One big issue is whether the weird and unexplained happenings, including the existence of entities unknown to traditional science, might really exist. And if they did, what would be the proper way to behave towards them? Some of these entities seem to flout conventional laws of nature-but perhaps we need to allow for different, as yet undiscovered, laws. If such fabulous entities really exist, what do we owe them? And if they don't exist, why do we imagine they do? In The X-Files, regular science is represented by Scully and usually turns out to be wrong, while open-minded credulity or pseudoscience is represented by Mulder and usually turns out to be right, or at least somehow on the right track. Scully demands objective, repeatable evidence, and she usually gets it, with Mulder's help, in astounding and unwelcome ways. What lessons should we take from the finding of The X-Files that respectable science is nearly always wrong and outrageous speculative imagination nearly always right?

Fearless thinkers enter the nightmare worlds of The Twilight Zone in search of powerful insights about humanity and the universe.

This book contains philosophically revealing essays on the rising comic genius, Amy Schumer, also known as the "comedy queen."

This collection of 18 chapters by talented philosophical minds probes some of the many lessons to be learned from Orange Is the New Black. The show and the book that inspired it both dramatically highlight the troubling, stressful situation of millions of incarcerated Americans.How do the show's shower scenes shed light on the classical mind-body problem? How can we make our lives meaningful when our options are curtailed by authority? What does it mean to manipulate someone, and why is it bad? What can we learn about human beliefs from Pennsatucky's notion of the gay agenda? Is Litchfield Prison a preparation for life outside - or just a scale model of life outside? What could the governors of Litchfield learn from Jeremy Bentham and his panopticon? How is it that even in prison we find ourselves condemned to be free? Why is one of the worst things about prison being forced to see who and what we really are?It so happens that life in prison is overfull of philosophical implications. Orange Is the New Black and Philosophy stays close to the characters and scenes of the TV show, applying insights from ethics, existentialism, metaphysics, epistemology, and political philosophy.

The cult sci-fi movie, "The Matrix", presented a fake world made of nothing but perceptions. This text contains 20 essays on philosophical problems raised by the film, which focus on the issue, "Can we be sure the world is really there, and if not, what should we do about it?".

In the tradition of classic horror films, "Buffy the Vampire Slayer" addresses ethical issues that have long fascinated audiences. This collection features 23 essays by young professional philosophers that examine crucial ethical and metaphysical aspects of the "Buffyverse" (the world of Buffy).

This volume looks at the deeper issues raised by "The Lord of the Rings" such as: can political power be wielded for good, or must it always corrupt? Does technology destroy the truly human? Is it morally wrong to give up hope? and Can we find meaning in chance events?

In attempting to retain her "human" side, does Sharon really have free will? Is killing a Cylon murder or garbage disposal? These are some of the questions addressed in this thoughtful collection of writings on the philosophical underpinnings of "Battlestar Galactica."

From the bedtime story by L. Frank Baum to the classic 1939 film, no story has captured the imaginations of generations of children — and adults — like The Wizard of Oz. The story of Dorothy’s journey through Oz, the colorful characters, places, songs, and dialogue have permeated popular culture around the world. The contributors to this volume take a very close look at The Wizard of Oz and ask the tough questions about this wonderful tale. They wonder if someone can possess a virtue without knowing it, and if the realm of Oz was really the dream or if Kansas was the dream. Why does water melt the Wicked Witch of the West and why does Toto seem to know what the other characters can’t seem to figure out? The articles included tackle these compelling questions and more, encouraging readers to have discussions of their own.

Jimmy Buffett and his music have touched the lives of millions of people around the world, spanning generations and genres. But is Buffett's music just a good time, or is there a deeper level to it? "Jimmy Buffett and Philosophy" shows the philosophical side of this self-proclaimed non-philosopher's work. The articles in this book provide an accessible approach to thinking about Buffett's music philosophically and to thinking about philosophy from the perspective of Jimmy Buffett's music. Along the way, questions are raised about figures in the philosophical tradition from ancient to contemporary -- Epicurus, Diogenes, Heidegger, Josiah Royce, William James, John Dewey, and Judith Butler. In addition, questions about a wide range of traditional philosophical issues, including aesthetic theory, identity, knowledge, culture, and being, are explored.

A humorous investigation into the connections between the likes of Marx and Foucault and one of the legendary symbols of outlaw individualism. Here, words like Sturgis, Hollister, and panhead share the page with philosophical giants such as Marx, Hobbes and Socrates. It offers a series of essays, combining humour and philosophical introspection.

The most popular musical group of all time, the Beatles also brought serious thought to the bubble gum-scented world of pop and rock music, with adventurous, profound, and sometimes mysterious lyrics that veered from the deliberate absurdity of “I Am the Walrus” to the rosy Rousseau-like fantasy of “When I’m 64” to the darkly existential/nihilist visions of “Eleanor Rigby” and “A Day in the Life.” In this lively new book, 20 Beatles-loving philosophers offer fresh insight into the lives and words of the Fab Four. Among the topics investigated are the groups’ critique of consumer culture; John Lennon and the Cold War; Paul McCartney’s philosophy of love, community, and politics; the Beatles’ struggle against the inauthentic; the ethics of chemically changed states of consciousness; the metaphysical standing of popularized Eastern meditation; and skepticism in the Beatles’ worldview. Like earlier titles in this popular series, The Beatles and Philosophy discusses complex issues in an enjoyable, highly readable fashion.

