Bøger i VMC Designer Collection serien

'Mercurially funny, playful and mischievous' Ali Smith'I was in heaven reading this book. I think she writes like an angel . . . just blissful' Stephen FryA novel of 'pure delight' (Claire Tomalin) by the author of The Prime of Miss Jean Brodie.When Mrs Hawkins tells Hector Bartlett he 'urinates frightful prose', little does she realise the repercussions. Holding that 'no life can be carried on satisfactorily unless people are honest' Mrs Hawkins refuses to retract her judgement, and as a consequence, loses not one, but two much-sought-after jobs in publishing. Now, years older, successful, and happily a far cry from Kensington, she looks back over the dark days that followed, in which she was embroiled in a mystery involving anonymous letters, quack remedies, blackmail and suicide.With an introduction by Ali Smith.'Wonderfully entertaining.' Sunday Telegraph'An outstanding novel ... A Far Cry From Kensington has an effortless, translucent grasp of the spirit of the period.' Observer

A range of beautifully produced products celebrating the heritage of the Virago Modern Classics list.

A range of beautifully produced products celebrating the heritage of the Virago Modern Classics list.

Set in London and Monmouth in the late 1700s, this is an extraordinary novel about Mary Saunders, the young daughter of a poor seamstress. Mary hungers greedily for fine clothes and ribbons, as people of her class do for food and warmth. It's a hunger that lures her into prostitution at the age of thirteen. Mary is thrown out by her distraught mother when she gets pregnant and almost dies on the dangerous streets of London. Her saviour is Doll - a prostitute. Mary roams London freely with Doll, selling her body to all manner of 'cullies', dressed whorishly in colourful, gaudy dresses with a painted red smile.Faced with bad debts and threats upon her life she eventually flees to Monmouth, her mother's hometown, where she attempts to start a new life as a maid in Mrs Jones's house. But Mary soon discovers that she can't escape her past and just how dearly people like her pay for yearnings not fitting to their class in society...

Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen. A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'. It launched the career of one of Britain's most exciting and successful writers. `One of the best storytellers alive today' - Independent. Sarah Waters has written five subsequent bestselling novels, all of which have been filmed or are currently in production and she has received critical and popular acclaim and prize shortlists. She was awarded the Stonewall Writer of the Decade in 2016.Tipping the Velvet was adapted by Andrew Davies and filmed by Sally Head Productions for the BBC

John and Laura have come to Venice to try and escape the pain of their young daughter's death.But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events.The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist who harnesses the power of the mind to chilling effect."e;Don't Look Now"e; is a strange and intimate masterpiece: a perfect distillation of the confusion and desire that attend grief, which, as the story progresses, adventures forward through the winding streets of Venice with the logic of nightmare. - Ethan Rutherford: http://www.npr.org/2013/05/19/177638074/ghost-ships-murders-bird-attacks-stories-to-keep-you-awake

On her seventeenth birthday, Olivia Curtis receives: a diary for her innermost thoughts, a china ornament, a ten-shilling note and a roll of flame-coloured silk for her first ball dress. She anticipates the dance, the greatest and most terrifying event of her life so far, with uncertainty and excitement. For her pretty sister Kate, it is sure to be a triumph, but what will it be for shy, awkward Olivia?Rosamond Lehmann, one of the best-loved writers of the twentieth century, perfectly captures the emotions of a girl poised on the threshold of womanhood.

A tale of love and adventure on the high seas from the internationally bestselling author of RebeccaThe Restoration Court knows Lady Dona St Columb to be ripe for any folly, any outrage that will alter the tedium of her days. But there is another, secret Dona who longs for freedom, honest love - and sweetness, even if it is spiced with danger. To escape the shallowness of court life, Dona retreats to Navron, her husband's remote Cornish estate. There, she seeks peace in its solitary woods and hidden creeks. But she finds instead a daring pirate, hunted by all Cornwall, a Frenchman who, like Dona, would gamble his life for a moment's joy. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

* This exquisite novel tells a love story with a difference. * 'One of my favourite classics' Carmen Callil

The classic thriller behind the Hitchcock film, and Highsmith's first novel - soon to be remade by David Fincher, director of Gone Girl, with a screenplay by Gillian Flynn.The psychologists would call it folie a deux . . .'Bruno slammed his palms together. "e;Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?'''From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities.'The No.1 Greatest Crime Writer' The Times

'How long he fought with them in the darkness he could not tell, but at last the beating of the wings about him lessened and then withdrew . . . 'A classic of alienation and horror, 'The Birds' was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world. The mountain paradise of 'Monte Verit ' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' - Elizabeth Bowen, author of The Heat of the DayIntelligent and haunting, with echoes of Brief Encounter, this is a love story by one of the best British writers of the 20th century.During summer games of hide and seek Harriet falls in love with Vesey and his elusive, teasing ways. When he goes to Oxford she cherishes his photograph and waits for a letter that never comes.Years pass and Harriet stifles her dreams; with a husband and daughter, she excels at respectability. But then Vesey reappears and her marriage seems to melt away. Harriet is older, it is much too late, but she is still in love with him.

Zora Neale Hurston's masterpiece is perhaps the most widely read and highly regarded novel in the entire canon of African American literature.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks. One cannot take sides in these matters, though it is tricky, especially as Mildred, teetering on the edge of spinsterhood, has a soft spot for dashing young Rockingham Napier. This is Barbara Pym's world at its funniest and most touching.

