Bøger i Visual Culture in Early Modernity serien

Investigating the complex interactions between devotional imagery and Church doctrine in the Low Countries during the fifteenth century, this book demonstrates how the pictorial arts intersected with popular religious practice. It features the conceptual frameworks underlying the use and production of religious art in this period.

The early modern period saw the proliferation of religious, public and charitable institutions and the emergence of new educational structures. This collection provides fresh insights into the domestic experience of men, women and children who lived in non-family arrangements, expanding and problematizing the notion of 'domestic interior'.

Chen Hongshou (1599-1652) was as an artist and scholar of the Ming period. Considering Chen's paintings and prints alongside Chen's romance drama commentaries and prefaces and his collected writings (particularly poetry), this title focuses not only on Chen, but also on an important cultural moment in the first half of the seventeenth century.

Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes, this book, a significant contribution to research in art history, sermon studies, gender studies, and theology.

Ann Marie Borys presents northern Italian architect Vincenzo Scamozzi (1548-1616) as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography.

The first monograph to appear in English on the Last Supper frescoes in Quattrocento Florence, this study examines the effect of gender on the contextualized perceptions of the male and female religious who viewed the Florentine Last Supper images. Using archival, literary and cultural sources, and by examining a wide range of contexts.

Focusing on artists and architectural complexes which until now have eluded scholarly attention, this study examines three different confraternal organizations in sixteenth-century Florence. Douglas Dow explores how, through the emphasis on the apostles within their art programs.

Adopting a broad chronological framework and expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers new perspectives on the home in early modern Italy.

Claudia Goldstein mines a rich, interdisciplinary mix of sources to shed new light on the cultural history of sixteenth-century Antwerp. Recontextualizing some of Bruegel's work within the cultural nexus of the dining room.

Addresses the impact of religious tensions on art, design, and architecture in the early modern world. This title examines famous works of art such as Kraft's "Eucharistic Tabernacle", the less-studied objects, including church plate and vestments, stained glass, graffiti, and Mexican images of St Anne.

Focusing on eight works showing religious scenes and scenes taken from Roman history, this volume bridges the gap between social and cultural history and the history of art, untangling the threads of art, politics, and religion during the time of the Thirty Years' War.

Argues that Diego Velazquez painted two of his most famous works, "The Spinners" and "Las Meninas", as theoretically informed manifestos of painterly brushwork. This book also argues that the two paintings form a learned retort to the prevailing critical disdain for the painterly.

Emphasizing on the 'middle ranks' of society in Renaissance Italy - artisans, merchants, and professionals such as bankers and lawyers, this book focuses on social subjects, documents and unusual objects. It demonstrates how a burgeoning market for erotica, along with a cultural tradition of allusion and innuendo.

Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht Durer. The author traces carefully how Durer's paintings, prints, drawings and theoretical writings traveled widely.

Employing a wide range of approaches from various disciplines, this volume explores the diverse ways in which European art and cultural practice from the fourteenth through the seventeenth centuries confronted, interpreted, represented and evoked the realm of the sensual.

Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, this collection includes essays that explore the concept of beholding and the experiences of individual and collective beholders of violence during the period.

Examining their production practices in various genres including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving, this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status.

Focusing on three celebrated northern European still life painters - Jan Brueghel, Daniel Seghers, and Jan Davidsz de Heem, this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form.

Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, the author nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings: "Crowning with Thorns", the "Crucifixion", "Doubting Thomas" and the "Calling of Matthew".

Includes essays that address issues surrounding the use, dissemination, and reception of copies and even deliberate forgeries within the history of art, focusing on paintings, prints and sculptures created and sold from the sixteenth century to the eighteenth century.

Examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, focusing not only on aspects of Vasari's career, but also on aspects of sixteenth-century artistic culture and artistic practice.