Bøger i Toronto Anglo-Saxon Series serien

Stealing Obedience explores how a Christian notion of agent action - where freedom incurs responsibility - was a component of identity in the last hundred years of Anglo-Saxon England, and investigates where agency (in the modern sense) might be sought in these narratives.

Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period.

Anglo-Saxon Psychologies in the Vernacular and Latin Traditions examines the interactions of rival-and incompatible-concepts of the mind in a highly original way.

Old English Metre offers an essential framework for the critical analysis of metrical structures and interpretations in Old English literature.

Reading Old English Biblical Poetry proposes new ways of engaging with a well-known text and serves as a fascinating case study for reading in early medieval England.

Weaving Words and Binding Bodies presents the first comprehensive study of weaving and binding imagery through intertextual analysis and close readings of Beowulf, riddles, the poetry of Cynewulf, and other key texts.

In England in Europe, Elizabeth Tyler focuses on two histories: the Encomium Emmae Reginae, written for Emma the wife of the thelred II and Cnut, and The Life of King Edward, written for Edith the wife of Edward the Confessor.

Preaching Apocrypha in Anglo-Saxon England is the first examination of Christian apocrypha in Anglo-Saxon England, focusing on the use of biblical narratives in Old English sermons. This work demonstrates that apocryphal media are a substantial part of the apparatus of Christian tradition inherited by Anglo-Saxons.

After decades of study dominated by adult gender studies, Childhood and Adolescence in Anglo-Saxon Literary Culture rebalances our understanding of family life in the Anglo-Saxon era by reconstructing the lives of medieval children and adolescents through their literary representation.

In Compelling God, Stephanie Clark examines the relationship between prayer, gift giving, the self, and community in Anglo-Saxon England.

In Epistolary Acts, Jordan Zweck examines the presentation of letters in early medieval vernacular literature, including hagiography, prose romance, poetry, and sermons on letters from heaven, moving beyond traditional genre study to offer a radically new way of conceptualizing Anglo-Saxon epistolarity.

Undoing Babel is the first extensive examination of the development of the Babel narrative amongst Anglo-Saxon authors from late antiquity to the eleventh century.

Biblical Epics in Late Antiquity and Anglo-Saxon England provides an accessible introduction to biblical epic poetry.

In Inhabited Spaces, Nicole Guenther Discenza examines a variety of Anglo-Latin and Old English texts to shed light on Anglo-Saxon understandings of space.

The first comprehensive study of the use of compound words in Old English poetry, homilies, and philosophy, Joinings explores the effect of compounds on style, pace, clarity, and genre in Anglo-Saxon vernacular literature.

The thirteen essays in Imagining the Jew in Anglo-Saxon Literature and Culture examine visual and textual representations of Jews before 1066.

In this groundbreaking collection, ten leading scholars explore the intersections between identity and Latin language and literature in Anglo-Saxon England.

Anglo-Saxon Manuscripts is the first publication to list every surviving manuscript or manuscript fragment written in Anglo-Saxon England between the seventh and the eleventh centuries or imported into the country during that time.

The King's Body investigates the role of royal bodies, funerals, and graves in English succession debates from the death of Alfred the Great in 899 through the Norman Conquest in 1066.

Comparing works by the two most prolific authors of the era, Byrhtferth of Ramsey and Aelfric of Eynsham, Rebecca Stephenson explains the politics that encouraged the simultaneous development of a simple English style and an esoteric Latin style.

Preaching the Converted provides a sustained literary analysis of The Vercelli Book's prose homilies and demonstrates that they employ rhetorical techniques commonly associated with vernacular verse.

Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.

New Readings in the Vercelli Book addresses central questions concerning the manuscript's intended use, mode of compilation, and purpose, and offers a variety of approaches on such topics as orthography, style, genre, theme, and source-study.

Mize synthesizes two previously disconnected bodies of theory to advance our understanding of how traditional phraseology makes meaning, as well as illuminate the political and social dimensions of surviving texts, through attention to Old English poets' impulse to explore subjective perspectives.

Land and Book places a variety of texts in a dynamic conversation with the procedures and documents of land tenure, showing how its social practice led to innovation across written genres in both Latin and Old English.

Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.

By comparing Anglo-Saxon charters, sermons, and law codes with Langland's Piers Plowman and similar poems, Yeager demonstrates that this legal and homiletical literature had an influential afterlife in the fourteenth-century poetry of William Langland and his imitators.