Bøger om Metal

Anyone interested in dark, heavy, complex rock/metal-everything from Tool, Meshuggah and King Crimson to Neurosis, Kayo Dot, Don Caballero, Today Is the Day, Isis, Dazzling Killmen and Gorguts-needs to know this music. Each of Craw's first three full-lengths is an endlessly involving labyrinth in which elegiac beauty presses up against nightmarish ugliness. These albums feature air-tight, ingeniously off-kilter riffs; intoxicating guitar textures; vocals that range from a faint whine to a horrifying shriek; an immense dynamic range; epic, multichapter song structures; and esoteric lyrical themes. The songs don't follow conventional patterns, but their internal logic is uncannily sound; they're scientific in their microdetail, yet at the same time, bracingly emotional. I've been listening to these records for two decades, and their urgency and mad brilliance haven't diminished in the slightest."Craw's music is explosive, eerie and downright riveting, combining the visceral rush of metallic post-hardcore, the compositional majesty of progressive rock and the purposeful abstraction of experimental improv, while at the same time achieving a rare, insular coherence all its own." - Hank Shteamer, writer, musician"Craw was one of those things where the first time I saw it, it just completely blew me away. I'd never heard anything quite like Craw up to that point. They were this strange mixture of noise-rock and metal with this very eccentric preacher-type character doing these weird pseudo sermons over the top of the music. It was just a very potent concoction of elements. Having a seen a band like that expanded the horizons of what was possible, so in that way, Craw definitely rubbed off on Isis." - Aaron Turner, Isis and Hydra Head Records"What Craw will use as a moment in one song, another band might use as a theme for a whole album. Craw's sound is spread out across a universe of disparate musical genres. They never imitate. Other bands imitate them." - Steve Albini

YOU'LL NEVER READ ABOUT MUSIC THE SAME WAY AGAIN. Pop metal burst onto the scene in 1980s along with Reaganomics, video games, and Apple Computers. You either loved it or you hated it, but it was impossible to avoid. Bands like Def Leppard, Bon Jovi, and Poison were all over MTV, vying with Madonna and Michael Jackson for musical supremacy. And then, in a flash, it was gone: as suddenly obsolete in 1992 as disco was in 1980. But there's a lot more to this music than meets the ear. It didn't appear out of nowhere, and it didn't vanish, either. Pop Goes the Metal traces the musical and cultural phenomenon that came to be known, both derisively and affectionately, as "hair metal." Musically, it was rooted in the British Invasion, power pop, and early heavy metal. Visually, it began with Bowie and Sweet and T. Rex, and kept right on going through Kiss and Alice Cooper to Poison and Twisted Sister. Travel to L.A.'s Sunset Strip scene that gave birth to Van Halen, Mötley Crüe, Guns N' Roses, and halfway around the world to explore the New Wave of British Heavy Metal. Revisit the early years of MTV, the era of heavy metal magazines, the "Satanic Panic," and the PMRC; read about overdoses, car crashes, unscrupulous managers, and concert chaos. Growing up in the suburbs meant playing air guitar to vinyl and cassettes, or waiting for the DJ to play your favorite songs on album rock radio - which never happened often enough. Pop Goes the Metal captures an era and a musical movement indelibly impressed, for better or worse, in the souls and memories of millions. It served as the soundtrack to our youth and it's still playing in our heads. So Cum on Feel the Noize as you relive the memories of this gone-but-not-forgotten time. Even decades later, it's still all about the music.

This book is written for heavy metal musicians and those who enjoy the sound of heavy metal. Despite many misconceptions concerning this genre, God has His Hand in it; is using it to glorify Himself, and draw people to salvation. God is much greater than we often think and can use anything He desires, including the intense and distorted sounds of heavy metal, to fulfill His divine plan in a person's life.

Everyone loves Queen.Ask anyone in the world and they'll know at least one Queen song, their legendary status stretches that far.Freddie Mercury, Brian May, Roger Taylor and John Deacon laid the foundations for one of the greatest rock 'n' roll bands in the world and now Adam Lambert is helping to cement their memories in a whole new generation of adoring and devoted fans.No other band can command such 'singalongs' at their shows and no other band can produce such a high level feel good factor - even at this point in their career they are still unstoppable.So take a look at the albums, browse the set lists of the shows, see what other people think of one of the greatest British bands ever.