The shower scene in Psycho; Cary Grant running for his life through a cornfield; “innocent” birds lined up on a fence waiting, watching — these seminal cinematic moments are as real to moviegoers as their own lives. But what makes them so? What deeper forces are at work in Hitchcock’s films that so captivate his fans? This collection of articles in the series that’s explored such pop-culture phenomena as Seinfeld and The Simpsons examines those forces with fresh eyes. These essays demonstrate a fascinating range of topics: Sabotage’s lessons about the morality of terrorism and counter-terrorism; Rope’s debatable Nietzschean underpinnings; Strangers on a Train’s definition of morality. Some of the essays look at more overarching questions, such as why Hitchcock relies so heavily on the Freudian unconscious. In all, the book features 18 philosophers paying a special homage to the legendary auteur in a way that’s accessible even to casual fans.

Transformers began with toys and a cartoon series in 1984 and has since grown to include comic books, movies, and video games — its science fiction story has reached an audience with a wide range second only to that of Star Wars. Here, in Transformers and Philosophy, a dream team of philosophers pursues the fascinating questions posed by humankind’s encounter with an artificially intelligent mechanical civilization: Is genuine artificial intelligence possible? Would a robotic civilization come with its own morality and artistic life, and would it find a need for romantic love? Should we be more careful about developing robots that may eventually develop ideas of their own? Transformers and Philosophy puts Transformers under a microscope and exposes its philosophical implications in an instantly readable way.

These essays explores Mel Gibson's "Passion" in depth and expands on its themes. Topics covered include why Christ was killed; whether moral responsibility is possible when God knows what's going to happen; the relationship between the film, anti-Semitism, and the Israeli-Palestinian conflict; the role of women in The Passion; and more.

Bringing together two high-powered pastimes - the sport of baseball and the academic discipline of philosophy - Eric Bronson asks 18 young professors to provide their profound analysis of some aspect of baseball. The results offer surprisingly deep insights into this most American of games.

"SpongeBob SquarePants and Philosophy" is designed to introduce fans of "SpongeBob SquarePants" to some of the great thinkers and questions in philosophy. The essays can be shared by young and old alike, kindling new interest in philosophy and life's big questions. What keeps "SpongeBob" "reeling in" major audiences on a daily basis is that underneath the lighthearted and whimsical exterior are the seeds of long-standing and important philosophical discussions about identity and the self, our obligations toward others, benefits and tensions of the individual in community, principles of the marketplace and environmental ethics, and questions of just how exactly Jack Kahuna Laguna can build a fire at the bottom of the ocean. (Okay, so perhaps we don't have an answer for that last one, but maybe if you look into that fire long enough the answer will be revealed.) The book begins with a section exploration of the major characters of the series. To begin, Nicole Pramik uses the philosophies of Aristotle to demonstrate why SpongeBob, more than any other character in the series, is defined by a life of well-being and flourishing. In chapter two, Timothy Dunn provides an assessment of SpongeBob's best friend, Patrick Star, using the writings of J.S. Mill to ask if the life of simple pleasures preferable to the life of the mind, while in chapter three Natasha Liebig uses the German pessimist philosophers to reveal what it means to live the life of Squidward Q. Tentacles. Chapter four uses the competing philosophies of Ayn Rand and Karl Marx to evaluate the actions of SpongeBob's boss, Mr. Eugene Krabs, while in chapter five Denise Du Vernay explains how Sandy Cheeks offers a brand of feminism that breaks down traditional assumptions about masculine and feminine identity and repackages them into constructive and empowering messages for young people. Concluding this section of the book, Nicholas Michaud uses the philosophy of Friedrich Nietzsche to ask us reconsider our belief that SpongeBob and his friends are somehow heroic by giving us insight into the "will to power" held by the powerful little protozoan, Plankton. Section two of the book is dedicated to exploring the community of Bikini Bottom, starting with Shaun Young's examination of Bikini Bottom as a representation of various theories of the just state. In chapter eight, Nathan Zook looks into whether we might learn something about theories of democracy and political participation from an election between SpongeBob and Squidward for "Royal Krabby," while in chapter nine Adam Barkman uses the writings of Dante Alighieri to assess the monarchal rule of King Neptune. Chapter ten uses the legal philosophies of thinkers like Thomas Hobbes, John Locke, John Rawls, and David Hume to answer whether Mr. Krabs has the proper philosophical basis upon which to claim an individual right to possess and profit from the secret Krabby Patty formula. Chapter eleven then takes us to the pristine Jellyfish Fields where Greg Ahrenhoerster uses literary naturalism and the works of transcendentalist thinkers to examine environmental ethics and an individual's obligations to shared resources. The third and final section uses SpongeBob to explore psychological and scientific questions that float around under the sea. In chapter twelve, Katie Anderson uses the episode "Sleepy Time" to explore Cartesian principles related to the philosophical questions that attempt to distinguish between dreams and reality, and in chapter thirteen Robert Kincaid continues the examination into philosophical issues related to the mind by using SpongeBob, Squidward, and Patrick to relate the theories of Sigmund Freud. Chapter fourteen is dedicated to an introduction into the philosophy of science by Wilson Gonzalez-Espada, and Robert Vuckovich concludes the volume with an essay on SpongeBob's insatiable thirst for knowledge in the episode "The Secret Box."

