Produktdesign

An understanding of psychologyspecifically the psychology behind how users behave and interact with digital interfacesis perhaps the single most valuable nondesign skill a designer can have. The most elegant design can fail if it forces users to conform to the design rather than working within the blueprint of how humans perceive and process the world around them. This practical guide explains how you can apply key principles in psychology to build products and experiences that are more intuitive and human-centered. Author Jon Yablonski deconstructs familiar apps and experiences to provide clear examples of how UX designers can build experiences that adapt to how users perceive and process digital interfaces.Youll learn:How aesthetically pleasing design creates positive responsesThe principles from psychology most useful for designersHow these psychology principles relate to UX heuristicsPredictive models including Fittss law, Jakobs law, and Hicks lawEthical implications of using psychology in designA framework for applying these principles

Luxury is defined in this stylish look at over 70 examples of ultra-high-end architecture, automobiles, timepieces, and lifestyle products.

Temaet er indretning, du inviteres derfor indenfor på studios og værksteder hvor det vi indretter os i og med, tager form. Du introduceres til glaspuster Alexander Kirkeby, som få år efter han har afsluttet sin uddannelse er etableret på den internationale designscene, til den ligeledes nyuddannede keramiker Heidi Lillevang, som eksperimenterer med stuk og til stukkatør Peter Funder, som har 35 års erfaring i branchen. Arkitekt Desislava Lynge udtaler i artiklen ”I fællesskab”, ”det kan være magisk både at bo minimalistisk og kaotisk eller med bøger og kunst fra gulv til loft, bare indretningen spejler beboerne” hun tilføjer, at hvis hun skal pege på noget, så er lysindfaldet det vigtigste bortset fra livet i husene. Lys er også omdrejningspunktet for belysningsdesigner Fie Paarup, som har stor succes med sine unikke gardiner syet af vintage- og overskudstekstiler. Med hende har jeg talt om både gardiner og livet i huset. Tekstil er også det naturlige materialevalg for Sia Hurtigkarl og Tanja Kirst, på hver sin måde, fra hvert sit udgangspunkt og i helt forskellige udtryk, er de begge optaget af det vævede tæppe som medie. Bookazinet har, samtidig med at det handler om rum, møbler, gardiner og tæpper, stuk, keramik og glas, insisteret på et eget parallelt spor som handler om hvordan vi dannes, omgås og taler om os selv og hinanden og det vi beskæftiger os med.Du inviteres med til Öland til en helt særlig skole. Skolen blev etableret af Carl Malmsten og dennes hustru Siv Malmsten i 1957. På skolen undervises nu, som den gang i keramik, tekstil, træ og havekunst, og for at blive ved Malmsten, har jeg haft inspirerende samtaler med professor Andreas Nobel. Han er er møbelsnedker og formgiver og underviser på Sveriges fineste møbelsnedkeruddannelse på Malmstens i Stockholm (en campus under Linköping Universitet). Andreas Nobel argumenterer: ”Man undervurderer et hvert fagområde, når man tilgår alle felter på samme måde frem for at anerkende, at det kræver mange års træning at kunne sit fag.For eksempel kræver det en livslang gerning at opnå et højt niveau i filosofi.På samme måde kræves års arbejde for at opnå et højt niveau i håndværk, design eller kunst”.Han stiller sig tvivlende overfor om man i samme liv kan opnå så tilstrækkeligt højt niveau på begge felter, til at filosoffen kan tilføre noget til kunst og design og vice versa. Ikke desto mindre ser man mange akademiske faggrupper udtale sig med vægt om både kunst, design og håndværk.”Hører og læser man den slags skal man vide at det ikke er det faglige forfatteren forholder sig til men filosofien”, argumenterer han. For filosoffen er kunsten et filosofisk problem, for kunstneren er kunsten en mulighed. Designeren og håndværkeren søger løsninger”. Foruden ovenstående mødes du i bookazinet blandt andre af keramiker Louise Gaarmann, guldsmed Sarah Hurtigkarl og arkitekt Erik Brandt Dam

