Bøger i Qizhen Humanities and Social S serien

This book systematically outlines the development of ancient Chinese. Consisting of 20 chapters, the self-contained work presents macro-level discussions on a broad range of topics, including: philology, phonology, exegetics, certain words¿ special meanings, sentence types, the flexible use of words, different grammars in ancient and modern times, and rhetoric. Though chiefly focusing on vocabulary, the book also addresses grammar, and points out grammar problems that differ considerably from those in modern Chinese, in addition to combining morphology and syntax. Further, unlike the majority of textbooks on the subject, it pays more attention to the rhetoric used in ancient Chinese literary works. Rather than simply analyzing linguistic phenomena, the book also (and more importantly) provides a meaningful approach to the study of ancient Chinese. Accordingly, it offers a valuable asset for researchers, graduate students, and everyone else who is interested in ancient Chinese.

This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.

Dunhuang studies refer to a discipline focusing on Dunhuang Manuscripts, Dunhuang grotto art, the theory of Dunhuang studies, and Dunhuang history and geography. It is a broad subject of studying, excavating, sorting, and protecting the cultural relics and documents in the Dunhuang area of China.The General Theory of Dunhuang Studies explores the basic concept of Dunhuang studies. It presents a more comprehensive and systematic study of six aspects of Dunhuang, covering the background of Dunhuang studies in orientalism, the history of Dunhuang, Dunhuang grotto art, the scattering of Dunhuang cultural relics, Dunhuang manuscripts, and the history of Dunhuang studies, and discussing and summarizing the relevant national and international research.The General Theory of Dunhuang Studies has extensively absorbed the research achievements of domestic and foreign academic circles and the author's decades of academic research experience.As a comprehensive and systematic academic monograph with both academic depth and extensive readability, the book provides descriptions, theory and objective comments written in a clear and straightforward style; the book is intended for professional scholars, graduates and general readers. It is an excellent teaching and learning resource for those interested in understanding and learning about Dunhuang studies. However, it is also a helpful reference book for readers interested in Dunhuang culture.

Based on the ancient Chinese concept of the unity of Heaven and Man (¿¿¿¿, ¿tian ren he yi¿), guided by principles governing the connections and interdependencies between Heaven, Earth, Man, and the media, and in accord with the coexistence of these four elements in balance and in harmony, this monograph outlines the scope of the study, fundamental concepts and theories, and future directions of research in the interdisciplinary field of the geography of media. The author delves deeply into the themes of time, space, place, landscape, and scale to introduce readers to a wide array of intriguing concepts that add new dimensions to this relatively new academic field. In addition, this monograph presents a history of media geography as it has evolved in the West and in China over the past several decades, and introduces principles and values from traditional Chinese culture that shed light on the nature, direction, and significance of media studies and communication research now being conducted around the globe. Intended readership: professional scholars, graduates, and general readers.

This book aims to answer the key question facing China in building an innovative country: What kind of indigenous innovation path with Chinese characteristics should be taken? This book conducts an in-depth analysis of the indigenous innovation path with Chinese characteristics from two dimensions: path evolution and level (enterprise, industry, region, and country). It puts forward the leading path of innovation with Chinese characteristics and also offers policy suggestions.