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Bøger i T&T Clark Studies in English Theology serien

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  • - The Indwelling of the Spirit, Participation in Christ and the Defence of Reformed Soteriology
    af Jonathan M. (Christ Church Lowestoft Carter
    1.235,95 kr.

  • - Becoming Beauty
    af UK) Powell & Dr Elizabeth R (Durham University
    451,95 - 1.373,95 kr.

  • af Revd Dr Jordan (University of St Andrews Senner
    1.235,95 kr.

  • af Revd Tobias A. (Diocese of Quincy Karlowicz
    1.235,95 kr.

  • - To Perceive Tragedy Without the Loss of Hope
    af Cambridge, UK) Bowyer & Rev'd Dr. Andrew (Trinity College
    475,95 - 1.584,95 kr.

  • - The Architecture of Participation
    af UK) Dominiak & Revered Dr. Paul Anthony (University of Cambridge
    477,95 - 1.586,95 kr.

  • - The Foundation of Biblical Interpretation
    af Dr. John W. Tweeddale
    493,95 - 1.582,95 kr.

    Revision of the author's doctoral thesis, University of Edinburgh.

  • af UK) Gray & Brett (University of Cambridge
    526,95 - 1.923,95 kr.

    A thorough investigation of Rowan Williams' christology that opens up many wider themes in his thought.

  • - Reason, Passion and the Revival of Religion
    af Graham (Oak Hill College & UK) Beynon
    526,95 - 1.923,95 kr.

    An exploration of the theology of Issac Watts showing how his views on the role of reason and the place of passion are foundational to his thought.

  • - Theology and Drama in the Work of Dorothy L. Sayers
    af Frances (Durham University Clemson
    1.095,95 kr.

    Frances Clemson offers a critical analysis of Sayers' theology through close attention to her dramatic works and to the context in which they were first performed, arguing that Sayers' theology is most fully developed in and through her drama. Clemson also demonstrates how the theology instantiated in these works can reconfigure contemporary discussions about the relationship between theology and the arts. Clemson starts with providing an overview of Sayers' life and work, and situates her discussion within the landscape of existing theological engagements with drama, differentiating her argument from other works which use drama primarily metaphorically or analogically. Clemson introduces the methodological approach of her examination in terms of the close attention to Sayers' plays and their performance context. She concludes her discussion drawing together the case made across the books that Sayers' books enact a theology in which knowledge of God and attentiveness to human historical existence go hand in hand. Clemson clearly demonstrates that Sayers' theology merits greater attention than it has yet received, and emphasizes the importance of the close study of particular dramatic works and their performance contexts for ongoing work in theology and the arts.

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