Bøger om Impressionisme

For at sikre det engelske herresæde Wentworth, der har været i slægtens besiddelse i generationer, tvinges Lady Victoria Wentworth til at afhænde et af familiens klenodier, et verdensberømt og uvurderligt Van Gogh-maleri. Køberen er Bryce Fenston, manden bag en lyssky bankvirksomhed med kontorer i Twin Towers i New York. Men da Victoria myrdes i sit hjem natten til 11. september 2001, forsvinder maleriet sporløst. Anna Petrescu, der arbejder som kunstekspert for Fenston, befinder sig i North Tower, da det første fly rammer. Hun formodes død. Under dække af denne status kæmper hun for at afsløre sin arbejdsgivers dobbeltspil og for at finde maleriet. Men hendes modstander er nådesløs, og kampen bringer hende verden rundt på en krævende og farlig mission. ”Hvis der var en nobelpris i fortællekunst, ville Archer få den.” Daily Telegraph

Mit den drei Sätzen Pagodes, La soirée dans Grenade (Ein Abend in Granada) und Jardins sous la pluie (Gärten im Regen) lässt Debussy im Zyklus Estampes in Bildern eine poetische Welt aus Landschaften und fernen Ländern entstehen. Er komponierte die Stücke im Sommer 1903 während eines Aufenthalts in Bichain im nördlichen Burgund. Von dort bekräftigt er in einem Brief: "Wenn man sich Reisen nicht leisten kann, muss man sie durch Fantasie ersetzen." Im virtuosen Schlusssatz knüpft er an seine zukunftsweisenden Images aus dem Jahr 1894 (HN 846) an.

Der boede tre kvinder i Giverny, den landsby i Normandiet, hvor Monet malede sine berømte åkander. Den første var ondskabsfuld. Den anden var løgnagtig. Den tredje var egoistisk. Alle tre syntes, at landsbyen var et fængsel, en stor og smuk have omgivet af et gitter. Et maleri, hvis ramme det var umuligt at bryde at bryde ud af. En gang, i tretten dage, åbnede lågerne sig dog for dem … Disse tretten dage fløj forbi som en parentes i deres liv, der begyndte med et mord på den første dag og endte med endnu et på den sidste. Da Michel Bussis prisvindende roman Sorte åkander udkom i 2011, vandt den både læsernes og anmeldernes hjerter. Men betyder det også, at man kan omskabe den til en enestående tegneserie? Ja, det gør det, hvis den er bearbejdet af Fred Duval, og Didier Cassegrain har stået for tegningerne. Cassegrain er kendt for sine actiontegneserier, men denne gang griber han penslen for at nedlægge al sin kunstneriske kunnen i denne historie, som udspiller sig i impressionismens hovedstad. Takket være Fred Duval og Didier Cassegrain kan Michel Bussis roman nu læses i tegneserieform. En åbenbaring.Uddrag af bogen – Det er Stéphanie Dupain, der er i fare! Da jeg mødtes med hende, fornemmede jeg noget … Et lidt for intenst blik, et lidt for kraftigt håndtryk … En bøn om hjælp. Nu har jeg sagt det! – Siden De nu er så glad for at tale rent ud af posen, så synes jeg, De vrøvler, chef! Hun er nuttet, helt sikkert! Jeg kan godt se, hvor De vil hen, men De må ikke forlange, at jeg tilslutter mig Deres teori!

Ravel var en på mange måder ejendommelig personlighed. Hans sårbarhed som kunstner er interessant. Han følte, at musikken var hans kald, og at han aldrig havdekunnet beskæftige sig med andet. ”Det er min store lykke, at jeg var i stand til at komponere musik, for jeg ved udmærket godt, at jeg aldrig ville have været i stand til at gøre noget andet,” sagde han engang. I dag står Maurice Ravel så som et af debetydeligste og mest virtuose, opfindsomme og populære navne i det tyvendeårhundredes musik. Mogens Wenzel Andreasen bringer os tættere på mesteren! 126 sider illustreret!

Forfatteren, som selv er maler, besøgte Monets hus og have i Giverny i det nordlige Frankrig gennem en hel forårsuge. Denne kunstner havde nemlig altid betydet meget for forfatteren som maler. Monets blide og varme farvevalg anes tit i forfatterens egne oliemalerier. Denne bog er en af de mange hyldester, denne store impressionistiske maler har modtaget gennem tiderne. Forfatteren har forsøgt at gå ret dybt i Monets liv og arbejde på basis af sine besøg i området og gennem det store udvalg af bøger, der er skrevet om denne kunstner. Den er derfor et nyt tekstsupplement til det store billedmateriale, der allerede findes om denne kunstner. Forfatteren og hans hustru tilbringer en hel uge i Giverny og besøger Monets have dagligt. De forsøger på denne måde at nå dybt ind i de tanker, denne kunstner har haft om sin have, inspiration og kunst.

