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This book presents interdisciplinary scholarship on art and visual culture that explores disability in terms of lived experience. It will expand critical disability studies scholarship on representation and embodiment, which is theoretically rich, but lacking in attention to art.
This book examines the iconic figurations, aesthetic styles and visual tactics in which visual art and visual popular culture attempt to appeal to "all of us," with interdisciplinary contributions from the fields of art history, film and media studies, philosophy, anthropology, and political theory.
Working in 1970s Italy, a young generation of artists, namely Ugo La Pietra, Maurizio Nannucci, Francesco Somaini, Mauro Staccioli, Franco Summa, and Franco Vaccari, sought new spaces for the creation and exhibition of art.
This book examines the importance of the animal in modern art theory. It focuses on the conceptual connections between the notions of art and animality in art theory between the 1750s and 1950s, and clarifies the status of the animal under modernity.
This study about the British artist Roy Ascott, one of the first cybernetic artists, with a career spanning seven decades to date. The book focuses on his early career, exploring the evolution of his early interests in communication in the context of the rich overlaps between art, science and engineering in Britain during the 1950s and 1960s.
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