Bøger om Jazz

Book and 2 CD set with super simple comping over the Standards on Jamey Aebersold's Volume 54 Maiden Voyage." Chords and Voicings are explained in a maneer that even the most novice Guitarists will understand. Includes demo and play-a-long CDs. Book has both standard notation and guitar frames for every voicing. This is a perfect prerequisite for "Maiden Voyage Guitar Comping", also by Mike DiLiddo.

Until now, the task of memorizing tunes has required a great amount of time and has been left to chance by the musician. With no rules, guidelines, or systematic methods of study, the task has left musicians with a great deal of confusion and frustration. This incredible work is a quick and easy method for learning and memorizing melodies and chord changes to any tune in any key! Listening/learning/play along tracks take you through the most commonly used harmonic formulae and teach you how to recognize and remember forms both visually and aurally. The book and supplement give composition that will have you memorizing and UNDERSTANDING how changes work. Leave the fakebooks at home!

Lead sheets for vocalist/treble clef C instruments, B , E , and bass clef C instruments.

Includes introduction and complete discography in English.

'All That Jazz and Other Pathbreaking Tales', consisting of 'All That Jazz: A Romance Novella and 10 Short Stories narrate the tales of contemporary women and their emotional journeys, their life choices and their travails. Romance, gender, sexuality, and the spirited journeys of love and loss form the crux of these pathbreaking narratives. The novella and the short stories are set in the backdrop of the throbbing city of Kolkata and its suburbs, the picturesque mountains of North Bengal, Delhi and its outskirts and in various cities in USA. Set in the backdrop of these diverse settings, these stories unburden the hidden desires, the old scars, the indomitable passion and irresistible emotions of the protagonists as their journeys unfold various nuances of their lives. The book won Honorary Mention at the New England Book Festival 2020. About Lopamudra Banerjee Lopamudra Banerjee is an acclaimed author/poet, editor, living with her family in Texas, USA, originally from Kolkata, India. She teaches Creative Writing at Richland College and Texas Christian University, USA. Her memoir 'Thwarted Escape: An Immigrant's Wayward Journey' received honorary mention at The Los Angeles Book Festival and was also a First Place Category Winner at the Journey Awards 2014 (Chanticleer Reviews and Media, USA). She also received The International Reuel Prize for Poetry in 2017 and The International Reuel Prize for Translation in 2016 (for 'The Broken Home', her English translation of Nobel Laureate Rabindranath Tagore's novella). She has authored six books (memoir, poetry, fiction and translation) and co-edited four anthologies of poetry and fiction. This is her debut book of fiction.

Jamey's guitar adaptation of his famous Volume 1: How to Play Jazz and Improvisation is so revered by guitarists, jazz great Corey Christiansen has now adapted Jamey's Volume 2: Nothin' But Blues for Guitar, as well. Formatted exactly like the Volume 1: Jazz Guitar book, Volume 2 includes all of the scales and basic info you need to get started in jazz blues with TAB and frames for the non-reading guitarist, plus brand new bonus tracks not found in the original Volume 2. Tracks include many different blues grooves, including slow, fast, swing, bossa, jazz-rock, funk, shuffle, and more. This guitar edition is aligned exactly with the original Volume 2: Nothin' But Blues so educators can use it in a classroom situation.

"Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips. Then the Palladium Ballroom issued a bold challenge to segregation and threw open its doors to all"--

The blues have contained the very essence of the jazz sound since the 1920s. A player who masters the sound and feel of the blues will play other jazz tunes in a manner that will inspire the listener. Contains 11 different blues melodies and is a natural follow-up to Volume 1 or Volume 21. Tempos are not fast. Presented in various keys with a variety of moods from slow to rock. Chords and scales are written in the staff for each track.

Listen to This stands out as the first book exclusively dedicated to Davis's watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for ten-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock-and-roll and as Davis (1926-1991) faced large changes in social conditions affecting the African American consciousness. This new climate served as a catalyst for an experiment that many considered a major departure. Davis's new music projected rock-and-roll sensibilities, the experimental essence of 1960s' counterculture, yet also harsh dissonances of African American reality. Many listeners embraced it, while others misunderstood and rejected the concoction. Listen to This is not just the story of Bitches Brew. It reveals much of the legend of Miles Davis-his attitude and will, his grace under pressure, his bands, his relationship to the masses, his business and personal etiquette, and his response to extraordinary social conditions seemingly aligned to bring him down. Svorinich revisits the mystery and skepticism surrounding the album and places it into both a historical and musical context using new interviews, original analysis, recently found recordings, unearthed session data sheets, memoranda, letters, musical transcriptions, scores, and a wealth of other material. Additionally, Listen to This encompasses a thorough examination of producer Teo Macero's archives and Bitches Brew's original session reels in order to provide the only complete day-to-day account of the sessions.

For all instrumentalists and vocalists. CDs contain 30 extended tracks of recorded background. Great primer for learning basic skills in major and minor keys. Advanced players will want to work on double-timing", playing "outside" and "side-slipping in all keys at comfortable tempos. Special tracks have Jamey Aebersold playing various exercises and soloing on his saxophone with actual cuts from Volume 24 so you can hear and see how to use this set. All exercises and sax solos on the demo tracks are transcribed and written out in the book! Pick a different key each day/week/practice.

Ella Fitzgerald went from a poor girl living on the streets to the one of the greatest Jazz singers of her time and ours. This title will take readers through the grand life of Ella and show them that nothing can hold you back if you have a dream and determination. Complete with a timeline and wonderful historical photographs.

This compilation of easy-to-play ragtime favourites features 24 rollicking melodies by "The Big Three" of ragtime - Scott Joplin, James Scott, and Joseph Lamb - plus pieces by Eubie Blake, Tom Turpin, and other artists.