For me Rock Music was where it was 'at'. I grew up in Plymouth (in the UK) listening to KISS, Rainbow, Magnum, Black Sabbath, AC/DC, Queen, Saxon, Judas Priest, Motörhead and the like - usually on a large 'ghetto blaster' in our local park or at our nearest railway station. And then it all changed when my friend bought the first album by a new American band and that band was Metallica. Neither of us had heard anything like it before, nor had most of the World... The music had the pure raw energy and speed of punk, added to the grinding riffs of heavy metal. The songs were unlike anything before and it wasn't long until the music was referred to in Kerrang! and Sounds as 'Thrash Metal' and Metallica were the leaders of the new movement, head and shoulders above the rest. It was a few later before I saw them live at Donington Monsters of Rock Festival in 1985, where they were squeezed onto a line-up between the classic British Prog Rock of Magnum and LA's new 'Bad Boys' Ratt. I didn't pay that much attention to them at the time, as I was otherwise occupied on a sunny day in the Midlands... A year later though, having listened to both 'Ride the Lightning' and 'Master of Puppets' I headed to London to see them at Hammersmith Odeon (as it was at the time) on their final UK date of the 'Damage Inc.' tour with Cliff Burton, who was killed in a coach accident in Sweden five days later. It was after catching them at this show that my love of the band grew. I saw all the other members of the 'Big Four' - Anthrax, Slayer and Megadeth and many more thrash bands including Exodus, Flotsam and Jetsam, Kreator, Overkill, Testament, Metal Church - but none could match the talent and excitement of a new Metallica album or show. I have had the pleasure of seeing Metallica at Donington five times (both Monsters of Rock and Download Festivlas), four times at Reading Festival, two of their appearances at Sonisphere in the UK, the afore mentioned Hammersmith Odeon show and once at Wembley Stadium, the home of football and they never fail to entertain - if anything, the last time I saw them at Reading was probably one of the best times I've seen them. So now we come to this book, covering my thoughts on one of the greatest bands ever, along with the thoughts, memories and recollections from Metallica fans from all over the world!!! We're off to never-never land...

Released after John Bonham's untimely death, Led Zeppelin's Coda is a superb collection of various session rarities from throughout the band's career. Drawn from more than 30 years of documentation, interviews, and recorded footage, this bass transcription book delivers unprecedented accuracy. Titles: We're Gonna Groove * Poor Tom * I Can't Quit You Baby * Walter's Walk * Ozone Baby * Darlene * Wearing and Tearing * Baby Come on Home * Travelling Riverside Blues * White Summer/Black Mountain Side * Hey, Hey What Can I Do.

New York Times BestsellerFounding member, singer, and lead guitarist of Metallica and Megadeath shares the ultimate, unvarnished story behind his involvement in the rise of two of the worlds most influential heavy metal bands in history. Dave Mustaine is the first to admit that hes bottomed out a few times in his dark and twisted speed metal version of a Dickensian life. From his soul-crushing professional and artistic setbacks to his battle with addiction, Mustaine has hit rock bottom on multiple occasions. April 1983 was his lowest point, when he was unceremoniously fired from Metallica for his hard-partying ways. But, what seemed to be the end of it all was just the beginning for the guitarist. After parting ways with Metallica, Mustaine went on to become the front man, singer, songwriter, guitarist (and de facto CEO) for Megadeathone of the most successful metal bands in the world. A pioneer of the thrash metal movement, Megadeath rose to international fame in the 1980s, and has gone on to earn seven consecutive Grammy nominations for Best Metal Performance. In this outrageously candid memoir, one of heavy metals most iconic figures gives an insiders look into the loud and sordid world of thrash metalsex, drugs, and rock n roll included.

This 4 part book set includes all titles in the popular Emerald Studies in Metal Music and Culture series, published between 2018-2019. This series, the first of its kind focussing on heavy metal, provides a space to explore metal's position in society, and its meaning and purpose in people's lives.

Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.

Heavy Tales is the detailed, never before told story as lived by Jonny Zazula of how he founded Megaforce Records out of a flea market in New Jersey with his wife, Marsha and built a dynasty unmatched by others, forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in heavy metal history, giving it its Golden Era.Jonny Zazula was a renegade youth who went from living on the New York City streets, to later working on Wall Street, and then moving unexpectedly towards the music business. In the winter of 1982, while working in a flea market, he received an unexpected demo tape from underground, unsigned band Metallica. Eager and determined to have the music heard by the entire world, Jonny Z and Marsha founded Megaforce Records in 1983, and soon after released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal - but that's just the start.Heavy Tales details the stories of how Jonny Z worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Mercyful Fate, Raven, Overkill, Exciter, Stormtroopers of Death, Method of Destruction, Ace Frehley, King's X, Ministry, Mindfunk, Nudeswirl, Warren Haynes, Disco Biscuits and others, and how one night in 1984, he jokingly created Rap Metal before anyone else conceived the idea.With the foreword written by Chuck Billy, plus over 100 rare photographs unearthed from the MegaVault and photographer friends, Heavy Tales is the definitive American story of a family man with a dream, determined to prove to the world that heavy metal belonged on the stage, on the radio and in your living room.

