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How does Godâ¿s unchanging nature impact the salvation of his people?While divine immutability enjoyed a broad affirmation through much of Christian theological antiquity, it has fallen on harder times in modernity. Seen as a holdover from overly philosophical theology, divine immutability has often been characterized as rendering God static and incapable of having meaningful relationships with his creation. Â This book aims to swim upstream from this claim and demonstrate that divine immutability does not handicap soteriology but is a necessary and vital component of Godâ¿s economy of redemption as triune changelessness protects and promotes the redemption of Godâ¿s creatures. By anchoring the economy of redemption in divine immutability, we see the benefit of rooting all of Godâ¿s economic work in the immanent life of God. This book aims to be a work of dogmatic theology and therefore will arrive at this thesis by way of exegetical, historical, and philosophical theology. In harmony, these fields will interact with varying deviations and denials of divine immutability and ultimately conclude that a classical articulation of Godâ¿s changelessness does most justice to the economy of redemption.
What hath beauty to do with systematic theology? In this new monograph, Samuel G. Parkison explores this question by examining the relationship between Christâ¿s divine beauty and regeneration and faith. Building on recent scholarship in (a) theological retrieval of the Christian tradition, and (b) Protestant developments in theological aesthetics, this project is concerned with soteriologyâ¿s aesthetic dimension. While many today may consider beauty a mere matter of preference, glibly assuming that âbeauty is in the eye of the beholder,â? Parkison pushes fiercely in the opposite direction, dignifying beauty by recognizing its objective valueâ¿a feature of aesthetics that has fallen on hard times since the soâ¿called Enlightenment, and the subsequent âuglification of cultureâ? (as Sir Roger Scruton put it). Â In this doxologically flavored,dogmatically charged work, Parkison pulls from a variety of disciplines to demonstrate Christâ¿s beauty, and the relevance of Christâ¿s beauty on Christian theology. Irresistible Beauty is the work of a synthetic generalist. It is not strictly a work of exegesis, though it will stand firmly on exegetical findings. It is not strictly a work of biblical theology, though it will be biblicalâ¿theological. It is not strictly a work of historical theology, though it will engage in theological retrieval of the churchâ¿s history. It is not strictly a philosophical work, though, driven by a love for wisdom, it will be irreducibly philosophical. Thus, this is a systematicâ¿theological work in the full sense of the termâ¿informed and shaped by these disciplines and informing and shaping the pursuit of them. Â Irresistible Beauty is sure to stimulate readers who enjoy a wide range of topics: the philosophy of beauty, metaphysics, Classical Christian Theism, biblical theology, and a Protestant Reformed conception soteriology are all dealt with in this dense theological work. Parkison also converses with some of the greatest minds of Christian history (e.g., Athanasius, Hilary of Poitiers,Gregory of Nazianzus, Gregory of Nyssa, Basil the Great, Anselm, Thomas Aquinas, Francis Turretin, John Owen, Jonathan Edwards, Herman Bavinck, Hans Urs von Balthasaar), making Irresistible Beauty a stimulating work for many a reader.
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