Bøger i The German List serien

Delves into Theodor W. Adorno's lesser-known musical career and successful music criticism. Theodor W. Adorno is recognized as one of the twentieth century's most prominent social theorists. Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic. Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno's concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging with these media in a spirit that is no less productive than polemical and focused as sharply on their potentialities as on their shortcomings. Orpheus in the Underworld offers a captivating exploration of Adorno's musical compositions, shedding new light on his understanding of influential composers and his critical perspectives on recording and broadcasting.

A suspenseful novel that delves into the complexities of a father-son relationship and the timeless themes of guilt and forgiveness.   A longboat plummets over the Great Falls, drowning the five passengers on board. The Lockmaster, the heir to an ancient title and responsible for guiding river traffic safely around this natural barrier on the White River, ought to have prevented this tragedy. His son is convinced that it was not an accident. Is his irascible father a murderer? A hydraulic engineer all too familiar with the brute force of rivers, he sets out to discover the truth and find his missing father.  The Lockmaster is a dramatic tale set in a world where water has become a precious commodity and Europe has fractured into warring ethno-nationalist entities desperate to uphold the traditions and insignia of a so-called glorious bygone era. Christoph Ransmayr recounts this story in his trademark style, its epic force shot through with visions of future technology and reactionary politics amid a climate breakdown. At heart, though, this novel is the story of a father-son relationship straddling the fault lines between past and present, and an exploration of timeless questions of guilt and forgiveness.

A personal look into the mind of one of Europe's first and foremost women of letters.   At times poetic but not a poem, prosaic but not an essay, a letter is often pure writing for writing's sake. Such is the case for Rahel Varnhagen von Ense, née Levin, the illustrious German-Jewish Berlin literary salon hostess from the early nineteenth century. She penned over ten thousand letters to more than three hundred recipients, including princes, philosophers, poets, family members, and the family cook. Written with a wink at posterity, collected and first published after her passing by her husband, Karl August Varnhagen von Ense, these letters constitute a singular contribution to German literature.   Varied in subject-from family affairs to linguistic, literary, and pressing social concerns-the poignant lyricism of her letters is all the more remarkable when we take into account that High German was not her first language; she grew up speaking, reading, and writing primarily Yiddish. Her shaky social status as a woman and a member of a precarious minority, combined with an astounding lucidity and a rare capacity to put her thoughts into words, made her a force to be reckoned with in her lifetime and thereafter as one of Germany's preeminent women of letters. As we see in I Just Let Life Rain Down on Me, her voice is as fresh and original as that of any of the recognized poets and thinkers of her day. As Rahel herself put it: "[O]ur language is our lived life; I invented mine for my own purposes, I was less able than many others to make use of preconceived turns of phrase, which is why mine are often clumsy, and in all respects faulty, but always true."   Compiled and translated by Peter Wortsman, this rewarding volume affords English-speaking readers the first privileged peek at the mindset of one of Europe's first and foremost women of letters.

An intimate glimpse into the life and letters of Rainer Maria Rilke, one of the most important poets of the twentieth century.   In July 1921, displaced European poet Rainer Maria Rilke sequestered himself in the chateau of Muzot, a thirteenth-century medieval tower perched in the vineyards above the town of Sierre in the Canton Valais, Switzerland. In this sun-flooded landscape of the Rhone Valley, he found beguiling echoes of Spain and his beloved Provence. Here, the Duino Elegies were famously completed and the Sonnets to Orpheus followed.   During this time, Rilke's correspondence also bloomed, and Letters around a Garden collects some of those letters together into English for the first time. One intriguing exchange from 1924 to 1926 was with a young aristocratic Swiss woman Antoinette de Bonstetten, a passionate horticulturist who had been recommended as a potential advisor for the redesign and upkeep of the Muzot rose garden. In twenty-two precious letters originally written in French, Rilke relishes the prospect of their elusive meeting, keenly discusses the plans for his garden, and wittily laments the trials of his plants. Beyond the encomium for Paul Valéry and poignant memory of place are passages of exquisite writing, in which Rilke evokes with trademark sensitivity the delicate relationship between the changing seasons and the natural world of his adopted region. We also witness the loving relationship evolve between these sometime-fugitive correspondents and how questions of solitariness and companionship impinge on one who faces unaccustomed challenges as his health tragically declines.

An unveiling of the presence of captivating figures and creatures throughout history. In this gripping philosophical and cultural exploration, Teresa Präauer sets out to investigate figures of transformation, transmission, and translation-across languages, cultures, genres, media, species, and spaces. Hybrids, chimeras, monsters, and liminal creatures of all sorts inhabit these pages, as indeed they do the pages of the cultural archive from Antiquity and the Middle Ages to the present day: everything from the harpies, ape-men, and cynocephali that inhabit the edges of medieval maps and taxonomies to the Krampuses and Furries that roam through Alpine villages and convention centers today. Yet these chimeras are not aberrations; rather, they reveal an essential truth about culture and artistic expression.   What emerges in Becoming Animal is a kaleidoscopic image of culture as the constant probing of the limits of the sayable, as an unending process of attempting to capture in words and symbols that which cannot be pinned down.