It's Gwar v.s Gwar in this multiverse spanning graphic novel from Z2 Comics!

By night, Brian Johnson sings in the biggest rock 'n' roll band on the planet. But by day, AC/DC's frontman drives balls to the wall.When he was a young boy growing up in a working-class English town, Brian developed what would become a lifelong passion for cars, trolling junkyards and even pretending to drive the family car. From there, he steamed up the windows of his old Mini Cooper as a teenager, spent untold time in hygienically challenged tour buses, was chauffeured in leather-trimmed limos, and raced cars to a checkered flag.Featuring guest stars Cliff Williams, Malcolm and Angus Young, and many, many others?even Arnold Schwarzenegger?Rockers and Rollers is a tribute to Brian's obsession with four wheels. By turns surprising, poignant, funny, and maybe a little bit bawdy, these are the stories of a man who drives as hard as he rocks.

Heavy Tales is the detailed, never before told story as lived by Jonny Zazula of how he founded Megaforce Records out of a flea market in New Jersey with his wife, Marsha and built a dynasty unmatched by others, forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in heavy metal history, giving it its Golden Era.Jonny Zazula was a renegade youth who went from living on the New York City streets, to later working on Wall Street, and then moving unexpectedly towards the music business. In the winter of 1982, while working in a flea market, he received an unexpected demo tape from underground, unsigned band Metallica. Eager and determined to have the music heard by the entire world, Jonny Z and Marsha founded Megaforce Records in 1983, and soon after released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal - but that's just the start.Heavy Tales details the stories of how Jonny Z worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Mercyful Fate, Raven, Overkill, Exciter, Stormtroopers of Death, Method of Destruction, Ace Frehley, King's X, Ministry, Mindfunk, Nudeswirl, Warren Haynes, Disco Biscuits and others, and how one night in 1984, he jokingly created Rap Metal before anyone else conceived the idea.With the foreword written by Chuck Billy, plus over 100 rare photographs unearthed from the MegaVault and photographer friends, Heavy Tales is the definitive American story of a family man with a dream, determined to prove to the world that heavy metal belonged on the stage, on the radio and in your living room.

Source: Wikipedia. Pages: 41. Chapters: Uriah Heep albums, Uriah Heep members, Uriah Heep songs, Uriah Heep discography, Ken Hensley, John Wetton, Roll Over Beethoven, Bob Daisley, John Lawton, Nigel Olsson, Trevor Bolder, Bernie Shaw, Lee Kerslake, The Gods, Chris Slade, Very 'Eavy... Very 'Umble, Demons and Wizards, Abominog, Conquest, Salisbury, Gary Thain, David Byron, Wake the Sleeper, Head First, The Magician's Birthday, Phil Lanzon, Mark Clarke, Firefly, Look at Yourself, Fallen Angel, John Sloman, John Sinclair, Lady in Black, Raging Silence, Mick Box, Peter Goalby, Return to Fantasy, High and Mighty, Different World, Celebration, Innocent Victim, Sweet Freedom, Equator, Wonderworld, Russell Gilbrook, Keith Baker, The Wizard, Into the Wild, Sea of Light, Sonic Origami, Spice, Sweet Lorraine, Colin Wood, Stealin', Paul Newton, Ian Clarke, July Morning, Gregg Dechert, Alex Napier, Bird of Prey. Excerpt: On this page you will find the complete discography of the progressive rock band Uriah Heep. Over the years they have released 23 studio albums, 13 live albums, 16 compilation albums, 27 UK singles and 17 videos. Kenneth William David Hensley (born 24 August 1945, Plumstead, South East London, England) is a keyboard (especially Hammond organ) player, guitarist, singer, songwriter and producer best known for his work with Uriah Heep during the 1970s. He wrote or cowrote the majority of Uriah Heep's songs during this period, including such hits as "Look at Yourself", "Lady in Black" (on both of which he also sang lead vocals), "Easy Livin'", "Stealin'" and "Free Me". Born in London, Hensley moved with his parents, three brothers and sister to Stevenage, Hertfordshire in 1945. He started to learn how to play guitar at the age of 12, from a Bert Weedon manual. His first gig was at The Mentmore Pen Factory, in Stevenage (September 1960). After that, he played with The Blue Notes, Ken And The Cousins and Kit And The Saracens (1962). In 1963, this band evolved into The Jimmy Brown Sound, and they even recorded some now lost songs. At this time, Hensley's first "professional" opportunity almost came about: they were going to back Ben E. King on a British visit, but it never happened. In Early 1965, Hensley lost his interest in soul music and formed a band called The Gods, with the young guitarist Mick Taylor, well known later for his work with The Rolling Stones. Ken wrote most of the material, sang and played the Hammond B3 organ (mainly because the band already had the talented Mick Taylor on guitar). What he didn't know then, was that he would be such an influential musician playing exactly the organ. The Gods' line-up included, at one time or another, vocalist and guitar/bass player Greg Lake (later of King Crimson and Emerson, Lake & Palmer), bass player Paul Newton (who would be later the first Uriah Heep bassist), drummer Lee Kerslake (later also of Heep), bassi