INTRODUCED BY SARAH WATERS'Every one of her books is a treat and this is my favourite, because of its wonderful cast of characters, and because of the deftness with which Taylor's narrative moves between them ... A wonderful writer' SARAH WATERSIn the faded coastal village of Newby, everyone looks out for - and in on - each other, and beneath the deceptively sleepy exterior, passions run high. Beautiful divorcee Tory is secretly involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' - ELIZABETH BOWEN'Always intelligent, often subversive and never dull, Elizabeth Taylor is the thinking person's dangerous housewife. Her sophisticated prose combines elegance, icy wit and freshness in a stimulating cocktail' - VALERIE MARTIN'A magnificent and underrated mid-20th-century writer, the missing link between Jane Austen and John Updike' - DAVID BADDIEL

Rich and strange, these stories reveal a seductive and little-known aspect of this superb writer.

'One of the funniest books I've ever read' - Gore Vidal*The Dud Avocado gained instant cult status on first publication and remains a timeless portrait of a woman hellbent on living. It is, as the Guardian observes, 'one of the best novels about growing up fast'.Sally Jay Gorce is a woman with a mission. It's the 1950s, she's young, and she's in Paris. Having dyed her hair pink, she wears evening dresses in the daytime and vows to go native in a way not even the natives can manage. Embarking on an educational programme that includes an affair with a married man (which fizzles out when she realises he's single and wants to marry her); nights in cabarets and jazz clubs in the company of assorted "e;citizens of the world"e;; an entanglement with a charming psychopath; and a bit part in a film financed by a famous matador. But an education like this doesn't come cheap. Will our heroine be forced back to the States to fulfill her destiny as a librarian, or can she keep up her whirlwind Parisian existence?*A champagne cocktail ... Rich, invigorating, and deceptively simple to the taste ... One falls for Sally Jay Gorce from a great height from the first sentence - ObserverAs delightful and delicate an examination of how it is to be twenty and in love and in Paris as I've ever read - Sunday TimesI had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm). - Groucho MarxBooks included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

Jamaica Inn is a first-rate page-turner. - The Times ----------------------------------------------------------------------------------------------------------------------------------------------------After the death of her mother, Mary Yellan crosses the windswept Cornish moors to Jamaica Inn, the home of her Aunt Patience. There she finds Patience a changed woman, downtrodden by her domineering, vicious husband Joss Merlyn. The inn is a front for a lawless gang of criminals, and Mary is unwillingly dragged into their dangerous world of smuggling and murder. Before long she will be forced to cross her own moral line to save herself...

I do know how to behave - believe me, because I know. I have always known...'Behind the gates of Temple Alice the aristocratic Anglo-Irish St Charles family sinks into a state of decaying grace. To Aroon St Charles, large and unlovely daughter of the house, the fierce forces of sex, money, jealousy and love seem locked out by the ritual patterns of good behaviour. But crumbling codes of conduct cannot hope to save the members of the St Charles family from their own unruly and inadmissible desires. This elegant and allusive novel established Molly Keane as the natural successor to Jean Rhys.

* A delightful and witty celebration of the suburban British housewife

*The ground-breaking cult classic and bestselling bestseller of all time!

This crazy world whirled around her, men and women dwarfed by toys and puppets, where even the birds are mechanical and the few human figures went masked . . . She was in the night once again, and the doll was herself.One night Melanie walks through the garden in her mother's wedding dress. The next morning her world is shattered. Forced to leave the home of her childhood, she is sent to live with relatives she has never met: gentle Aunt Margaret, mute since her wedding day; and her brothers, Francie and Finn. Brooding over all is Uncle Philip, who loves only the toys he makes in his workshop: clockwork roses and puppets that are life-size - and uncannily life-like.Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

A discreet advertisement in 'The Times', addressed to 'Those who Apppreciate Wisteria and Sunshine...' is the impetus for a revelatory month for four very different women. High above the bay on the Italian Riviera stands San Salvatore, a mediaeval castle. Beckoned to this haven are Mrs. Wilkins, Mrs Arbuthnot, Mrs Fisher and Lady Caroline Dester, each quietly craving a respite. Lulled by the Mediterranean spirit, they gradually shed their skins and discover a harmony each of them has longed for but never known.First published in 1922 and reminscient of 'Elizabeth and her German Garden', this delightful novel is imbued with the descriptive power and light-hearted irreverence for which Elizabeth von Arnin is renowned.

Named by the Guardian as one of 'the 100 best novels,' and shortlisted for the Booker Prize, Mrs Palfrey At The Claremont is a humorous and compassionate look at friendship between an old woman and a young man from a 'magnificent...writer, the missing link between Jane Austen and John Updike' (David Baddiel, Independent)On a rainy Sunday in January, the recently widowed Mrs Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are magnificently eccentric and endlessly curious, living off crumbs of affection and snippets of gossip. Together, upper lips stiffened, they fight off their twin enemies: boredom and the Grim Reaper.Then one day Mrs Palfrey strikes up an unlikely friendship with an impoverished young writer, Ludo, who sees her as inspiration for his novel.'Elizabeth Taylor's exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader's joy lies in the exquisite subtlety in Taylor's depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds' -Robert McCrum 'the 100 best novels', Guardian