A personal perspective on the challenges of living through a global pandemic. When the COVID-19 pandemic hit, Michael Krÿger was suffering from severe shingles and just beginning treatment for leukemia. Because his immune system was so compromised that even a cough would have knocked him flat, he had to stay away from people. He retired to a wooden house near Lake Starnberg in Germany, and from there he dispatched his poetic messages. Krÿger‿s meditations from quarantine were printed for many months in the magazine of the Sÿddeutsche Zeitung and met with an enthusiastic response. In a Cabin, in the Woods collects fifty tableaux of nature, images of the immediate surroundings of a restricted life that also look beyond the horizon. At the same time, these poems look inward to explore transience, illness, and death. Humorous and melancholy, these are studies of the world made with the tiniest compass‿meditations on nature and the nature of self that touch us all.

A collection of poetic stream-of-consciousness prose meditations by Friederike Mayröcker. Friederike Mayröcker has no time. Not for summary and memory, not for excessive reviewing and reasoning, and certainly not for storytelling. She doesn't even have time for life itself--unless it's writing. What counts, in her view, is only the poetry and "the echoic inventions" of a life that lasted for almost a century, which is preserved in her writings. Widely considered one of the most important European poets of the twentieth and twenty-first centuries, Mayröcker passed away in 2021 at the age of ninety-six. On the outside, her life may be subject to the impertinence of the finitude of all human existence. But on the inside, and in its transformation into the eternal moment, life only becomes richer and richer in forms of experience. In radically concentrated language and compellingly beautiful images, Mayröcker presents in this cahier a life that follows only one maxim: "Not just what is written, but existence, too, must be poetic."

Alexander Kluge explores the madcap, multifaceted world of the circus through a global geopolitical lens. The circus has fascinated Alexander Kluge ever since he was a child, and his devotion to it has been preserved throughout his cinematic output and his most recent literary work. In the circus, he finds both the shadow image of work and the epitome of human excellence, from love to war to revolution. As surfaces onto which utopias are projected, these elaborate performances offer a tangible representation of developments within civilization, with its nearly infinite possibilities and sometimes inevitable crashes--from the excited roar of the crowd to death on the floor of the ring. In Circus Commentary, Kluge's montage of modernities moves back and forth through time and space, expressing his unique mix of fictional and non-fictional reports, histories, and stories through semantic fields, images, and film sequences inserted in the book via QR codes. We encounter a broad panorama of perplexed artists and sophisticated surgeons cavorting alongside fighter pilots, sans-culottes drunk with dreams of omnipotence, and, most importantly, animals--to whose superhuman performances, this book creates a lasting memorial.

A highly engaging exploration of existential questions, written in the midst of the Coronavirus pandemic.  The Book of Commentary / Unquiet Garden of the Soul confronts the reader with questions of existential meaning, questions rendered all the more potent by the backdrop of the Coronavirus pandemic: How fragile are we as human beings? How fragile are our societies? What is a "self," an "I,"  a "community"? How are we to orient ourselves? And what, if any, role does commentary play? In a fashion that will be familiar to longtime admirers of Alexander Kluge, the book stretches both back in time to the medieval glossators of Bologna and forward into interstellar space with imagined travel to the moon Europa. Kluge's characteristic brief, vignette-like prose passages are interspersed with images from his own film work and QR codes, forming a highly engaging, thoroughly contemporary read.

A collection of six Bernhard plays, all in English for the first time. Save Yourself if You Can is a collection of six plays that span the entirety of Thomas Bernhard's career as a dramatist. The plays collected in this long-awaited addition to Bernhard's oeuvre in English-The Ignoramus and the Madman, The Celebrities, Immanuel Kant, The Goal Attained, Simply Complicated, and Elizabeth II-traverse somber lyricism and misanthropy to biting satire and glorious slapstick. They explore themes that will be familiar to longtime readers of Bernhardt, but here they are presented in a subtly different register, attuned to the needs of the stage.

A dazzling selection of more than one hundred poems that trace the development of Durs Grünbein's work over the past two decades. Born in Dresden in 1962, Durs Grünbein is the most significant and successful poet of his generation in Germany. Since 1988, when the then-twenty-five-year-old burst onto the scene with his poetry collection Grauzone morgens-a mordant reckoning with the East Germany he grew up in-Grünbein has published more than thirty books of poetry and prose, which have been translated into dozens of languages. In 2005 the volume Ashes for Breakfast introduced Grünbein to English-language readers for the first time by sampling poetry from his first four collections. Psyche Running picks up where that volume left off and offers a selection of poems from his nine subsequent collections, which shows how Grünbein has developed from his ironic take on the classical into an elegiac exploration of history through dream fragments and poems with a haunting existential unease.

A collection of unique, profound, and witty stories that relate animals' peculiarities to human attitudes. Animals is a collection of short stories in which each story takes a peculiar item about animals that appears, like fables, to shine a spotlight on different aspects of human behavior-like caterpillars digging their own graves, sharks in need of artificial respiration, ducks that keep an eye out for hungry predators even in their sleep. It is a treat to watch Eva Menasse spin these observations into scenes of people battling their everyday anxieties and doubts. An old tyrant realizes that he is unable to prevent his wife's worsening dementia from erasing his own past as it erases hers. A mother who tries to protect a Muslim child from hostile accusations finds that her own boundaries between good and evil begin to blur. A woman realizes how starkly her father's traumatic past has shaped her quirky habits and deepest fears. Combining biting wit, mystery, and melancholy, these tales are the work of a masterful storyteller.