In the early seventies, when Led Zeppelin and Black Sabbath ruled the world, Steve “Lips” Kudlow and Robb Reiner, two young Jewish boys from the northern suburbs of Toronto, vowed to rock together forever. A decade later, their band Anvil released one of the heaviest records in music history, Metal on Metal, which influenced a whole musical generation, including the world-dominating bands Metallica, Slayer, and Anthrax. Yet while these bands went on to sell millions of records, Anvil slipped straight into obscurity. Was it too much sex and drugs and not enough rock ‘n’ roll? Was it the menagerie of pets that accompanied them on tour? Their uncanny knack for setting themselves on fire whenever a record company executive was watching? Now, almost thirty years later, like a real-life Spinal Tap, these unlikely musical heroes are still rocking, and still chasing their dream. Written in their own words, Anvil: The Story of Anvil charts the rise, fall, and eventual triumph of two men whose indestructible friendship, talent, and determination took them on a unique journey in the world of rock. A bittersweet and frequently hilarious hymn to the human spirit, played loud in power chords, it is a story of true brotherly love, living the dream, and never giving up. Praise for the film documentary Anvil: The Story of Anvil:

In the last two decades, a bizarre and violent musical subculture called "Black Metal" has emerged in Norway. Its roots stem from a heady blend of horror movies, heavy metal music, Satanism, Paganism, and adolescent angst. In the early-mid 1990s, members of this extremist underground committed murder, burned down medieval wooden churches, and desecrated graveyards. What started as juvenile frenzy came to symbolize the start of a war against Christianity, a return to the worship of the ancient Norse gods, and the complete rejection of mainstream society.

Play and sound like the new metal legends! This book/CD pack lets you explore the work of a dozen guitar czars who span the entire spectrum of new metal. You'll discover their stylistic secrets, learn how they played their most famous riffs, and find out how they created their unique sounds. The accompanying CD walks you note-by-note through licks that characterize the signature sounds of these killer guitarists.

(Play It Like It Is). Matching folio to the double album. Nine smashing metal songs, including: Eye of the Beholder * One * The Shortest Straw * and more. Also includes an introduction by Wolf Marshall.

For the public, the triumph of Marilyn Manson happened in the blink of an eye, beginning with the debut of their 1994 "Album Portrait of an American Family", an event which led to a cover on "Rolling Stone" and the group's MTV smash "Sweet Dreams". This biography offers an all-encompassing look at the success of this controversial band.

The long-awaited autobiography by one of heavy metal's most revered icons, treasured vocalists, and front man for three legendary bands-Rainbow, Black Sabbath, and Dio.Prior to his tragic death in 2010, Ronnie James Dio had been writing his autobiography, looking back on the remarkable life that led him from his hometown in upstate New York to the biggest stages in the world, including the arena that represented the pinnacle of success to him-Madison Square Garden, where this book begins and ends. As Ronnie contemplates the achievement of a dream, he reflects on the key aspects that coalesced into this moment-the close gang of friends that gave him his start in music, playing parties, bars, frats, and clubs; the sudden transition that moved him to the microphone and changed his life forever; the luck that led to the birth of Rainbow and a productive but difficult collaboration with Ritchie Blackmore; the chance meeting that made him the second singer of Black Sabbath, taking them to new levels of success; the surprisingly tender story behind the birth of the Devil Horns, the lasting symbol of heavy metal; his marriage to Wendy, which stabilized his life, and the huge bet they placed together to launch the most successful endeavor of his career…his own band, Dio. Everything is described in great detail and in the frankest terms, from his fallout with Blackmore, to the drugs that derailed the resurrection of Black Sabbath, to the personality clashes that frayed each band. Written with longtime friend of thirty years and esteemed music writer, Mick Wall, who took up the mantle after Ronnie's passing, Rainbow in the Dark is a frank, startling, often hilarious, sometimes sad testament to dedication and ambition, filled with moving coming-of-age tales, glorious stories of excess, and candid recollections of what really happened backstage, at the hotel, in the studio, and back home behind closed doors far away from the road. (Black and white photos throughout plus an 8-page 4-color photo insert.)