This HÅNDVÆRK bookazine no. 9 has interiors as its theme and invites you inside the studios and workshops where the things in our homes take shape. In the bookazine, you will meet glassblower Alexander Kirkeby, who graduated just a few years ago and has already made a name for himself in the international design scene. You will also meet another recent graduate, ceramic artist Heidi Lillevang, who experiments with stucco, and stucco worker Peter Funder, who has 35 years’ experience. In the bookazine, in the article titled ‘In collaboration’, architect Desislava Lynge says, ‘An interior can be magical, whether it is minimalist or chaotic or has books and art from floor to ceiling, as long as it reflects the people who live there.’ She adds that if she were to point to a single key feature, apart from the life inside a house, it would be the influx of daylight. Light is also a key topic for lighting designer Fie Paarup, who has launched a successful production of unique curtains sewn from vintage and surplus textiles. I met with her to talk about curtains and the life inside a house. Textile is also the natural choice of material for Sia Hurtigkarl and Tanja Kirst. Each in their way, from their respective points of view and with very different expressions, they both work with woven rugs as their medium. In addition to rooms, furniture, curtains and rugs, stucco, ceramics and glass, the upcoming issue of the bookazine maintains a parallel focus on how we become who we are and how we engage with and speak about ourselves, each other and our practices. You are invited to join me on a trip to Öland to visit a very special school founded in 1957 by Carl Malmsten and his wife, Siv Malmsten. Now, as then, the school teaches ceramics, textile, wood and landscape architecture. I had some inspiring talks with Professor Andreas Nobel about Carl Malmsten. Nobel, who is a cabinetmaker and designer, teaches in Sweden’s finest cabinetmaker’s programme at Malmstens in Stockholm (a campus at Linköping University). Andreas Nobel says, ‘You will underestimate any subject area if you approach every field in the same way and if you fail to acknowledge that mastering a given field takes many years of training. For example, it takes lifelong practice to attain a high-level mastery of philosophy. Similarly, it takes many years of practice to attain a high-level mastery of craft, design or art.’He questions whether it is possible in a single lifetime to attain a sufficient grasp of both areas to have philosophy inform art or design, and vice versa. And yet, it is common to see scholars from a wide range of academic fields speak with great authority about art, design and crafts.‘When you hear and read these comments, you need to bear in mind that what they are addressing is not the subject matter itself but the philosophy of it,’ he argues. ‘To a philosopher, art is a philosophical problem; to the artist, art is a possibility, while designers and craftspersons look for solutions.’ In the bookazine, you will also meet ceramicist Louise Gaarmann, golds applied artist Sarah Hurtigkarl and architect Erik Brandt Dam, among others.

Felice Rix-Ueno studierte bei Josef Hoffmann, einem Mitbegründer der Wiener Werkstätte (1903-1932). Inspiriert von der japanischen Formensprache bildete sie einen eigenen Stil aus, der sich in besonders fantasievollen Stoff- und Tapetenmustern, Mode- und Wohnaccessoires sowie Wandmalereien ausdrückte. Nach ihrer Heirat mit dem japanischen Architekten Isaburo Ueno übersiedelte sie 1926 nach Japan. Hier entstanden gemeinsame Arbeiten, die viel Beachtung fanden, wie etwa die Star Bar in Kyoto, die 1932 in der berühmten Ausstellung Modern Architecture im New Yorker MoMa gezeigt wurde. Felice Rix-Ueno, die schon in der erfolgreichen MAK Ausstellung Die Frauen der Wiener Werkstätte prominent vertreten war, wird mit diesem Katalog erstmals außerhalb Japans eine substanzielle monographische Aufarbeitung zuteil.

Wahre Schönheit mag von innen kommen, doch die Verpackung ist das, was überzeugt. Mit den Gewinnern der Pentawards 2021 und 2022 präsentiert The Packaging Design Book einmal mehr das eindrucksvolle Spektrum dieser besonderen Kunstform und rückt in seiner siebten Ausgabe erstmals die Wettbewerbsbeiträge der neugeschaffenen Kategorie "Nachhaltiges Design" in den Fokus. Branchenprofis und Newcomer aus über 60 Ländern sprengen mit ihren Entwürfen die Grenzen des klassischen Designs und vermitteln die Vision von Nachhaltigkeit und Vielfalt in der Verpackungsindustrie. Dieser Band wird so zum Showcase einer Disziplin, in der Schönheit und Integrität Hand in Hand gehen. Die 50-köpfige Jury repräsentiert 25 Brands und 25 Designagenturen, darunter Amazon, Mars Food, Vault49, Estée Lauder, Superunion, Coty, WWF und Stranger & Fremder. Sie wählt aus über tausend Einsendungen und zelebriert Verpackungsdesign auf der Höhe der Zeit: witzig, elegant und auf dem Weg dieser Branche in die Zukunft.

