Bøger i Richard E. Myers Lectures serien

Political polarization and unrest are not exclusive to our era, but in the twenty-first century, we are living with seemingly unresolvable disagreements that threaten to tear our country apart. Discrimination, racism, tyranny, religious fundamentalism, political schisms, misogyny, "e;fake news,"e; border walls, the #MeToo moment, foreign intervention in our electoral process-these cultural and social rifts charge our world, and we have failed to find a path toward agreement or unity. Making the World Over is Marie Griffith's thoughtful response to an imperiled nation that has forgotten how to listen and debate productively, at a time when it needs vigorous discourse more than ever. Griffith performs the urgent work of examining the histories behind the issues at the root of our country's conflicts both past and present, from race and immigration to misogyny and reproductive rights. This is more than a study of the issues; it is an attempt to shed real light on how to encourage constructive dialogue and move society forward.

Shakespeare's plays are filled with religious references and spiritual concerns. His characters-like Hamlet in this book's title-speak the language of belief. Theology can enable the modern reader to see more clearly the ways in which Shakespeare draws on the Bible, doctrine, and the religious controversies of the long English Reformation. But as Oxford don Paul Fiddes shows in his intertextual approach, the theological thought of our own time can in turn be shaped by the reading of Shakespeare's texts and the viewing of his plays.In More Things in Heaven and Earth, Fiddes argues that Hamlet's famous phrase not only underscores the blurred boundaries between the warring Protestantism and Catholicism of Shakespeare's time; it is also an appeal for basic spirituality, free from any particular doctrinal scheme. This spirituality is characterized by the belief in prioritizing loving relations over institutions and social organization. And while it also implies a constant awareness of mortality, it seeks a transcendence in which love outlasts even death. In such a spiritual vision, forgiveness is essential, human justice is always imperfect, communal values overcome political supremacy, and one is on a quest to find the story of one's own life. It is in this context that Fiddes considers not only the texts behind Shakespeare's plays but also what can be the impact of his plays on the writing of doctrinal texts by theologians today. Fiddes ultimately shows how this more expansive conception of Shakespeare is grounded in the trinitarian relations of God in which all the texts of the world are held and shaped.

"Fully Alive uses the work of Karl Barth to develop a humanism that can produce a form of Christianity that gives people hope in a time of uncertainty. It is assumed that Christianity no longer has social and political power but that makes possible a church that may actually tell the truth. Besides Barth, Reinhold Niebuhr plays a prominent role in the book, and race is treated in a retrospective essay"--