Bøger om Popmusik

The ultimate fact book and journal for fans of Selena Gomez!Packed with fun facts, quick quizzes, and bonus pages for journaling, this is a must-have for any Selenators.

The ultimate fact book and journal for fans of Lizzo!Packed with fun facts, quick quizzes, and bonus pages for journaling, this is a must-have for any Lizzbians.

In der Postmoderne zeichnen sich Konflikte der Gegenwart, vom Rechtspopulismus bis zur Identitätspolitik, bereits ab. Spektakuläre Beispiele aus Design, Architektur, Kino, Pop, Philosophie, Kunst und Literatur erzählen vom Beginn der Informationsgesellschaft, von der Entfesselung der Finanzmärkte, von Subkulturen, Disco, Punk, Techno-Pop, Schulterpolstern und Memphis-Möbeln.1967 begann unsere Gegenwart: Die Moderne, die glaubte, alles sortieren zu können mit gleichen Häusern, Möbeln und Rechten für alle, wurde verabschiedet, und aus ihren Ruinen entstand eine bizarre, exzentrische Welt. Architekt*innen erklärten den Vergnügungspark zur idealen Stadt, Designer*innen befreiten sich vom guten Geschmack, Selbstverwirklichung trat an die Stelle der Systemkämpfe, und neue Medien synchronisierten den Globus. Der Band ist ein Standardwerk zur Postmoderne, opulent und breit angelegt in Bildern und Texten verschiedener Disziplinen.Künstler*innen:Aldo Rossi, Alessandro Mendini, Andy Warhol, Arata Isozaki, Charles Jencks, Charles Moore, Coop Himmelb(l)au, David Byrne, David Hockney, David Lynch, Denise Scott Brown, Donald Barthelme, Donna Haraway, Ed Ruscha, Ettore Sottsass, Félix Guattari, Frank Gehry, Frederic Jameson, Gaetano Pesce, General Idea, Gilles Deleuze, Gustav Peichl, Hans Hollein, Harumi Yamaguchi, J.G. Ballard, Jacques Derrida, James Stirling, James Wines, Jean-Luc Godard, Jenny Holzer, John Landis, John Portman, Judith Butler, Kraftwerk, Leonard Koren, Leslie Fiedler, Linder Sterling, Louise Lawler, Lucinda Childs, Madelon Vriesendorp, Makato Nakamura, Marshall McLuhan, Martin Margiela, Michel Foucault, Nam June Paik, Neville Brody, Nigel Coates, Óscar Tusquets, Oswald Mathias Ungers, Pedro Almodóvar, Peter Eisenman, Rem Koolhaas, Renzo Piano, Ricardo Bofill, Richard Rogers, Ridley Scott, Robert Venturi, Robert Wilson, Robert Wyatt, Roland Barthes, Sally Potter, Shin Tamakatsu, SITE, Stanley Kubrick, Stanley Tigerman, Stephen King, Stewart Brand, Studio 65, Sturtevant, Terry Farrell, Thomas Gordon Smith, Thomas Pynchon, Trisha Brown, Van Dyke Parks, Walter Pichler, Werner Rösler, Yellow Magic Orchestra, u.v.m.

Depeche Mode's 101 is, at first glance, a curious thing: a live double-album by a synth band. A recording of its "Concert for the Masses," 101 marks the moment when doomy, cultish, electronic Depeche Mode, despite low American album sales and a lack of critical acclaim, declared they had arrived and ascended to the rare air of stadium rock. On June 18, 1988, 65,000 screaming, singing Southern Californians flocked to Pasadena's Rose Bowl to celebrate DM's coronation. The concert also revealed the power of Southern California radio station and event host KROQ, which had turned Los Angeles into DM's American stronghold through years of fervent airplay. KROQ's innovative format, which brought "new music" to its avid listeners, soon spread across the country, leading to the explosion of alternative rock in the 1990s.Eight years after its founding in Basildon, Essex, Depeche Mode, rooted in 1970s Krautrock, combined old-fashioned touring, well-crafted songs, and the steadfast support of KROQ to dominate Southern California, the United States, and then the world, kicking open the doors for the likes of Nirvana in the process. 101 is the hidden-in-plain-sight hinge of modern music history.

