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Chen Hongshou (1599-1652) was as an artist and scholar of the Ming period. Considering Chen's paintings and prints alongside Chen's romance drama commentaries and prefaces and his collected writings (particularly poetry), this title focuses not only on Chen, but also on an important cultural moment in the first half of the seventeenth century.
Focusing on eight works showing religious scenes and scenes taken from Roman history, this volume bridges the gap between social and cultural history and the history of art, untangling the threads of art, politics, and religion during the time of the Thirty Years' War.
Addresses the impact of religious tensions on art, design, and architecture in the early modern world. This title examines famous works of art such as Kraft's "Eucharistic Tabernacle", the less-studied objects, including church plate and vestments, stained glass, graffiti, and Mexican images of St Anne.
Claudia Goldstein mines a rich, interdisciplinary mix of sources to shed new light on the cultural history of sixteenth-century Antwerp. Recontextualizing some of Bruegel's work within the cultural nexus of the dining room.
Adopting a broad chronological framework and expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers new perspectives on the home in early modern Italy.
Focusing on artists and architectural complexes which until now have eluded scholarly attention, this study examines three different confraternal organizations in sixteenth-century Florence. Douglas Dow explores how, through the emphasis on the apostles within their art programs.
The first monograph to appear in English on the Last Supper frescoes in Quattrocento Florence, this study examines the effect of gender on the contextualized perceptions of the male and female religious who viewed the Florentine Last Supper images. Using archival, literary and cultural sources, and by examining a wide range of contexts.
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