Ziel dieses Handbuchs ist die Vermittlung von nutzbringenden Kenntnissen, Fähigkeiten und Verhaltensweisen, die ein in der Produktentwicklung/Projektleitung verantwortlich tätiger Ingenieur vielfach braucht, die aber in der üblichen Ingenieurausbildung zu wenig Beachtung finden. Sie greifen über das Fachwissen hinaus in den menschlichen Bereich hinein, weil technischen und/oder organisatorischen Schwierigkeiten faktisch immer menschliche Probleme zugrunde liegen.

The combines built by International Harvester and Case IH were some of the most innovative in history, and this encyclopedic volume chronicles their history. Red Combines 1915-2020 includes photographs and details about every red combine built in the United States and abroad, and tells the incredible story of the creation of the Axial-Flow combine, which was developed in a garage so secret only a few people knew it existed and disrupted the combine market when it first appeared in 1977. This updated edition includes corrections, some new images, and an updated section on the new combines offered from Case IH.

The management of maintenance processes and their integration with production processes is one of the significant challenges faced by industries today. It is known that maintenance must be carried out to guarantee the quality and continuity of production processes. Thus, manufacturing routines, production bottlenecks, and the criticality of each component or subsystem in the overall process should be considered not only by production management but also (and increasingly) by maintenance management. The latter should consider repair (or replacement) costs and miscellaneous expenses, plan to work on maintenance effectively, reduce repair times, and establish clear repair procedures and instructions. Maintenance process management can be deployed in several ways and following several strategies depending on the type of industry, its size, and the criticality of its processes. However, even being a unique company, it is always possible to take advantage of the experiences of other industries and their implementations. The advent of new technologies (such as automation, the Internet of Things, and cloud computing), along with new statistical and artificial intelligence techniques, has created an environment referred to as Industry 4.0, of which maintenance management systems are a part. This book presents aspects of predictive maintenance in industries and shows the possibility of reaching the creation of prognostic maintenance. It offers techniques for managing maintenance processes theoretically and practically as examples of possible industrial implementations.

‘Panton – Environments, colours, systems, patterns’ is part of the new series Compact design classics.»A less successful experiment is preferable to a beautiful platitude.« Verner PantonVerner Panton is the enfant terrible of Danish design. While his Danish colleagues during the 1950s and 60s prioritised natural materials and manual craftsmanship, Panton went abroad and experimented with coloured plastic, fibre glass, steel and synthetic fabrics and tried out new industrial mass-production methodsThis book examines Panton’s almost scientific approach to environments, colours, systems and patterns unfolded in colourful total interiors and imaginative product designs. Panton’s oeuvre is presented as a truly pioneering effort that points towards modern design and the role of the visual experience in a globalised society.Ida Engholm, professor and PhD (The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation), and Anders Michelsen, professor and PhD (University of Copenhagen), has created a thought-provoking and multi-facetted portrait of one of Denmarks most influential designers.

‘The Danish Chair – an international affair’ er en del af serien Kompakte designklassikere, der udkommer på både dansk og engelsk.Bogen ‘The Danish Chair – an international affair’ sætter fokus på den danske designarv, som skulle blive det kulturelle fænomen, der satte Danmark på verdenskortet i midten af det 20. århundrede. Brandet Danish Design opstod i 1949, da amerikanske journalister begyndte at skrive om danske møbler fra Snedkerlaugets møbeludstilling i København. Hans J. Wegners ”Den runde stol” kaldte de ”The Chair” – ”Stolen”. Det blev ikke kun starten på et stort eksporteventyr, men også en udfordring for de danske designere, som blev verdenskendte for deres besættelse af at skabe den perfekte stol.Stolen er designernes prøvesten og designhistorikernes yndlingsobjekt. Den berører og spejler den krop, den skal bære med arme, ben, sæde og ryg. Og så er stolen et af vores mest kulturbærende design-objekter, og fortæller om den tid og det samfund, den er skabt i.Bogens særlige greb er, at den i ord, tegninger og billeder vil vise, at danske stole bygger på historiske møbeltyper, som forfines og rafineres i det uendelige. Budskabet og forklaringen på dansk møbelkunsts succes internationalt er, at dansk møbelkunst er baseret på fremmede kulturer og på ældre tiders bedste frembringelser.