Meet pop's newest superstars! This official guide to XOMG Pophas all the stats and facts kids want to know about the musical sensation.

The White Stripes Complete Lyrics is a deluxe new 300+ page hardbound book documenting all of Jack White’s original words written for the 6x Grammy Award-winning duo he and Meg White formed in 1997 through the release of their final album in 2007. The first-time-ever lyric collection also features never-before-seen and rare rough drafts, alternate lyrics, and photographs, alongside exclusive essays by Hanif Abdurraqib, Ben Blackwell, and Caroline Randall Williams.

Presented in the manhwa (South Korean comic) format, Limitless follows NCT 127 in the midst of their world tour, as the group rehearses for its biggest performance in America to date: a sold-out stadium show in New York City. The night before the concert, however, the group encounters mysterious dreams, putting MARK, JOHNNY, TAEYONG, JUNGWOO, and DOYOUNG in otherworldly scenarios. This ultimately creates a reality-crossing mystery that the five-alongside TAEIL, YUTA, JAEHYUN, and HAECHAN-will unite to solve. As NCT 127 grapples with this enigma, they must overcome their fear in both the real world and this new, surreal dreamscape.

An absorbing look at one of the wildest rumors to ever come out of the entertainment world- the "Paul is Dead" legend. The authors detail the history behind the rumor, and numerous figures from show business, as well as Beatles experts, share their own thoughts on the subject, as well as how the Beatles impacted their lives. From Strawberry Fields to Abbey Road: A Billy Shears Story features contributions from many celebrities and music industry insiders. Included are: Fred LaBour (generally credited with creating the "Paul is Dead" legend), Laurence Juber (member of the band Wings), Steve Boone (member of the band The Lovin' Spoonful), Bruce Spizer (author of many books on the Beatles, considered the expert on Beatlemania), Susan Olsen (Cindy on The Brady Bunch), actor/comedian Richard Belzer, Ivor Davis (British journalist who covered the Beatles 1964 American tour), Oscar-nominated actress Sally Kirkland, Vera Ramone King (wife of Dee Dee Ramone), Leslie Cavendish (the Beatles' personal barber), Tony Peck (actor/screenwriter son of Gregory Peck), John Barbour (creator and co-host of the TV show Real People), Diane Renay (recording artist best known for the 1963 hit single Navy Blue, was the Beatles first choice to be their opening act), Richie Furay (Rock and Roll Hall of Fame member, co-founded Buffalo Springfield with Stephen Stills and Neil Young), Victoria Jackson (actress best known as a regular cast member on Saturday Night Live), Mickey Leigh (musician, brother of Joey Ramone), Bob Cowsill (of the band The Cowsills), veteran actor Nick Mancuso (best known for starring in the TV Series Stingray), and Jon Provost (Timmy on the Lassie TV series), among many others. "I was as fascinated as the rest of the world with the 'Paul is Dead' rumors. I think he's still alive, but this is a book that's long overdue!" - Kathy Garver, star of the TV series Family Affair. "The Beatles changed the way we listen to music. Like Elvis, they were revolutionary. At first playful, they metamorphosed into writing thought provoking, dynamic music which shall be listened to, and appreciated, by all generations. My favorite is 'Elinor Rigby.' Haunting. A whole play and life story in one song. Coming from Norway, 'Norwegian Wood' ranks second on my list. Lyrical and romantic. And, of course, 'Let it Be,' which should be our universal anthem. To me, the Beatles' legacy is the universally heartfelt communality of their storytelling they gifted us. With their music ringing in my ears, I will never be 'Lost in Space!'"- Marta Kristen, star of the TV series Lost in Space. "We really enjoyed the multi-faceted approaches of this book and it was a pleasure to contribute our input to it. It's a joy-packed voyage back to a magical era that will probably never happen again in human history. Nowadays, things are very splintered into thousands of different, separate little niches. Everything is diverse- basically all over the place. The unique element about the whole Beatles phenomenon is that it was just so incredibly focused. The whole country knew that The Beatles were going to appear live on television Sunday night. Everybody knew it. Everybody watched it. Everybody talked about it the next day. Everybody was on the same page. It was just so unique. The book is unique also because it captures many of the wonders associated with that phenomenon and does so in ways that haven't been done before. "- Richard Belzer & David Wayne, best selling authors.

