Bogdesign

An Adult Coloring Book and Journal - For The Child Within - A Nature Inspired Whimsical Adventure - Step inside this Relaxing Playful Book Filled With A Combination Of Simple & Some Intricate Flowers, Butterflies, Grapes, Fire Flies, Lady Bugs, Mandalas and more. Some Intricate and Some Simple Drawings That Work Well For Seniors, People With Dementia, Alzheimer's and Other Cognitive Conditions. Tippi Is Featured On The Front Cover, Inspired By Bonnie's Love Of Lady Bugs: -) Adult Coloring Book, Young Adult Coloring Book, Lady Bug Coloring Book, Ladybug Coloring Book, Adventure Coloring Book, Whimsical Coloring Book, Flower Coloring Book.,

The definitive illustrated monograph on 20th-century Swiss artist, designer, and architect Max Bill, whose work spanned from graphic design and advertising typography to product and furniture design and from painting to sculpture.A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume--the most thorough Bill overview ever published in English, and the only monograph in print--presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography--from large-format posters to small inserts in periodicals--as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself. Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988.

"Threads, a series of talks devoted to the art of the book, includes poets, scholars, artists, and publishers. ...The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. Threads began in March 2009 and concluded in October 2012. ... The cover image is by Buzz Spector, cover and book design by Diane Bertolo of Lotus + Pixel. Illustrated with color photographs, smyth sewn in wrappers"--Publisher's description on website.

A lively, lavishly illustrated biography of the great printer Bodoni, vividly describing his work, life, and times while justifying his reputation as the "prince of typographers." The first English bio of the ambitious and incomparable printer Giambattista Bodoni (1740-1813). Born to a printing family in the small town of Saluzzo, he left his comfortable life to travel to Rome in 1758 where he served as an apprentice of Cardinal Spinelli. There, under the sponsorship of Ruggieri, his close friend, mentor, and protector, he learned all aspects of the craft. Even then, his real genius, lay in type design and punchcutting, especially of the exotic foreign alphabets needed by the papal office to spread the faith. His life changed when at age 28 he was invited by the Duke of Parma to establish and direct the ducal press. He remained in Parma, overseeing a vast variety of printing, much of it glorious. And all of it making use of the typefaces he personally designed and engraved.

Unlike other packaging titles, which simply provide templates to copy, this book enables designers of all packaging types to create 3-D packaging forms that are specific to their needs rather than based on an existing design. It teaches a simple 'net' construction system- a one-piece 2-D configuration of card seen when a 3-D package is opened out and flattened - which enables the designer to create a huge number of very strong 3-D packaging forms that are both practical and imaginative. Each chapter concludes with photographs and net drawings oF 6-10 creative examples of packaging designs made using the principles outlined in the preceding chapter. Structural packaging gives the reader an understanding of the underlying principles of packaging construction and the technical knowledge and confidence to develop a greater number of their own unusual and innovative designs than any comparable book.

This early work by William Morris was originally published in 1899 and we are now republishing it with a brand new introductory biography. William Morris was born in London, England in 1834. Arguably best known as a textile designer, he founded a design partnership which deeply influenced the decoration of churches and homes during the early 20th century. However, he is also considered an important Romantic writer and pioneer of the modern fantasy genre, being a direct influence on authors such as J. R. R. Tolkien. As well as fiction, Morris penned poetry and essays. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Die Bibliothek des ehemaligen Augustiner-Chorherrenstifts Böddeken in Westfalen wurde im 15. Jahrhundert innerhalb weniger Jahrzehnte durch eine umfassende Schreibtätigkeit insbesondere der Priestermönche aufgebaut und erlangte sowohl durch ihre berühmte Sammlung von Legendarien als auch durch ihre Verbreitung in vielen Tochterkonventen herausragende Bedeutung. Sie fand in einem um 1479 neu gebauten Ostflügel der Klausur ihren nahezu unverändert erhaltenen Ort, in dem bis heute bauzeitliche Wandmalereien von der Aufstellungssystematik Zeugnis ablegen.Der Band widmet sich der Bibliothek in ihrer räumlichen Gestalt, in ihrer über eine umfassende Rekonstruktion des Bestandes erschlossenen inhaltlichen Systematik und in der Ausgestaltung der inzwischen weltweit verstreuten Handschriften des 15. und beginnenden 16. Jahrhunderts. So gelingt nicht nur eine Rekonstruktion des geistigen Horizontes des Böddeker Klosters während seiner Blütezeit als Reformkloster, sondern vor allem eine kunsthistorische Würdigung der dabei hervorgebrachten, qualitätvollen Malerei, die bisher kaum beachtet wurde. Ein Katalog der bekannten Handschriften aus Böddeken macht den Band zu einem wichtigen Kompendium für weitere Forschungen.

Imagine, Design, Create offers a wide-ranging look at how the creative process and the tools of design are dramatically changing-and where design is headed in the coming years. Bringing together stories of good design happening around the world, the book shows how people are using fresh design approaches and new capabilities to solve problems, create opportunities, and improve the way we live and work.From the impact of SOM's Cathedral of Christ the Light in Oakland to the spark that inspired Thomas Heatherwick's U.K. Pavilion in Shanghai; from the new processes fueling Zaha Hadid's extraordinary architecture to the digital tools Ford is using to transform car design, each of these stories explores questions that swirl around the idea of design. How does design change our lives for the better? How is our capacity to produce good design evolving? How will the next generation of designers work? What will they make? What new areas of human experience is design opening for us? Now that designers can do almost anything-what should they do?

