Bøger om Folk

Empieza el verano, este año va a ser diferente para Bulería; tienen que viajar a América por trabajo de su padre. A Bulería le da pena no poder estar con sus amigas y amigos en vacaciones, pero sabe que allí va a conocer sitios y personas nuevas, y está muy entusiasmada.Con el equipaje ya preparado, se dirigen al aeropuerto para coger un avión rumbo a Cuba...

From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter's 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter's relationship with folk/fairy tales, but this book uses a newly available archive containing Carter's folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter's prose as a vehicle for the singing voice, and reveals a writing style imbued with 'songfulness' informed by her singing praxis.Reading Carter's texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, 'voice' and 'breath', how Carter steeped her writing with folk song's features to produce 'canorography': song-infused prose. Concluding with a discussion of Carter's profound influence on songwriters, focusing on the author's interview with Emily Portman, this book invites us to reimagine Carter's prose as audial event, dissolving boundaries between prose and song, between text and reader, between word and sound, in an ever-renewing act of sympathetic resonance.

The first major monograph on a multifaceted self-taught artist whose work ranges from painting and sculpture to performance and sound. Lonnie Holley’s work has captivated audiences.“Lonnie Holley has held a cult status among the art cognoscenti for a long time as a visual artist and performer.”—New York Times Lonnie Holley’s widely admired practice spans painting, drawing, assemblage sculpture, and performance that combines experimental music and poetry. After decades of making art, he is now getting the recognition he richly deserves.The artist’s first sculptures were carved tombstones for his nieces who perished in a house fire in 1979. Over the following years, he devoted himself to making sculptures that populated his property near Birmingham, a large all-encompassing outdoor installation that was eventually destroyed in 1997. The artist’s work continued unabated as he began to gain recognition and exhibit his work in the South and throughout the US.In his first major monograph, every facet of his practice is explored. Holiday considers Holley’s art and music as interconnected components of the artist’s overall creative vision. Beardsley focuses on the artist’s Birmingham roots connecting the cultural firmament of that city with other major creative communities in Alabama, most notably Boykin, more popularly known as Gee’s Bend, home of the famous quilters.

This book is about twenty-one days, and sixty years. A motorcycle ride down the spine of Appalachia, with a little banjo and big myth for company, to play and sing at the graves of dead banjo heroes. About making a life about making work. This book is about outsiders. Interlop...

Pioneering the field of Springsteen scholarship when it first appeared in 1997, Born in the U.S.A. remains one of the definitive studies of Springsteen’s work and its impact on American culture. This fully revised third edition addresses Springsteen’s evolving attitudes toward politics, religion, masculinity, and racial justice in the 21st century.

Blackwater Rising picks up where Bottom of the Ninth Ward Bulletins left off. It begins with a push to motivate others who'd been tuning into Angel Brynner's blogs across platforms into heading down to New Orleans to see where they could lend a hand with the rebuilding efforts post-hurricane. It leapfrogs over the beautiful carnage that became Cautantowwit(indian summer) and the Black Album experience that making the best of being on the run from Nyc to Montreal & Toronto to Seattle became keyed to avoiding the harassment no one knew was at the root of the launching of the AOLAB project. This is a documentation of an artist making the best of being at her wit's end, at the moment she finally decided to stop running away and instead chose to go towards, embracing the road God was letting her traverse due to the situation.
Blackwater Rising speaks to what rises up when you trouble the water so as to be healed.

Featuring artwork from famous folk artist Eric Dowdle, Around the World offers a relaxing escape coloring famous cities and landmarks from around the world.

Featuring artwork from famous folk artist Eric Dowdle, America the Beautiful offers a relaxing escape coloring famous cities and landmarks of the United States.

The definitive, authorized, and first-ever biography of Terry Allen, the internationally acclaimed visual artist and iconoclastic songwriter who occupies an utterly unique position straddling the disparate, and usually distant, worlds of conceptual art and country music.    “People tell me it’s country music,” Terry Allen has joked, “and I ask, ‘Which country?’” For nearly sixty years, Allen’s inimitable art has explored the borderlands of memory, crossing boundaries between disciplines and audiences by conjuring indelible stories out of the howling West Texas wind.   In Truckload of Art, author Brendan Greaves exhaustively traces the influences that shaped Allen’s extraordinary life, from his childhood in Lubbock, Texas, spent ringside and sidestage at the wrestling matches and concerts his father promoted, to his formative art-school years in incendiary 1960s Los Angeles, and through subsequent decades doggedly pursuing his uncompromising artistic vision. With humor and critical acumen, Greaves deftly recounts how Allen built a career and cult following with pioneering independent records like Lubbock (on everything) (1979)—widely considered an archetype of alternative country—and multiyear, multimedia bodies of richly narrative, interconnected art and theatrical works, including JUAREZ (ongoing since 1968), hailed as among the most significant statements in the history of American vernacular music and conceptual art.   Drawing on hundreds of revealing interviews with Allen himself, his family members, and his many notable friends, colleagues, and collaborators—from musicians like David Byrne and Kurt Vile to artists such as Bruce Nauman and Kiki Smith—and informed by unprecedented access to the artist’s home, studio, journals, and archives, Greaves offers a poetic, deeply personal portrait of arguably the most singularly multivalent storyteller of the American West.