Frans Hals is one of the most important portrait painters of all time. Like Rembrandt, the famous Dutch Baroque master's striking portraits of the bourgeoisie and social outsiders are distinguished by their extraordinary vividness and accurate depiction. His sketch-like paintings, executed with bold brushstrokes, had a decisive influence on modernist painting. This comprehensive publication coincides with the first major survey exhibition of Hals' oeuvre in more than thirty years. FRANS HALS (1582/84-1666) was born in Antwerp, the son of a cloth merchant. In 1610 he was accepted into the Haarlem Guild of St. Luke. Hals created hundreds of genre paintings, individual, and group portraits and enjoyed great public prestige. Despite his fame during his lifetime, it was not until the nineteenth century that he was enthusiastically rediscovered by the Impressionists and Realists.

60 photographs72 pagescritical essayintentional camera movement (ICM)motion blurunique perspective new york citynew jerseypennsylvaniaInterstate 78

Spring Awakening is the first publication from Soulaia Emery Stone. It is an introduction to Sceen at a pivotal moment in life, retracing the steps to become a new person.

The untold story of how the disastrous events of the Siege of Paris and the Paris Commune led to the birth of Impressionism

Georg Brandes (1842-1927) er mest kendt for sit storværk "Hovedstrømninger i det 19de Aarhundredes Litteratur" (udg. i seks bind 1872-1890), hvori han talte den politiske friheds sag og gav en opsang til dansk litteratur, som dyrkede gamle romantiske idealer og ikke lukkede op for nye europæiske strømninger.Georg Brandes havde også stærke æstetiske sider. De er på forskellig måde hovedemnet i de artikler, Pil Dahlerup i årenes løb har skrevet om ham, og som udgives samlet i denne antologi. Georg Brandes' sprog var noget særligt. Sol-metaforik indgik i det, og hans livslange interesse for billedkunst fik ham til at give sit sprog farve og form, så det kunne ses, ligesom maleri og skulptur. Se artiklerne "Georg Brandes' sol", "Georg Brandes' billeder" og "En visuel poetik". Antologien indeholder desuden artikler om Georg Brandes' syn på naturalisme, impressionisme, fædrelandskærlighed og på den katolske kirke. Nogle kapitler fra "Det moderne gennembruds kvinder" (1983) er genoptrykt under overskriften "Fader, Don Juan og Tristan". Blandt de nyere bidrag er "Festtale for Georg Brandes" i anledning af 150-året for Indledningsforelæsningen til "Hovedstrømninger" (3. nov. 1871) og "Georg Brandes' aske", som handler om en oplevelse i Brandes-Arkivet på Det Kongelige Bibliotek.Pil Dahlerup (f. 1939), dr.phil., litteraturhistoriker; 1969-2009 ansat ved Nordisk Filologi, Københavns Universitet, fra 1989 som docent. Leder af Georg Brandes Skolen samme sted 2002-2009, en international Ph.D. Skole for skandinavisk litteratur. Gæstelærer ved University of California, Berkeley 1987-1988. Anmelder ved Information 1970-1995. Modtager af Georg Brandes Prisen 1983, af ALT for Damernes Kvindepris 1984. Medlem af Statens Humanistiske Forskningsråd 1988-1993. Tildelt livsvarig kunstnerydelse af Statens Kunstfond (2010). Har bl.a. skrevet "Det moderne gennembruds kvinder" (1983, disputats), "Liv og lyst" (1987), "Dekonstruktion - 90'ernes litteraturteori" (1990), "Dansk litteratur. Middelalder" (1998), "Sanselig senmiddelalder" (2010), "Litterær reformation" (2016). Søster til Ulla Dahlerup og Drude Dahlerup.

Born in 19th-century France, Impressionism remains at the forefront of the world's cultural institutions. This go-to book not only touches on the movement's sites of production and technical innovations, but also its revolutionary artists, from Claude Monet and Pierre-Auguste Renoir to Berthe Morisot and Eva Gonzalès.