Defining 'illustration' is not easy; it is always caught between the pillars of applied and fine art, between serving and claiming autonomy. With new possibilities of technical reproducibility, illustrations in the 19th century became omnipresent on the one hand and partially 'inferior' on the other. Today, they are experiencing a similar reevaluation in the context of digital reproducibility and production. The publication illuminates cultural-historical developments as well as perspectives from art, media, and visual studies and begins to clarify the position of illustration in image history and visual studies.

Packed with illustrative examples by renowned international artists and paper folders, we are introduced to different folding and cutting techniques for constructing such as origami, kirigami, leporello and the Turkish map fold while a wealth of practical easy-to-follow folding templates and diagrams motivate us to try them ourselves. This repertoire of shapes and structures is intended for artists, visual artists and teachers, as well as for lovers of handmade objects, scrapbooking and creative hobbies. Here you will find useful tools at the service of your imagination, as well as detailed explanations of the methods and creative processes of sixty working artists and creators from all over the world. With more than one hundred models, many of them previously unpublished, the book is a synthesis of classic origami and kirigami folds and arrangements of folds used for creating unusual books and booklets without binding, as well as the folding and cutting techniques that made them possible. While the models shown often use traditional origami and kirigami bases such as square and preliminary triangle bases and lotus and diamond folds, the reader is also exposed to ones that have been customized and reinvented. Jean-Charles Trebbi, author of The Art of Folding and The Art of the Cutting, takes the reader on an instructive tour of the various approaches of creators whose impressive artistry and craft have resulted in surprising, beautiful, eclectic and effective book forms. We learn about Masahiro Chatani, the inventor of Origamic Architecture; Shuzo Fujimoto, one of the pioneers of origami tessellation; and a host of contemporary masters including Martin Wall, Paul Jackson, David Brill, Bruno Munnar, Katsumi Komagata, Ed Hutchins, Paul Johnson, Hedi Kyle, Werner Pfeiffer, Alisa Golden, Joan Michaels Paque, and many others. With numerous templates for copying, the Art of Origami Books will inspire you to handle paper in new and inventive ways while exploring the many exciting possibilities of this ancient craft yourself.

This early work by William Morris was originally published in 1899 and we are now republishing it with a brand new introductory biography. William Morris (1834 - 1896) was born in London, England. Arguably best known as a textile designer, he founded a design partnership which deeply influenced the decoration of churches and homes during the early 20th century. However, he is also considered an important Romantic writer and pioneer of the modern fantasy genre, being a direct influence on authors such as J. R. R. Tolkien. As well as fiction, Morris penned poetry and essays.

"In the twenty-first century, debates on the history and future of the book and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this burst of artistic and cultural activity, there has been little scrutiny of book arts in South Asia, and their peculiar ontologies, histories, and genealogies. Why has the book form been a crucial medium for the visual arts? How do we theorize this form in a region where orality is valued, literacy remains low, printing was adopted relatively late, and books are venerated in homes and places of worship? What is the relationship of books to calligraphy, manuscripts, and paintings? In devotional contexts and outside of them, the book-like painting-was and is a catalyst for history and memory, and subject to reading, recitation, reiteration, and revision. This volume addresses the role of art books and book arts by contrast to existing scholarship on book history in South Asia, which has focused on textuality, the printing press, nation-state, modern city, and print capitalism. It traces a history of illustrated books in South Asia from 1100 C.E. to the present, emphasizing their visual, material, aesthetic, and phenomenological dimensions, and showing how the book is a living form and practice, arguing against the death of books in a digital age. Contributors highlight aspects of the book from the medieval through modern periods in South Asia, considering its visual, material, aesthetic, and phenomenological dimensions and identifying particular uses of the book in relation to the muraqqa (album), pat chitra (scroll), bhandar (storehouse), and kalam (pen, style, school). Collectively, they bring together recent developments in art history, literary studies, anthropology, and history to present the book as practice and process rather than thing: a dynamic form, network, and method. Against narratives of the death of books in a digital age, this volume argues for the book as a vital form and dynamic practice. Written in a lucid and lively style, it will be of interest to scholars, curators, artists, critics, undergraduate students, museum visitors, and readers of contemporary graphic novels and comic books"--

How can designers today achieve classical book design when it derives from an era of hot metal? This book has the answer.

After 15 years of designing more than 1,500 book jackets at Knopf for such authors as Anne Rice and Michael Chrichton, Kidd has crafted an affecting an entertaining novel set at a state university in the late 1950s that is both slap-happily funny and heartbreakingly sad. The Cheese Monkeys is a college novel that takes place over a tightly written two semesters. The book is set in the late 1950s at State U, where the young narrator, has decided to major in art, much to his parents' dismay. It is an autobiographical, coming-of-age novel which tells universally appealing stories of maturity, finding a calling in life, and being inspired by a loving, demanding, and highly eccentric teacher.