A rapturous, ravenous celebration of visual art and storytelling from one of our most innovative writers and critical minds. Many know Jonathan Lethem as one of our most celebrated and eclectic writers, whose iconic novels--Motherless Brooklyn, The Fortress of Solitude, Chronic City, among many others--play with genres and storytelling modes like a DJ mixing music. But Lethem grew up in his father's studio, went to art school, and, in his own words, "made hundreds if not thousands of drawings, collages, paintings, hand-drawn comics, and even two animated shorts" before diverting, at nineteen, to prose fiction. The surreal and form-defying panoply of his stories, essays, and novels celebrates--and mourns--this forsaken world of the visual and plastic arts. That leap, between the cellophane ephemerality of language and the brick-like tangibility of visual art, which operates as a sublimated wellspring for Lethem's writing, is the subject of this book. Cellophane Bricks gathers a lifetime of Lethem's art-writing, along with stunning, full-color images from the author's own collection and elsewhere. Here we tour Lethem's fictions in response to (and in exchange for) artworks by his friends; his meditations on comics and graffiti art; his collaborations with artists and interventions into visual culture, and his portrait of the museum that was and continues to be his home, untethered from geography. More than just a compilation, Cellophane Bricks comprises a kind of stealth memoir of Jonathan Lethem's parallel life in visual culture--a ravishing assemblage that makes the perfect gift for story lovers of all kinds, and an essential, singular brick to add to your own collection.

"In an age when so much of our time is spent staring at screens, it is easy to understand why the warmth, intimacy and idiosyncrasies of hand craftsmanship should seem alluring...the term Mingei describes useful, unobtrusive, beautifully crafted objects." --Alice Rawsthorn, The New York Times The Mingei Folk Crafts movement, founded by philosopher and art historian Soetsu Yanagi and potters Hamada Shoji and Kawai Kanjiro in the early 20th century, celebrates the utilitarian designs in functional objects hand-crafted by village artisans throughout Japan. This book offers an illustrated guide to Japan's rich folk craft traditions and shows why the Mingei philosophy is even more relevant today than it was a century ago. Folk crafts have become associated with the Slow Life movement and the Wabi Sabi philosophy which values simple and imperfect items above the bright and shiny mass-produced objects of our modern culture. This book introduces 34 fascinating Japanese folk craft traditions--ranging from popular, widely-known ones to many lesser-known crafts that are equally exquisite but rarely seen. The crafts covered here include: Aizome Hand-dyed Indigo Textiles which use the leaves of the indigo plant to produce a rich, deep-blue colorBizen, the unique unglazed pottery with an earthy, rustic appearance--and simple, charming designsChochin Lanterns made of handmade washi paper stretched over a bamboo frame, found outside restaurants and temples, including the famous example at the entrance to Tokyo's Sensoji TempleEdo Furin Wind Chimes made of delicate hand-blown glass, one of the iconic symbols--and sounds--of the hot and humid Japanese summersInuharuko Papier Mache Toy Dogs, adorable pups that have acted as good-luck symbols since the Edo periodManeki Neko Beckoning Cats, one of the most popular folk crafts in Japan, with their right paw raised to bring in money and good luckTenugui Cloths, dyed using the chusen method to provide delicate color gradations and used as kitchen cloths, for wrapping or to wear as a scarf, as well as for framing since they are so beautiful!> This beautifully-illustrated book will be treasured by folk art collectors and enthusiasts worldwide. It features 400 color photographs and a comprehensive guide to buying Japanese folk crafts both inside and outside Japan.

Celebrated NPR music critic Ann Powers explores the life and career of Joni Mitchell in a lyrical style as fascinating and ethereal as the songs of the artist herself..?What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it's a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her own invention, and of me on her trail, heading toward the ringing of her voice.??From the introductionFor decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians?from peers like James Taylor, to inheritors like Prince and Brandi Carlile?and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as?with the other arm?she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.In Traveling, Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.

Greek folk tales descend from Aesop and Greek antiquity, as well as medieval storytelling in the pivotal south-east Mediterranean world that linked Christianity, Islam and Byzantium. These tales, told by folk narrators throughout Greek-speaking regions up to our times, are wondrous, whimsical stories about doughty youths and frightful monsters, resourceful maidens and animals gifted with human speech. The tales weave substantive motifs, characters, and forms into a rich tapestry capturing the temperament and ethos of the Greek folk psyche. ?The folk tales included in this volume were collected in the late-nineteenth to mid-twentieth century. They were found in Greek-speaking lands, including Asia Minor and Cyprus. A few have been borrowed from traditions beyond Greece, while some have come down to us from antiquity, including Aesop-like fables with speaking animal characters.