For a century and more, the idea of democracy has fuelled musicians'¿imaginations. Seeking to go beyond music's proven capacity to contribute to specific political causes, musicians have explored how aspects of their practice embody democratic principles. This may involve adopting particular approaches to compositional material, performance practice, relationships to audiences, or modes of dissemination and distribution.Finding Democracy in Music is the first study to offer a wide-ranging investigation of ways in which democracy may thus be found in music. A guiding theme of the volume is that this takes place in a plurality of ways, depending upon the perspective taken to music's manifold relationships, and the idea of democracy being entertained. Contributing authors explore various genres including orchestral composition, jazz, the post-war avant-garde, online performance, and contemporary popular music, as well as employing a wide array of theoretical, archival, and ethnographic methodologies. Particular attention is given to the contested nature of democracy as a category, and the gaps that frequently arise between utopian aspiration and reality. In so doing, the volume interrogates a key way in which music helps to articulate and shape our social lives and our politics.

Modern Jazz Trumpet Legends is an examination of the lives and contributions of jazz trumpeters born between 1925 and 1940. Included are Miles Davis, Maynard Ferguson, Doc Severinsen, Chet Baker, and Clifford Brown along with scores of other men and women who created jazz with a trumpet. This is an essential guide for the student of jazz, those interested in history, and those who just like to read entertaining true stories about the most colorful people. The Jazz Trumpet Legends three volume series is the most comprehensive book on the subject. In the series, 867 trumpeters are discussed. The second volume covers the trumpeters in the center of the history of jazz. There are the sad stories of those who died too young (Clifford Brown at 25, Ray Wetzel at 27 from automobile accidents; Joe Gordon at 35 from a house fire; Booker Little at 23 from uremia), balanced by the positive stories of those who accomplished much with their lives (Miles Davis invented cool jazz and fusion; Maynard Ferguson took the trumpet to new heights; Lionel Ferbos performed regularly for a couple of years after his hundredth birthday; Clora Bryant and Betty O'Hara showed that women could get the job done on the trumpet). Modern Jazz Trumpet Legends contains two appendices that apply to trumpeters in all three volumes: a yearly calendar showing, for each day of the year, the trumpeters born on that date; and a geographical listing of the states and countries showing, for each place, the trumpeters born there. Early Jazz Trumpet Legends is the first of three volumes organized chronologically by date of birth. The second volume, Modern Jazz Trumpet Legends covers those born between 1925 and 1940 and the third volume, Current Jazz Trumpet Legends, covers those born after 1940. About the AuthorLarry Kemp was born in Los Angeles and spent his preschool years living in Imperial County, California. In elementary school, he moved to Albuquerque, and then to Glenshaw, Pennsylvania, for secondary school. He attended the University of Pittsburgh for seven years and earned his Bachelor's in Classics and a Juris Doctor degree. He was employed for a year at WNUF-FM, the big band station in Millvale, Pennsylvania, and then at WYDD-FM, the Pittsburgh jazz station, for two years. Kemp practiced law in western Pennsylvania for 33 years and retired early because of his annoyance of contracting Parkinson's disease. That freedom from the stress of practicing law enabled him to write this book. He and his wife Virginia moved to Albuquerque to escape the Pittsburgh winters and to live closer to his mother. His adult children, Paul and Carolyn, continue to live in and near Pittsburgh. In Albuquerque, Larry returned to jazz radio and has become the primary host of the program "The House That Jazz Built," on KUNM-FM, a show dedicated to modern, progressive, avant-garde, and free jazz.

For years I have wanted to write like William Turner paints, like Chopin, John Coltrane and Miles Davis compose and make music. There is something about bringing the completeness of the feeling, the sky, the space, the surround. It is an above and beyond overboarding im-precision or perhaps it is hitting the notes and tones just so, a kind of free style playing of compositions not necessarily seen or spoken but felt, intuited, - defintely spatial.Color Writing is this attempt are these essays then, accompanied by paintings.Gabrielle von Bernstorff-Nahat

What begins as one woman’s search for her own artistic courage unravels into a stunning look into what jazz music can teach us about our search for the truest version of ourselves.

Includes discussion questions for each chapter.

If you use this set with Volume 1, you will have a solid foundation to meet any new challenge. This set covers major, minor (dorian, harmonic and melodic), dominant 7th, half-diminished, lydian and sus. 4. It also has a very slow blues in F and one in Bb. 31 different tracks with a lot of variety! CD tracks have been recently extended to allow more practice time without interruption.

Seis cuartetos didácticos para saxofones.(para cuatro saxofones)1. Tres Negritos (dos saxos altos, dos saxos tenores)2. Alhambrada (dos saxos altos, tenor y barítono)3. Rocka-Cola Jurásica (dos saxos altos, tenor y barítono)4. All of Me (dos saxos altos, tenor y barítono)5. When I¿m Sixty Four (dos saxos altos, tenor y barítono)6. James Bond (007) (dos saxos altos, tenor y barítono)

RON CARTER is among the most original, prolific, and influential bassists in jazz history, with more than 2,200 albums to his credit, an accomplishment honored in the 2015 Guinness Book of World Records. He has recorded with greats including: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons, Jaki Byard, Eric Dolphy and Cannonball Adderley.From 1963 to 1968, Ron was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and MVP by the National Academy of Recording Arts and Sciences. He earned two Grammy awards, one in 1993 for Best Jazz Instrumental Group, and another in 1998 for "Call Sheet Blues" from the film "Round Midnight".

The first systematic study to address the character and scope of American popular music in India during British rule.