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This book interrogates the conceptualization of deity and divine agency in the Hebrew Bible, focusing particularly on the problem of the relationship of divine images and representatives to their patron deities. In order to move beyond the tendentiousness of previous scholarship that addresses this problem, I employ an interdisciplinary approach that will center cognitive linguistics and the cognitive science of religion, and also include biblical criticism, archaeology, anthropology, materiality studies, and other disciplines. I begin in Part One with a methodological discussion that describes the approaches being taken and interrogates some of the conceptual frameworks that have governed the previous scholarship on the question, such as "religion" and the practice of definition. It will then move on to discuss the concepts of agency and personhood, and how contemporary anthropological research on both can help inform our interrogation of the ancient world.
Female characters are essential to biblical stories. The Creation Story is incomplete without the woman, Eve. The patriarchs, Abraham and Isaac, are paired with Sarah and Rebekah. Readers remember Laban's daughters, Leah and Rachel, as Jacob's wives and the matriarchs of the Tribes of Israel. Alongside King David, Bathsheba figures prominently into the monarchical narrative of crime, punishment, and family dysfunction, and Jezebel stands as the alluring and seductive cause of group dissention, disorder, and chaos during the reign of her husband, King Ahab. As these examples demonstrate, female characters oftentimes function as foils to powerful, marquee males, but such is usually the case only when the women are wives or mothers. In a patriarchal world like that depicted in the biblical text, fathers, male offspring, wives, and mothers enjoy status unavailable to other kinds of women, like daughters.
S'fatai Tiftah: Mastery & Meaning is a three-volume series designed to teach prayer mastery and meaning. The three volumes take students through the major sections of a Shabbat morning service-from Barekhu through the concluding prayers.S'fatai Tiftah has been designed to teach prayer mastery and meaning and to enable students to successfully achieve four major goals:to perform basic prayers.to develop a generalized understanding.to explore personal meaning.to understand how Hebrew is constructed.Each prayer has:An introduction that sets the prayer's theme and locates it in the service.A drill text and translation that is a source for the unit.Key roots that build a language connection.Practice sounding out keywords and phrases to help build fluency.The opportunity to translate a short portion of the prayer builds a further language connection.A story that offers an insight into the prayer's spiritual meaning.
"Yosefa Raz reveals surprising entanglements between scholarly and poetic traditions in the project of reinventing prophecy"--
"Skillfully bridges the gap between basic learning and scholarly analysis"In this volume, John Cook describes the Hebrew verbal system in a way that helps readers understand its grammar and provides linguistic tools for interpreting and translating the Hebrew Bible."Both the seasoned expert in the Hebrew Bible and those with less experience will learn a great deal here. This volume will be a valuable tool in my own future research and teaching."--Eric D. Reymond, Yale Divinity School"A comprehensive linguistic analysis of all verb forms attested in the Hebrew Bible. Highly recommended for serious students and scholars of Biblical Hebrew."--Hélène M. Dallaire, Denver Seminary"Cook skillfully bridges the gap between basic learning and scholarly analysis. His insights into the Biblical Hebrew verb system are invaluable, offering an essential resource for both students and scholars seeking a deeper understanding of the language."--Elitzur A. Bar-Asher Siegal, Hebrew University of Jerusalem"Students looking for direction in demystifying verbal syntax and semantics will find a valuable resource in this volume. The Biblical Hebrew Verb will prove to be a go-to presentation for years to come."--H. H. Hardy II, Beeson Divinity School, Samford University"For advanced students and specialists who want a deeper understanding of Hebrew verbal syntax and semantics, The Biblical Hebrew Verb will be a most welcome resource."--Andrew Burlingame, Wheaton College"Cook has written an introduction to the Biblical Hebrew verbal system intended for an intermediate level between textbooks and scholarly treatises. Without simplifying too much, several views of the verbal forms are presented, and the reader is guided to linguistically sound and reasonable explanations of the many obscure uses in the system."--Bo Isaksson, Uppsala University
In dieser Studie befasst sich Franziska Ede mit dem Buch Habakuk und seiner Auslegung in Qumran, dem sog. Pescher Habakuk (1QpHab). Das übergeordnete Interesse gilt dem hermeneutischen Selbstverständnis der Verfasser, das die biblische Überlieferung mit ihrer außerbiblischen Rezeption verbindet. Im Prophetenbuch zeigen sich Spuren einer sukzessiven Aktualisierung von Prophetenwort, die in der Verheißung aus Hab 2,4b gipfelt: "Der Gerechte aber wird durch sein Vertrauen leben". An diesen Spitzensatz knüpfen die Verfasser des Pescher an und erheben das Vertrauen gerade angesichts einer anhaltenden Parusieverzögerung zum entscheidenden Heilskriterium. Es richtet sich indes nicht mehr direkt auf die göttliche Verheißung, sondern gilt dem "Lehrer der Gerechtigkeit". Er steht als leidender Gerechter stellvertretend für das "wahre Israel"; nur wer ihm nachfolgt, gehört zu Gott.