Neil Gaiman is the imaginative wizard behind the best-selling novels "American Gods" (soon to be an HBO series) and "The Anansi Boys," the graphic series "The Sandman," and popular children's books like "Coraline" and "The Graveyard Book.""Neil Gaiman and Philosophy" looks at Gaiman's work through a philosophical lens. How does fantasy interact with reality and what can each tell us about the other? Do we each have other selves who embody different personal qualities? If the unknown influences the known, is the unknown just as real as the known? What makes people truly valuable? In "Neil Gaiman and Philosophy," eighteen philosophers explore Gaiman's best-loved and unforgettable worlds: "The Graveyard Book," a macabre parallel to "The Jungle Book," in which the boy Bod is raised by the supernatural inhabitants of a graveyard."Coraline," in which a girl neglected by her parents finds another world with an Other Mother who pays her a lot of attention, but then turns out to be evil and won't let her go."Neverwhere," in which a London man discovers a magical parallel city, London Below."The Sandman," best-selling comic books in which the Lord of Dreams attempts to rebuild his kingdom after years of imprisonment."Good Omens" (with Terry Pratchett) treats biblical prophecy, the Antichrist, and the End Times as a hilarious comic tale, filled with sly but good-humored twists and turns."MirrorMask," where a young circus girl finds that the pictures she has drawn have given her access to a fantastic world of light and shadow, populated with characters who have designs on her.

In Downton Abbey and Philosophy, twenty-two professional thinkers uncover the deeper significance of this hugely popular TV saga. Millions of viewers throughout the world have been enthralled by this enactment of a vanished world of decorum and propriety, because it presents us with emotional and interpersonal problems that remain urgent for people in the twenty-first century.Why do we attach such importance to our memories and to particular places? What do war and epidemics tell us about life in peacetime and in good health? Is it healthy or harmful for people to feel that they know their place? What does Downton Abbey teach us about the changes in women’s roles since 1912? Do good manners always agree with good morals? How can everybody know what no one will talk about? What’s the justification for a class of people who pride themselves on not having a job? Should we sometimes just accept the reality of social barriers to love, and abandon the pursuit? What happens when community reinforces oppression?All of these and many other issues are discussed through a detailed examination of the actual characters and situations in Downton Abbey.

Covering everything from Aristotle to ziti, this title explores such topics as: is Tony Soprano a good man?; is Carmella a feminist?; morally speaking who is the worst person on "The Sopranos"; and is watching "The Sopranos" harmful to your mental or moral health?

Mr. Robot has been hailed, not only as one of the most haunting and unnerving dramas ever to appear on television, but also as the first accurate popular presentation of how computer hacking and cyberterrorism actually work. Mr. Robot and Philosophy is aimed at thoughtful fans of this addictive show who will welcome the opportunity to explore Elliot Alderson''s world from a philosophical perspective.       The developing story of Mr. Robot constantly raises ethical and metaphysical issues. What happens to our personal identity when it’s extended into cyberspace and an array of electronic devices? Are we in control of our online lives or are we being controlled? What does our right to privacy mean in a world where millions of people can observe what we’re doing and saying? Is a virtual currency true money and could it replace traditional money? Can there be healthy forms of drug addiction? Can some types of so-called mental illness be useful and beneficial?       Does it make any sense to unleash destruction upon the existing corporate economic structures, and can we expect something better to emerge from the ruins of a digital meltdown?

Courtland Lewis has scoured the planet to bring together the most talented faction members, factionless, and even a few from the Bureau to discuss the philosophy of Divergent.Divergent and Philosophy begins by examining the personal struggles that all people face at some time: What sort of person should I be? What if I find out my life is a lie? What do I owe my parents? Am I normal? Once readers have finished answering these questions they’re ready for the “choosing ceremony.” Part two examines each faction, looking at its virtues, vices, and other features that will help readers pick the “right” faction. This part gives readers a glimpse into what it’s like to be faced with the most important decision of our lives, the one that will forever determine who we are.Part three takes a step takes a step back, in order to question Chicago''s ordering of society. Chicago is on the verge of revolution, but is this the result of the faction system itself, or is it the people within the factions that are behind the social discord? Part four shifts the focus individuals and those who hold power. Part five tells us how to recognize injustice.