A collection of vital, melancholic, elemental, and vibrantly contemporary poems. In the beginning, was the light, or was it the Lumières? In Ulrike Almut Sandig's latest volume of poetry, it is only a leap from the creation of the world to the symphony of the Berlin metropolis. And there is a question holding out off the coast of Lampedusa: Can shining sheep be used as night storage for the dark hours, when we are overwhelmed with fears of God, of a gym teacher with a whistle, of mothers with eyes as black as coal? In devastating sequences, Sandig charts the reality of an abused child, victims of contemporary war, or a fourteenth-century Madonna. Full of humor, musicality, lightness, and rage, Shining Sheep is not just visual poetry-it has loops in your ear and filmic explosions of imagery for all your senses.

A highly readable and lighthearted, yet intellectual-stimulating exploration of the modern human condition.   This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call ‿Black Friday‿ because Wall Street‿s collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We‿ve encountered a pandemic. We‿ve witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation‿just like ships that navigate the high seas. We might just find that in Kluge‿s vignettes and stories. Â

A beautifully produced volume featuring the work of a major German artist. While a face may be considered a head, a head does not necessarily carry a face. Between 2015 and 2017, German artist Max Neuman, known for painting anonymous figures, drew a series of heads. Each head is a moment, each facing the viewer as if looking into a crowd, each distinguishable from the other. Who are they? May we call them portraits? Do they look back? Do they resemble spirits? Some Heads reproduces these haunting drawings along with an essay by cultural theorist and curator Hubertus von Amelunxen that questions the heads and faces while dwelling upon the effacement of individuality.

Essays by Adorno on art and cinema, available in English for the first time.   In Without Model, Theodor W. Adorno strikingly demonstrates the intellectual range for which he is known. Taking the premise of the title as his guiding principle, that artistic and philosophical thought must eschew preconceptions and instead adapt itself to its time, circumstances, and object, Adorno presents a series of essays reflecting on culture at different levels, from the details of individual products to the social conditions of their production. He shows his more nostalgic side in the childhood reminiscences of ‿Amorbach‿, but also his acute sociocultural analysis on the central topic of the culture industry. He criticizes attempts to maintain tradition in music and visual art, arguing against a restorative approach by stressing the modernity and individuality of historical works in the context of their time. In all of these essays, available for the first time in English, Adorno displays the remarkable thinking of one both steeped in tradition and dedicated to seeing beyond it. Â

An engaging exploration of romance focusing on disparate ages of lovers. Sunday evening, Tegel Airport, Berlin: A woman strikes up a conversation with a man, Robert Sturm, who is thirty-six years old and eighteen years her junior. He is on his way to Siberia and will return the following Saturday. She cannot wait . . . In 1981 she came to West Berlin as an eighteen-year-old to study medicine and met Viktor, who was twice her age. Though he opened the world up to her, he remained closed himself. At the turn of the millennium and thirty-six, she meets Johann. He is thirty-six too. They try to make a life together, but their jobs arenâEUR(TM)t the only things that are precarious. Saturday morning, Tegel Airport again: For six days, her everyday life and her memories have become entwined. Why are the men in her life always thirty-six? Is she still the person she remembers? Or, being someone who knows their way around the mind, is she in fact what she has forgotten? Â

Dramatic sketches full of surprising, unpredictable twists and turns from a major twentieth-century German-language author.   A member of the Gruppe 47 writers‿ group which sought to renew German-language literature after World War II, Ilse Aichinger (1921‿2016) achieved great acclaim as a writer of fiction, poetry, prose, and radio drama. The vignettes in At No Time each begin in recognizable situations, often set in Vienna or other Austrian cities, but immediately swerve into bizarre encounters, supernatural or fantastical situations. Precisely drawn yet disturbingly skewed, they are both naturalistic and disjointed, like the finest surrealist paintings. Created to be experienced on the page or on the radio rather than the stage, they echo the magic realism of her short stories. Even though they frequently take a dark turn, they remain full of humor, agility, and poetic freedom. Â

Poetic prose meditations translated superbly into English.   Austrian poet Friederike Mayröcker is widely considered one of the most important European poets of the twentieth and twenty-first centuries. The last book of hers to be published during her lifetime, as mornings and moosgreen I. Step to the window is an elliptical and, if at times cryptic, deeply personal, playful, and highly poetic collection of experiences, memories, dreams, desires, fears, visions, observations, and peregrinations through landscapes both real and imagined. The volume bears witness to her unique late lyrical style of pyrotechnical cut-up. Among many others, her beloved Derrida, Duchamp, Hölderlin, and Jean-Paul all appear, almost like guides, as Mayröcker bravely makes her way through infirmity, old age, and loneliness, prolonging her time as a prolific writer as much as possible. Â