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After the publication of The Parson's Widow, Vartio's fifth novel, Finnish critics hailed it as a masterpiece, her finest literary achievement. This is the first opportunity for English readers to become acquainted with her unforgettable characters: the eccentric widow of a country parson, her maid Alma, and the other inhabitants of a rural village.
In her old house by the fjord, Signe lies on a bench and sees a vision of herself as she was more than twenty years earlier: standing by the window waiting for her husband Asle, on that terrible late November day when he took his rowboat out onto the water and never returned. Her memories widen out to include their whole life together, and beyond: the bonds of one family and their battles with implacable nature stretching back over five generations, to Asle's great-great- grandmother Aliss. In Jon Fosse's vivid, hallucinatory prose, all these moments in time inhabit the same space, and the ghosts of the past collide with those who still live on. Aliss at the Fire is a haunting exploration of love, ranking among the greatest meditations on marriage and loss.
A man murders a grocer over fifteen cents-but in the sharp, icy prose and detached tone that defines this collection, his crime seems neither sensational nor entirely reprehensible. Rosa Liksom populates a world of snow-covered landscapes, antiseptic apartments, fish factories, and lumber camps with the obsessive, the violent, and the unhinged
In A Philosophy of Evil, acclaimed philosopher Lars Svendsen argues that evil remains a concrete moral problem: that we're all its victims, and all guilty of committing evil acts. A Philosophy of Evil treats evil as an ordinary aspect of contemporary life, with implications that are moral, practical, and above all, political.
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