Rock is not just a genre of music. It is a way of being, it's an attitude. It is a movement that has swept around the world from the 1950s until today. The universe of rock is a star-studded one; filled with artists and songs that have changed the world with their innovation, their ideas, their thoughts, and their style. Almost 70 years since the birth of rock, this book honors the legends that gave it sound, from Elvis Presley to Bob Dylan, the Beatles to the Rolling Stones, KISS to Nirvana, and Amy Winehouse to Coldplay.

Born Richard Wayne Penniman, Little Richard said he invented rock 'n' roll. Spencer Leigh claims he didn't, but the world would have been very different without 'Tutti Frutti', two minutes of wild exhibitionism, recorded in 1955. It transformed American music and world culture. There still would have been the Beatles, Jimi Hendrix, David Bowie and Prince without Little Richard but their careers would have been different.Little Richard: Send Me Some Lovin' is a fun-packed biography about an influential and charismatic man who lived his life as though he were continually on stage.

In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical offers new scholarly approaches to issues arising from these new international markets. The thirty-three essays highlight major aspects of the genre, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems.

From Blackbird to Taxman, Eleanor Rigby to Lucy In The Sky, Beatles Legends Alphabet whimsically celebrates a compilation of the Fab Four's most legendary tracks. Meaningfully illustrated and knowledgeably written, this unique book will inspire new fans, and turn up the volume for even the most enthusiastic Beatles maniac.

"Through rare and never-before-seen photographs, Amy Fleisher Madden, founder of Fiddler Records, thoughtfully and lovingly put together this moving archive of the second and third waves of emo. With a foreword by Chris Carrabba and revealing essays from Frank Iero, Geoff Rickly, Norman Brannon, and Matt Pryor, as well as insights and bite-sized narratives from photographers and other musicians of the era, this heartwarming time capsule expounds an extraordinary moment in music history, a scene that gave life to not only numerous big names but also to a powerful sound and even more powerful friendships"--

A groundbreaking collection of inspiring and instructive conversations about the beauty, brutality, discipline, and technique of being a successful singer.

'Kevin does what I pretend to do. Kevin's a proper musician.' David Bowie'Kevin Armstrong has been around, and around.' Iggy PopGrowing up in a world of punk squats and the London pub-rock scene, suburban rookie guitarist Kevin Armstrong found himself signed to EMI as a solo artist in the early 80s, but fate had other plans for him, his life and career changing in an instant when he was called for a studio date with an unnamed star at Abbey Road. That unnamed star was soon revealed to be David Bowie, and that afternoon's recording catapulted this unlikely lad onto the world's grandest stages alongside some of the biggest names in the business. Kevin has gone on to carve out a singular career as a producer, songwriter, and guitarist, performing live and recording with everyone from Grace Jones to Paul McCartney, Iggy Pop to Roy Orbison, Sandie Shaw to Alien Sex Fiend. Absolute Beginner is the story of what it takes to survive as a self-taught musician. It provides an honest and funny glimpse into the backstage world of the artists Kevin has worked with, and is packed with acerbic, laugh-out-loud observations on popular music and musicians from someone who has had a prime seat at the high table of rock'n'roll for more than forty years.

Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."

