Bøger i Wakefield Handbooks serien

Translation of: Physiologie de l'employae.

A how-to manual for the armchair adventurerPierre Mac Orlan's 1920 Handbook for the Perfect Adventurer was at once a paean to the adventure story, a tongue-in-cheek guidebook to the genre's real-life practitioners and a grim if unspoken coda to the disasters of World War I. "It must be established as a law that adventure in itself does not exist," Mac Orlan stipulates. "Adventure is in the mind of the one who pursues it, and no sooner is he able to touch it with his finger than it vanishes, to reappear much farther off in another form, at the limits of the imagination." This handbook outlines two classes of adventurer: the active adventurer (sailors, soldiers, criminals) and the passive adventurer (sedentary parasites who draw sustenance from the exploits of the former). Roaming from battlefields to pirate ships to port-town taverns, and offering advice on reading, traveling and eroticism, Mac Orlan's Handbook is ultimately a how-to manual for the imagination, and a formulation of the stark choice all would-be adventurers must face: to live or write. Generally known as the author of Le Quai des brumes (the basis for Marcel Carné's film of the same name), Pierre Mac Orlan (1882-1970) was a prolific writer of absurdist tales, adventure novels, flagellation erotica and essays, as well as the composer of a trove of songs made famous by the likes of Juliette Gréco. A member of both the Académie Goncourt and the Collège de 'Pataphysique, Mac Orlan was admired by everyone from Raymond Queneau and Boris Vian to André Malraux and Guy Debord.

A collection of previously unpublished erotic manuscripts from the author of The Songs of BilitisA bestselling author in his time, Pierre Louÿs (1870-1925) was a friend of, and influence on, André Gide, Paul Valéry, Oscar Wilde and Stephane Mallarmé among others. He achieved instant notoriety with Aphrodite and The Songs of Bilitis, but it was only after his death that Louÿs' true legacy was to be discovered: nearly 900 pounds of erotic manuscripts were found in his home, all of them immediately scattered among collectors and many subsequently lost. Since then, it has become clear that Louÿs is the greatest French writer of erotica there ever was. The Young Girl's Handbook of Good Manners was the first of his erotic manuscripts to see publication, and it also remains his most outrageous--an erotic classic in which humor takes precedence over arousal. By means of shockingly filthy advice--ostensibly offered "for use in educational establishments"--couched in a hilariously parodic admonitory tone, Louÿs turns late-nineteenth-century manners roundly on their head, with ass prominently skyward. Whether offering rules for etiquette in church, school or home, or outlining a girl's duties toward family, neighbor or God, Louÿs manages to mock every institution and leave no taboo unsullied. The Young Girl's Handbook of Good Manners has only grown more scandalous and subversive since its first appearance in 1926.