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For the first time in English, the introductory volume in a major French philosopher's groundbreaking series of poetic transdisciplinary works Michel Serres is recognized as one of the giants of postwar French philosophy of knowledge, along with Gilles Deleuze, Jacques Derrida, Michel Foucault, and Gilbert Simondon. His early five-volume series Hermes, which appeared in the 1960s and 1970s, was an intellectual supernova in its proposition that culture and science shared the same mythic and narrative structures. Hermes I: Communication marks the start of a major publishing endeavor to introduce this foundational series into English. Building on the figure of the Greek god Hermes, who presides over the realms of communication and interpretation, Hermes I embarks on a reflection concerning the history of mathematics via Descartes and Leibniz and culminates by way of a Bachelardian logoanalytic reading of Homer, Dumas, Molière, Verne, and the story of Cinderella. We observe a singular poetic philosopher seeking to bridge the gap between the liberal arts and the sciences through a profound mathematical and poetic fable regarding information theory, history, and art, establishing a new way to think about the production of knowledge during the late twentieth century. In these pages, students and scholars of philosophy will discover an extraordinary project of thought as vital to critical reflection today as it was fifty years ago.
The influential work of speculative biology-and a key document in posthumanist studies-now available in a new, accurate English translation.
A provocative investigation into animals, hands, and human identity in Western philosophy
Translation of: Grundlinien einer Philosophie der Technik.
A sweeping inquiry that critiques modern science's claims of objectivity, rationality, and truth
Challenging the view that caring is only human
Vinciane Despret argues that behaviors weidentify as separating humans from animals do not actually properly belong tohumans. Combining serious scholarship with humor, this book poses twenty-sixquestions that stretch our preconceived ideas about what animals do, what theythink about, and what they want.
Global warming is perhaps the most dramatic example of what Timothy Morton calls "hyperobjects"-entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. Morton explains what hyperobjects are and their impact on how we think, how we coexist, and how we experience our politics, ethics, and art.
"Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology"--
This deeply personal yet intellectually groundbreaking work develops the idea of companion species and deftly explores philosophical, cultural, and biological aspects of animal-human encounters.
Links the political critique of sovereign power with ecological concerns
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