Graphis Journal #379Take a deep dive into the minds of some of today's renowned designers, photographers, art directors, and more. A quarterly print and digital magazine we hope inspires your creativity — The Journal is filled with thought-provoking, intimate, meaningful interviews and stories that take you inside the minds, work, and spaces of top designers, agencies, photographers, artists, and other outstanding creatives around the globe.Each Journal issue is beautifully printed and features 12 lead stories and Q&As from creatives in their own words plus images of some of their finest work. You'll learn the celebrations, challenges, and what's inspired them along the way

Graphis Journal quarterly brings you the best from the world's creative elite of contemporary design, advertising, illustration, photography, product design and architecture including: Armando Milani, Fallon, &Walsh, Henry Leutwyler, Victo Ngai, and more.Take a deep dive into the minds of some of today's renowned designers, photographers, art directors, and more inside the Graphis Journal 380. A quarterly print and digital magazine we hope inspires your creativity — The Journal is filled with thought-provoking, intimate, meaningful interviews and stories that take you inside the minds, work, and spaces of top designers, agencies, photographers, artists, and other outstanding creatives around the globe.

How to use design as a tool to create not only things but ideas, to speculate about possible futures.

Online learning can be so dull--or not!Enter Jenae Cohn and Michael Greer, experienced authors andteachers, who decided it was time to take on the challenge of making online learning more interesting and compellingfor students. So, they met in a Zoom call, contacted Rosenfeld Media, and wrote this book, Design for Learning: UserExperience in Online Teaching and Learning (many Zoom calls later). The book is structured to teach online learning in such a way that anyone can follow its practices and create a dynamic educational presentation. Chapters cover everything fromlearning about your learners and setting learning goals to building connections with learners and giving them feedback. In addition, the authors dive into the nitty-gritty details of creating online courses, including takeaways at the endof each chapter and easy-to-follow examples throughout."I particularly appreciate how thoughtful Jenae and Michael are about considering the experience from the learner's point of view and theemphasis they put on learner agency."--Julie Dirksen, Author, Design for How People LearnTogether, Jenae Cohn and Michael Greer have years of experience designing and producing online courses for students. They wanted the tone of their book to be friendly, supportive, engaging, empathetic, and thoughtful. With that in mind, they chose examples that reflected what an ordinary user might encounter on a day-to-day basis, highlighting everything from complex skills (accessibility) to the most minute details, such as: Writing compelling content and instructional textDesigning interesting text and visualsPlanning and producing videosRecording sound and voice-oversCreating and facilitating live website presentationsDesigning surveys for class feedbackRating whether your presentation was successfulWho This Book Is ForTeachers, learning development professionals, and anyone tasked with designing an online course or a one-off workshopContent creators, instructional designers, user experience designers, and others who care about the experience of online learningWhether you're a novice or experienced online instructional designer, this book will show you how to apply industry best practices, and provide how-to examples, powerful templates, and activities to craft compelling instructional content--whether text, audio, or video.Best of all--your course will never be called dull again.

Symmetri er andet og mere en den simple gentagelse af spejlede objekter. Per Mollerup gennemgår flere typer symmetri, bl.a. i bygningsværker så forskellige som Stonehenge, Pantheon, Faaborg Museum, Guggenheim og Operaen i Sydney.Bogen henvender sig til færdiguddannede og studerende arkitekter og designere, men kan også læses med udbytte af andre faggrupper og ikke-fagfolk med interesse for emnet. Bogen udvider symmetribegrebet og giver eksempler på både velkendte og oversete symmetrier: Reflektionssymmetri, rotationssymmetri, translationssymmetri, glidesymmetri, skaleringssymmetri og skruesymmetri.

Future-orientated and exceptional design performances are atthe centre of the International Design Award Baden-WürttembergFOCUS OPEN 2023, one of the most renowned German design competitions with an international orientation. This yearbook presents all the award-winning products. The winners come from fields including investment goods, healthcare, bathrooms, kitchens, interiors, lifestyle, lighting, consumer electronics, leisure, building technology, public design, mobility, service design and materials & surfaces.