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Through systematic and detailed readings of Futurist texts, James Rann offers the first book-length study of the tensions between the outspoken literary group and Aleksandr Pushkin. Rann's analysis contributes to the understanding of both the Futurists and Pushkin's complex legacy.
Reclaiming a cornerstone of Pushkin's work, this volume offers a critical study of four of his compact plays, later known as ""The Little Tragedies"". It examines their historical roots and connective themes, offers close readings and tracks the transformation of the works into other genres.
Illuminates the surprisingly diverse effects of the Table of Ranks on writers, their work, and literary culture in Russia. From Sumarokov and Derzhavin in the eighteenth century through Pushkin, Gogol, Dostoevsky, and poets serving in the military in the nineteenth, state service affected the self-images of writers and the themes of their creative output.
For many nineteenth-century Russians, poetry was woven into everyday life - in conversation and correspondence, scrapbook albums, and parlour entertainments. Blending literary analysis with social and cultural history, this book shows how poetry lovers of the period became nodes in a vast network of literary appreciation and constructed meaning.
In this study, David Bethea illustrates the relation between the art and life of 19th-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of this 200th anniversary, still speaks to our time.
Includes the original Russian text and, for the first time, an English translation of that version. Antony Wood s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the case they make is skillfully argued. . . . Highly recommended. "Choice""
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