This book provides an interdisciplinary focus on music, memory, and ageing by examining how they intersect outside of a formal therapeutic context or framework and by offering a counter-narrative to age as decline. It contributes to the development of qualitative research methodologies by utilizing and reflecting on methods for studying music, memory, and ageing across diverse and interconnected contexts. Using the notion of inheritance to trouble its core themes of music, memory, ageing, and methodology, it examines different ways in which the concept of inheritance is understood but also how it commonly refers to the practice of passing on, and the connections this establishes across time and space. It confronts the ageist discourses that associate popular music predominantly with youth and that focus narrowly, and almost exclusively, on music's therapeutic function for older adults. By presenting research which examines various intersections of music and ageing outside of a therapeutic context or framework, the book brings a much-needed intervention.

What does it mean, in a polarized political climate, that feminism was popular in mainstream popular music of the 2010s? Engaging with feminist theory and previous research about gender and music, this book investigates the meaning of current trends relating to gender, feminism and woman-identified artists in mediated popular music. The examples discussed throughout the book include Netflix documentaries by Beyoncé, Lady Gaga and Taylor Swift, the Swedish music industry #MeToo petition #närmusikentystnar, music streaming services' gender equality work and the project Keychange striving to bring underrepresented genders to the stage. The volume discusses the media specificity of the different examples, introduces and explains feminist theories and concepts and analyzes the position of women, gender politics and feminisms in popular music.

Steve Goodman wrote “Good mornin’ America, how are ya” into the nation’s consciousness, becoming one of the most respected singer/songwriters of the 1970s and early 80s. With warmth and wit, he charmed better-known peers, top critics, and countless fans. Yet this 5-foot-2 troubadour nearly lost his chance at adult life. Diagnosed with leukemia at age 20, Goodman kept it a secret for 16 years as he sang for a generation that assumed it would live forever.This biography scrutinizes a theme that Goodman knew all too well: when death is imminent, we grasp that life is about connecting with others. Goodman’s childhood, the untold full story of “City of New Orleans,” his launching by the unlikely duo of Kris Kristofferson and Paul Anka, his teaming with “wild and crazy” Steve Martin for more than 200 shows, his landmark recordings and two Grammy awards all get extensive attention in this biography. The book delves into his personal and professional life, drawing on over 850 original interviews with Goodman’s family, childhood and adult friends, and a diversity of celebrities.“From the cradle to the crypt, it’s a mighty short trip,” Goodman wrote in a song shortly before his 1984 death. This biography verifies that the universality of his work — hilarious, political, romantic, or all three rolled into one — resonates deeply in today’s musical firmament.

When Shelly Powers was 7, she told her mother that she'd marry Elvis Presley when she grew up. She did -- though he was an impersonator, a tribute artist she met in Las Vegas. But over her 12 years living in Vegas, she joined an Elvis fan club. After a few Elvis conventions she met Presley's personal photographer, Ed Bonja, and with him made her first Elvis Interview. What started as one interview became many more, and with them many more friendships with people in Elvis' circle. Each of the 11 of Elvis' intimates interviewed here has a good story to tell. Each is accompanied by period photographs of Elvis and the friend, movie posters, concert memorabilia, and unusual memories that every fan or Elvis will want to read. Interviewees include: Ed Bonja Tour manager and official photographer 1970-77 Cynthia Pepper Co-star in the movie "Kissin' Cousins" Darleen Thompkins Worked with Elvis on "Blue Hawaii" and remained close till his death Patti Perry Met Elvis when she was 17 and only female member of "Memphis Mafia" Myrna Smith Elvis backing singer 1969-77 Joe (Diamond Joe) Esposito Lifelong friend, body guard and best man when Elvis married Priscilla Sonny West Lifelong friend of Elvis and bodyguard Jerry Schilling Lifelong friend and managed the Beach Boys, Jerry Lee Lewis and Lisa Marie Presley Larry Geller Spiritual advisor and personal hair stylist. Shaped Elvis' look Jimmy Velvet Friend for 20 years and ran an Elvis memorabilia museum in Memphis. Packed with remarkable photographs, this will be a memorable fans' resource and enjoyable reading for anyone.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the Fifties, the countercultural revolutions (and counter-revolutions) of the Sixties and Seventies, and the end-of-history triumphalism of the Eighties.

This collection features 14 of today's hottest hits arranged for piano and voice with guitar chord frames.