This study uses modern linguistic theory to analyze a frequently recurring syntactic phenomenon in the Hebrew Bible that has thus far resisted explanation: ¿¿ ¿¿.The combination of the two particles ¿¿ and ¿¿ produces a construction that is notoriously difficult to describe, analyze syntactically, and translate. Dictionaries of Biblical Hebrew offer a dizzying variety of translations for this construction, including "that if," "except," "unless," "but," "but only," and "surely," among other possibilities. In this book, Grace J. Park provides a new approach that strives for greater precision and consistency in translation. Park argues that ¿¿ ¿¿ is used in three patterns: the "full focus" pattern, the "reduced focus" pattern, and the less common "non-focus" pattern. Her syntactic analysis of all 156 occurrences of the ¿¿ ¿¿ construction in the Bible lends greater clarity to the contested passages.Drawing on recent linguistic research into the typology of clausal nominalization as well as previous work on contrastive focus, this innovative project provides important new insight into the syntax of Biblical Hebrew. It will be especially valuable for scholars seeking to translate ¿¿ ¿¿ more consistently and accurately.
Ce livre présente les paroles en hébreu avec leur traduction en françaisde 100 chansons Israéliennes et répond à un double objectif :Aider à l'apprentissage de l'HébreuIl permet en lisant à chaque page les traductions face à face des paroles tout en écoutant la chanson l'aide de liens vers le clip vidéo correspondant d'aider les étudiants dans leur apprentissage de la langue hébraique.Faire connaître les chansons du patrimoine musical IsraélienLe choix des chansons illustre les caractéristiques et les mutations de la musique Israélienne au cours du XXéme siécle.Depuis la création de l'Etat, la musique Israélienne a connu plusieurs périodes qui sont détaillées dans le livre. A savoir : La période des Troupes Musicales de l'Armée (haLehakot haTsvahiyot)Pour chaque arme (Air, Terre, Marine) existaient des groupes qui faisaient la tournée des bases militairesavec un spectacle musical joué par des jeunes conscrit(e)s sélectionné(e)s pour leurs talents vocaux.Dans les années 60-70 ces groupes ont connu un succès considérable et ont permis de faire connaitreles plus grands chanteurs Israéliens du XXème siècle.Les chansons françaises adaptées en hébreuDans les années 60-70, l'influence de la chanson française était très importante en Israël.Elle a donné lieu à l'adaptation des plus grands succès des chanteurs français de l'époque,que l'on appelle en hébreu « les chansonniers » comme Aznavour, Brel, Brassens et Moustakiqui ont été traduits par des paroliers extraordinaires comme Naomi Shemer qui ont su rendre dans un hébreu excellent toute la richesse et la beauté des chansons à texte de l'époque.Les « Classiques »C'est ainsi que l'on appelle en Israël les chansons indémodables qui font désormais partie du patrimoine culturel israélienet sont reprises dans les radios chaque année lors des diverses cérémonies commémoratives..Ces chansons sont issues des poèmes de Bialik, Rahel la poétesse, Leah Goldberg, Nathan Zach ou Nathan Alterman,mais aussi des grands "tubes" de chanteurs trés connus comme Yehoram Gaon, Yossi Banai, Arik Einstein, Shlomo Artzi,Matti Caspi, Shalom Hanoch, Uzi Hitman, Hava Alberstein, Yehudit Ravitz Yaffa Yarkoni, Tsvika Pik, Uzi Hitman ou David Broza.¿¿¿¿¿¿¿L'avénement de la période Rock/PopL'avénement de la chanson Mizrahit-OrientaleLe livre inclue les plus grands succés de Zohar Argov dont l'influence a été considérabledans le développement de la chanson orientale en Israël. L'avénement de la World MusicIdan Raichel avec son groupe «The Idan Raichel Project » ensuite en soloa beaucoup contribué à faire connaitre la chanson israélienne et l'hébreu hors des frontières du pays.
Die Zeit der persischen Hegemonie über den Vorderen Orient und über die südliche Levante (538-333 v. Chr.) gilt weithin als die Zeit, in der sich wesentliche politische, soziale und religiöse Strukturen des antiken Judentums herausgebildet und etabliert haben. Gleichwohl sind die Anfänge und die Geschichte zentraler Institutionen des perserzeitlichen Judentums in der Forschung höchst umstritten. Die vorliegende Studie nimmt das Amt des Jerusalemer Hohepriesters in den Blick, eine der in der biblischen Überlieferung und der Geschichte des antiken Judentums wichtigsten und zugleich schillerndsten Größen. Im Zusammenspiel von literargeschichtlichen Analysen der einschlägigen Texte der Hebräischen Bibel, der Septuaginta und nicht kanonischer jüdischer Schriften aus hellenistisch-römischer Zeit, unter Einbeziehung von epigraphischen und archäologischen Quellen sowie vor dem Hintergrund historiographischer sowie sozialgeschichtlicher Überlegungen rekonstruiert die Autorin die Geschichte des Jerusalemer Hohepriestertums von den Anfangen der persischen Provinz Jehud bis zur Einrichtung des hasmonäischen Königtums.
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