Explore the works of one of the greatest artists of all time. Vincent Van Gogh art deck is a stunning collection of 50 cards featuring some of the most iconic paintings of this legendary artist. Each card explores a different masterpiece in intricate detail, offering a deep dive into Van Gogh's creative process, artistic technique, and personal life. From the vibrant swirls of Starry Night to the delicate blooms of Almond Blossom, these cards offer a unique perspective on the life and work of one of the greatest artists of all time. Whether you're an art lover, a Van Gogh aficionado, or simply looking for a beautiful and informative deck of cards, Vincent Van Gogh art deck is the perfect addition to your coffee table, bookcase, or desk.

New edition of the popular introduction to Paul Gauguin, part of the Flame Tree Masterpieces of Art seriesGauguin began his artistic life as an Impressionist in Paris, but yearning for a wider world view he experimented with decorative art and bright colours to create what some have termed Symbolism. He painted briefly with Van Gogh but was strongly drawn by the “otherness” of the South Pacific to which he travelled frequently, and finally settled far away from his origins and early influences to create a unique and intensely personal body of work. The new edition of this beautiful new book revels in the scenes of Tahiti, the sunlit bodies, the shapes and styles of the South Pacific each of which have secured him a unique place in the history of art.

Harriet Backer (1845-1932) war in Norwegen bereits zu Lebzeiten eine gefeierte Malerin und gehört zu den Vorreiterinnen weiblichen Kunstschaffens in Europa. Sie debütierte im Pariser Salon von 1880, lebte in München und Paris und gründete nach ihrer Rückkehr in Oslo eine erfolgreiche Schule für Malerei. Der Prachtband verleiht ihr den ihr gebührenden Rang in der Geschichte der Kunst.Harriet Backers Werk rangiert im norwegischen wie auch im europäischen Vergleich auf hohem künstlerischen Niveau und zeichnet sich durch Originalität und eine facettenreiche Motivwelt aus. Ihre farbstarken Interieurs, feinfühligen Schilderungen ländlichen Lebens, ihre Porträts und Stillleben sind von Plein-Air-Malerei, von Realismus und Impressionismus durchdrungen. Backers künstlerische Leistung und ihre Bedeutung im europäischen Kontext sowie als Lehrerin von Nicolai Astrup und Harald Sohlberg treten nun dem internationalen Publikum vor Augen.

"A stunning exploration of the vital links between Claude Monet's Impressionism and the time technologies that helped define modernity in the nineteenth century. Monet's Minutes is a revelatory account charting the relationship between the works of Claude Monet (1840-1926)-founder of French Impressionism and one of the world's best-known painters-and the modern experience of time. Andrâe Dombrowski illuminates Monet's celebration of instantaneity in the context of the late nineteenth-century time technologies that underwrote it. Monet's version of Impressionism demonstrated an acute awareness of the particularly modern pressures of time, but until now scholars have not examined the histories and technologies of time and timekeeping that informed Impressionism's major stylistic shifts. Arguing that the fascination with instantaneity rejected the dulling cultures of newly routinized and standardized time, Monet's Minutes traces the evolution of Monet's art to what were then seismic shifts in the shape of time itself. In each chapter, Dombrowski focuses on the connections between a set of Monet's works and a specific technology or experience of time, while providing the voices of period critics responding to Impressionism. Grounded in exceptional research and analyses, this book offers new interpretations of key works by Monet and a fresh perspective on late nineteenth-century art, society, and modern temporality"--

New edition of Van Gogh in the popular Masterpieces of Art series.Part of a new series of beautiful gift art books, Van Gogh Masterpieces of Art features all of the best-known works of one of the most famous artists in the world, preceded by a fresh and thoughtful introduction providing lively commentary on his life, society, places and style and techniques, including the powerful animation of his strident brushwork.

Discover how painters such as Van Gogh, Mondrian, and Jacoba van Heemskerck drew on the legacy of Dutch landscapes and realism to put their own spin on the Impressionist movement. Impressionism may have originated in France, but artists in late 19th- and early 20th-century Netherlands quickly made it their own. The genre's vibrant colors and focus on light and atmosphere were a perfect complement to the country's groundbreaking traditions of landscape painting and realism. This exhibition catalog brings together hundreds of works by nearly forty artists including Johan Barthold Jongkind, Vincent van Gogh, Jacoba van Heemskerck, and Piet Mondrian. It traces the birth of the Hague School, whose practitioners captured the changing moods of light in the coastline's vast, grey skies. And it explores the Amsterdam Impressionists, whose cityscapes offered realistic images of modern life. Alongside vibrant reproductions of masterworks, a series of lively essays explore a diverse array of topics, including Dutch landscape painting within an international context; Dutch artist settlements and communities; and iconography in Dutch impressionism.

A landmark publication tracing the final months of Van Gogh's life.

