Bøger i Society for Classical Studies American Classical Studies serien

Sens and Olson offer a new text of the 144 surviving lines of the parodies of Matro of Pitane (c. 300 BC) based on a fresh examination of the manuscripts; a translation; a detailed philological, historical, and gastronomic commentary; and a lively introduction to the poet and his times.

Emperors and Usurpers provides an historical commentary for the final books of Cassius Dio's Roman history, with a focus on Dio's role as author and historian, his historical method, and his attitude to the Severan regime. The study elucidates Dio's account of the controversial reigns of Caracalla, Macrinus, and Elagabalus.

This is the first book to present a comprehensive study of the mythological and secular Virgilian centos.

Traditional Elegy explores several issues related to the traditional compositional techniques that lay behind archaic Greek elegy. Through investigation of elegy's metrical partitioning, its repeated phraseological patterns, and the symbiosis of those patterns with metrical anomalies, it becomes clear that oral-formulaic processes were indeed at the heart of such poetry.

Hyperides' Funeral Oration is arguably the most important surviving example of the genre from classical Greece. The speech stands apart from other funeral orations (epitaphioi) in a few key respects. First, we have the actual text as it was delivered in Athens (the other speeches, with the possible expection of Demosthenes 60, are literary compositions). Next, in contrast to other orations that look to the past and make only the vaguest mention ofrecent events, Hyperides' speech is a valuable source for the military history of the Lamian War as it captures the optimistic mood in Athens after Alexander's death. Finally, the speech has been singled out since Longinus' time for its poetic effects. This volume is a new critical edition and commentary of the speech, written for scholars and graduate students in classics and ancient history. Although Hyperides ranked nearly as high as Demosthenes in the canon of Attic orators and his funeral oration will make the speech much more accessible to a wide range of scholars. The text is based on a full examination of the papyrus and includes an apparatus criticus, with a complete listing of all conjectures in a separate appendix. The translationis clear and accurate and the commentary provides a mixture of historical, cultural, and literary material.

Work in Progress offers the first in-depth study of the cultural and social importance of literary revision among ancient Greek and Roman authors.

This monograph, a companion to a new edition of Macrobius' Saturnalia, surveys the early medieval transmission of the text, provides the first detailed stemma of the extant manuscripts, and discusses some of the nearly 300 passages in which the new text differs from the standard edition of James Willis.

This volume provides a study of the works of Sextus Empiricus, their recovery, transmission, and intellectual influence through Late Antiquity, the Middle Ages, and the Renaissance, as well as the reception they have received.

Scholars routinely state that the Iliad is an "oral poem"; but what makes it the "good read" we know it to be? Bruce Heiden illuminates the epic's artisty and philosophical depth by drawing upon cognitive narratology to develop novel research methods.

This collection of essays is devoted to the most important changes - in theme, language, structure, style, and production - that characterize the transformation of Athenian Comedy from the mid-fifth through the fourth century.

Horace, Persius, and Juvenal, the verse satirists of ancient Rome, developed a unique mode of social criticism by borrowing from their culture's existing methods of entertainment and moral judgment. Keane's analysis of the satiric genre reveals its debt to four key Roman practices: theater, public violence, legal process, and teaching.

Provides a fresh look at both the literary and material representations of Agrippina. This study exposes both the contrivances of the commissioned artists whose idealized portraits served to buttress the image of the regime and the contrasting designs of the historians whose rhetorical stereotypes and negative depictions aimed to undermine it.

This title illustrates the importance of semi-learned mythographic handbooks in the social, literary, and artistic world of Rome. One of the most intriguing features of these works is the fact that they all cite classical sources for the stories they tell, sources which are often forged.

The Augustan Succession is an historical commentary on Books 55-56 of Dio's Roman History. These books recount the last half of the reign of the Emperor Augustus, above all his orchestration of the first imperial succession. Addressed to both students and scholars, the new commentary is the first since the eighteenth century to offer full and fresh treatment of this segment of Dio's work.