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This book tells the early life of Samuel Dunche. He was born in the late sixteenth century into a well-respected family who had sat at the heart of Government since the times of Henry VIII. He was the third son and, as such, expected to play a supporting role of the family future. He lived in incredible times. A change of royal dynasty from Tudor to Stuart. Intense poverty and taxation at a time the middle classes began to emerge. The ever-present threat of plague and pestilence that culled swathes of the popula tion. A New World being discovered and the world's most famous playwright, William Shakespeare, at his peak. Conflicting religious beliefs between Catholicism and Protestantism fuelling national paranoia and the rise of extremist Puritanism and the ever-present fear of witches. Disillusion with the monarchy, leading to dissolu tion of the monarchy, regicide and Civil War. Through these times, Samuel survives and thrives despite family opposition and finds himself thrust into the heart of great events, shaping his perspective on what is right and wrong, just and unjust. He experiences torturous loss, becomes uncle to a young Oliver Cromwell and finds a love he could never have imagined. My motivation for this story lies not only in writing about the fascinating times that shaped modern Britain, but in a person al connection with Samuel. The first house he built and lived in with his wife, where he started his family, is called Hall Place in Sparsholt, Oxfordshire. It was built in 1623 and celebrates its quatercentenary this year. I own and live in this house today. 'If the walls could talk, what a story they would tell, ' I often say to myself. I hope to try and tell his story
This study centres around three leading military statesmen who served under Oliver Comwell but were also his kin and shared the experiences of the civil wars, John Disbrowe (1608-80), Henry Ireton (1611-51), and Charles Fleetwood (1618-92). It seeks to develop our picture of their positions from the context of their kin link to Cromwell and how their private worlds shaped their public roles, how kinship was part of the functioning of the Cromwellian state, how they were seen and presented, and how this impacted on their own lives, and their kin, before and after the Restoration.Cromwell's career can be explored further by considering figures in his kinship network to show how the public and private overlapped and influenced each other through their interaction before and after 1660. This study aims to consider the trajectory of elements of Cromwell's network and how its functioning and the interaction of its constituent parts over time shaped the politics of the years 1643 to 1660 but also how the survival of some networks after 1660 were continuing communities of those willing to own their memories of the civil wars, regicide, and Cromwell. A study of aspects of Cromwell's kin also provides examples of the continuities between those who resisted the Stuarts in the 1640s and 1650s and did so again in the 1680s.Suitable for specialists in the area and students taking courses on early modern British, European and American history as well as those with a more general interest in the period.
The ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain's Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth- and early twentieth-century Spanish women's texts on war.Reshaping the current knowledge and understanding of key female authors in Spain's fin de sicle, this book examines works by notable writers - including Rosario de Acua, Blanca de los Rios, Concepcin Arenal, and Carmen de Burgos - as they engage with the War of Independence, the Third Carlist War, Spain's colonial wars, and World War I. The selected works foreground how women's representations of war can challenge masculine conceptualizations of public and domestic spheres. Christine Arkinstall analyses the works' overarching themes and symbols, such as honour, blood, the Virgin and the Mother, and the intersecting sexual, social, and racial contracts. In doing so, Arkinstall highlights how these texts imagine outcomes that deviate from established norms of femininity, offer new models to Spanish women, and interrogate the militaristic foundations of patriarchal societies.
L'intrigue couvre les aventures d'un pauvre gentilhomme, Hidalgo de la Manche, dénommé Alonso Quichano, obsédé par les livres de chevalerie, qu'il collectionne dans sa bibliothèque de façon maladive. Ceux-ci troublent son jugement au point que Quichano se prend un beau jour pour le chevalier errant Don Quichotte, dont la mission est de parcourir l'Espagne, pour combattre le mal et protéger les opprimés.À la fois roman médiéval -- un roman de chevalerie -- et roman de l'époque moderne alors naissante, le livre est une parodie des moeurs médiévales et de l'idéal chevaleresque, ainsi qu'une critique des structures sociales d'une société espagnole rigide et vécue comme absurde. Don Quichotte est un jalon important de l'histoire littéraire et les interprétations qu'on en donne sont multiples : pur comique, satire sociale, analyse politique. Il est considéré comme l'un des romans les plus importants de la littérature mondiale et comme le premier roman moderne.Le personnage, Alonso Quichano, est à l'origine de l'archétype du Don Quichotte, personnage généreux et idéaliste qui se pose en redresseur de torts
Until this book was published in 1974, many of the letters in this book between Charles I Prince Rupert his nephew and the leading Royalist commander had never been published. From a mainly private collection, the letters give a fascinating insight into the stormy relationship between the monarch and his nephew.
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