Featuring pioneering works by Manet, Degas, and Monet, Pissarro, Renoir, and Cézanne, this exhibition catalogue brings together more than 150 masterpieces alongside etchings, costumes, film and photography to explore why Impressionism was considered so shocking in the 19th century.

This beautiful book brings you the very best of art throughout history - using a truly innovative timeline-led approach. Savour iconic paintings such as Leonardo da Vinci's Last Supper and Monet's Waterlilies, and discover less well-known artists, styles, and movements the world over - from Indigenous Australian art to the works of Ming-era China. And explore recurring themes, such as love and religion, and important genres from Romanesque to Conceptual art, along the way. Timelines of Art provides detailed analysis of the works of key artists, showing details of their technique - such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Déjeuner sur l'herbe (Lunch on the Grass), which scandalised society, and it traces how certain artists, genres or movements informed the works of others - showing how the Impressionists were inspired by Gustave Courbet, for example, or how Van Gogh was influenced by Japanese prints.Comprehensive, accessible, and lavishly illustrated throughout, Timelines of Art is an essential guide to the pantheon of world art, so dive straight into discover: - An overview of each movement, including the social and cultural background of the period, grounds the works of art in the spirit of their times.- Turning-point paintings that triggered or epitomised each artistic movement are identified and explained, against a backdrop of influences - the technical advances, admired techniques of an earlier artist, and changes in society that enabled new directions in art.- Glossary of technical terms and comprehensive index help make this an indispensable work of reference for any art-lover.Timelines of Art is the perfect art history book for students of art and/or history, proving ideal for families, schools and libraries and doubling up as a great gift for the art lover in your life.

Accompanies the Berthe Morisot: Shaping Impressionism at the Dulwich Picture Gallery 31 March - 10 September 2023Berthe Morisot: Impressionism and the 18th Centuryis the first major UK exhibition of the renowned Impressionist since 1950. In partnership with the Musée Marmottan Monet, Paris, it will bring together around 30 of Morisot's most important works from international collections, many never seen before in the UK, to reveal the artist as a trailblazer of the movement as well as uncovering a previously untold connection between her work and 18th century culture, with around 20 works for comparison.A founding member of the Impressionist group, Berthe Morisot (1841-1895) was known for her swiftly painted glimpses of contemporary life and intimate domestic scenes. She featured prominently in the Impressionist exhibitions and defied social norms to become one of the movement's most influential figures. Berthe Morisot: Impressionism and the 18th Century will draw on new research and previously unpublished archival material from the Musée Marmottan Monet to trace the roots of her inspiration, revealing the ways in which Morisot engaged with 18th century art and culture, while also highlighting the originality of her artistic vision, which ultimately set her apart from her predecessors.Highlights will include Eugène Manet on the Isle of Wight (1875), painted while Morisot was on honeymoon in England, and her striking Self-Portrait (1885), which will appear alongside Jean-Honoré Fragonard's Young Woman (c.1769) from Dulwich Picture Gallery's collection. Apollo revealing his divinity to the shepherdess Issé, after François Boucher (1892), In the Apple Tree (1890) and Julie Manet with her Greyhound Laerte (1893), are among nine paintings on loan from the Musée Marmottan Monet, many receiving their first ever showing in the UK.

"This is a travel adventure set in the legendary French city of Arles. Founded in Roman times, Arles is a UNESCO World Heritage Site located in scenic Provence in the south of France. For the last hundred years it has been an important destination for the countless tourists who arrive in pursuit of the great Dutch painter Vincent van Gogh, who famously spent an intense fourteen months in Arles, painting the most brilliant works of his career (all those sunflowers and quivering landscapes), squabbling with fellow artist Paul Gauguin, guzzling absinthe, and famously cutting off the lobe of his ear, which landed him in the local hospital in the throes of a mental breakdown. Linda Seidel has visited Arles many times, initially to study the splendid medieval church of Saint-Trophime, but eventually to follow in the long shadow of Vincent's passage, which he recorded in numerous paintings and drawings. Together, they make a pair of charming guides, sharing with us the wonders of Arles's Roman amphitheater, which seats 20,000 people and has been in continuous use for two thousand years; the Alyscamps, a Roman cemetery featuring paths still lined with ancient sarcophagi; the Church of St. Trophime with its astonishing Romanesque portal; the Arles Hospital, which has been converted into a museum about Vincent; the cafes and bars where he hung out; new buildings such as the tower by Frank Gehry; and of course the Provenðcal countryside with its dazzling wildflowers and quaint farms. Ultimately, this is Vincent's story, told as never before through an engagement with the mysterious, culturally rich town that transformed his life and, indeed, the entire course of modern art"--