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'Exquisite... intelligent, illuminating, mischievous ... delightful The TimesThe acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of historyThe illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence.This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club.This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been.In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.

Early modern Japanese graphic narratives (kusazōshi) have found their go-to guide: this edited volume is the first in English to treat them in the round, uncovering fresh research avenues for the specialist and advancing provocations around comics, manga, and the literary.

This collection of 26 original essays by an international team of leading scholars investigates the influence and reception of the ancient Roman architect Vitruvius in ideas, artistic forms, and building practices from antiquity to modern day.

Explores the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared.

Branfoot revivifies Middle English language and alliterative verse through the prism of contemporary experimental poetics with themes of land access, ecology, and class prevail.

What if there existed a second Voynich Manuscript that continued where the first one left off?

Excerpt from Three Prose Versions of the Secreta Secretorum, Vol. 1: Edited With Introduction and Notes; Text and Glossary The present volume contains three versions of the Secret Secretomm, the first from a shortened French source, the second from a Latin source. The third text, perhaps the only lengthy work known written in the English of the Pale early in the fifteenth century, is so important, linguistically and historically, that Dr. Furnivall wishes it to be in the hands of students as soon as possible. I have therefore postponed my Introduction and Notes. In the meantime some account of the originals may be found in my Introduction to Lydgate and Burgh's Searces. As the work is being issued I discover that the greater portion of this. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.

New and exciting scholarship on medieval and early modern English culture in all its diversity.

Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning.

Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change.

The central theme in any history of texts and books must be that of change and renewal: Parchment that is written on, in one set of circumstances in late antiquity, may in the Early Middle Ages be scraped clean and written on again, leaving evidence of a civilization in which blank parchment is more valuable than ancient literature. A manuscript can be regarded as an archeological artifact, but unlike pieces of pottery or chips of flint, a manuscript has a voice.The 12 essays gathered here vary in subject from the transmission of ancient authors to the invention of the subject index and range in time from the Gregorian reform of the eleventh century to the Protestant reformation of the early sixteenth century. Diverse in subject and period, these essays are unified by the questions they pose and the methodology they employ in seeking answers. A common thread is the desire to discover what information the manuscripts can yield about the society that created them: how the great concordance to the Bible was compiled, how book production at the medieval university was organized, how a vernacular poet carried his songs.Each surviving manuscript exists not only by the decision of the original maker but as a result of subsequent owners, who made notes, entered corrections, added an index composed a continuation. Changing times brought new uses for old texts changes that are reflected, like personal and cultural fingerprints, in glosses, marginalia, even the chain marks showing how the book was kept in the medieval library.