Arkitekter og arkitektfirmaer

Halldor Gunnløgsson var aldrig i tvivl: arkitektur er en kunstart. Det fastholdt han gennem hele karrieren også under ungdomsoprøret, der affejede ”kunst” som borgerlig dekadence. Han forsøgte oven købet i at indkredse, hvad han kaldte ”arkitektonisk tænkning” – velvidende, at verbalsproget ikke kan omspænde kunsten eller ”det uhåndgribelige”. Hovedværker er Tårnby- og Fredericia rådhuse, hans eget hus i Rungsted, der blev verdensberømt, Uglegårdsskolen, "Danmarks bedste skole" m.fl. Han var det skarpeste intellekt blandt datidens arkitekter og forkæmper for bygningskunsten, som han mente, at arkitekterne selv havde svigtet. Bogen viser Gunnløgssons omfattende livsværk som sin tids mest vindende deltager i arkitektkonkurrencer, som udøvende arkitekt, lærer og debattør. Hans værker og tænkning har stadig bud til en forvirret tid.

Unmarked on maps and largely unnoticed by urban design, architecture, and planning communities, Combat Cities have quietly spread throughout the western hemisphere. The Complete Guide to Combat City is an architectural and cultural guide of these simulated cities, exclusively developed by the military. Seventeen existing, fully functioning urban combat centers in the US, Europe and the Middle East have been reconstructed from existing video footage, satellite images, military photographs, and army supplier's catalogs. Julia Schulz-Dornburg analyzes their features, be they fictional or real, and presents them with commentary, illustrations, and classifications. The book combines different urban portraits to create a comprehensive overview and architectural database of contemporary mock-cities. A comprehensive selection of seventeen urban combat centers in the US, Europe and the Middle East The first in-depth analysis of a clandestine architectural subject

At the dawn of the new millennium, a group of Latin American young architects found themselves on a pilgrimage to one of the centers of design production of the old world. As pilgrims and migrants have done for thousands of years, they thought they were acquiring knowledge in exchange for their cultural currency. Instead, they encountered their own knowledge and used it to subvert the orders of center/periphery, North/South, knowledge/culture, generating new meanings and new concepts for the discipline and the practice of architecture. As you probably know, sudaca is a pejorative term used to label Latin American students in Europe. Supersudaca spins that insult around and celebrates their ways of doing Architecture. One of those ways is the Supersudaca tradition of not closing its processes; instead moving from one place to another, coming back in circles, and following unpredictable paths. Incomplete works celebrate the first two decades of this partnership and set the tone for more works to come in the future. It also resists the idea of a complete body of work, exposing the process as the frame. Edited by Fernando Lara from UPenn Weitzman School of Design, and published by Romano Guerra editora, Supersudaca - Incomplete Works is a fundamental book to understand the flow of architectural ideas from the Global South in the 21st century.

"I don't want to write an architectural bible. I want to sell stories that show what defines me and my work." Matteo ThunIn the world of design and architecture there are few personalities whose influence is as profound and lasting as that of Matteo Thun. From pioneering resorts, company headquarters, public buildings, residential and office buildings around the world to the iconic Illy espresso cup, the renowned architect has left his unmistakable signature everywhere and his designs have shaped our perception for decades. His impressive product design, imposing architecture and pioneering concepts bear witness to more than 40 years of professional experience and a life that unfolds between the vibrant metropolises of Milan and Munich. Numerous fascinating stories have emerged from this exciting journey through life. As an author, Matteo Thun has now captured these stories in a captivating book that has been created for his admirers, companions and perhaps also a little bit for himself.

When Janet Evans took one look at her new born son, she had no idea how short of time she had left. Little did the little boy know that a promise he would make to his mother when she sat him down one day would carry him through his life through all the pain and suffering. Read the journey of how the little boy shed his past and emerged from his shell as Foster Evans.

"An ecologically minded collection of essays in the vein of Rebecca Solnit and Susan Sontag-covering everything from the equipment of photography to the difficulties of perception itself. In an age when most of us carry a device seemingly capable of freeze-framing the world, Benjamin Swett writes with refreshing clarity on the way of the true photographer. Combines cultural criticism with personal revelation to examine how the lived experience of photography can endow the mundane with meaning while bringing attention to the beauty of both the natural world and the world we build. Having photographed trees of Manhattan, Shaker dwellings, and the landscapes of upstate New York, award-winning photographer and writer Swett brings an ecological sensitivity to these expansive and profound meditations on how to document the world around us. Accompanied by nearly three dozen black-and-white photographs and illustrations, the essays take us from Coney Island in the early 70s to Paris and Prado at the turn of the last century. By turns literary criticism, art history, and memoir, they draw from writers such as Eric Sanderson, Max Frisch, and John Berger to uncover truths about a life spent in pursuit of art. In essays such as "The Picture Not Taken," "The Beauty of the Camera," and "My Father's Green Album" Swett gives us a picture of photography over generations and how we can or should relate to the mechanical devices so often fetishized by those interested in the subject. In "What I wanted to Tell You About the Wind" we understand photography's importance in understanding our place in larger environmental and social systems; and in "VR" and "Some Observations in the Galapagos" Swett challenges us to think through problems of perception and knowing central to the experience of photography, looking to the past and into our future for answers. Poignant and deftly crafted, The Picture Not Taken brings to mind the fearless ambition of Annie Dillard and the grand scope of Rebecca Solnit's Field Guide to Getting Lost. Swett's writing will appeal to readers who have enjoyed Geoff Dyer's work, and Susan Sontag's writing on photography"--

The extraordinary and surprising life of Piet Mondrian, whose unprecedented geometric art revolutionized modern painting, architecture, graphic art, fashion design, and more—from acclaimed cultural historian Nicholas Fox WeberIn the early 1920s, surrounded by the roaring streets of avant-garde Paris, Piet Mondrian began creating what would become some of the most recognizable abstract paintings of the 20th century. With rectangles of primary colors against a dazzling white background, this was geometric abstraction in its purest form. These revolutionary compositions exhilarated, intoxicated, confused, and enraged the international public—and changed the course of modern art forever.Now, for the first time, Mondrian emerges alongside his thrilling art. Here is the life of an elusive modern master: from his youth in a religious household in the Netherlands where he first began painting Dutch farmhouses and sand dunes, to his move to Paris where he embraced the work of Pablo Picasso, Georges Seurat, and Cézanne, to the 1920s and onward where, surviving the turmoil of two world wars and embracing a rapidly shifting culture, Mondrian challenged the concept of art and invented a new world of undiluted colors and rhythmic straight lines. His work would go on to affect painting, architecture, fashion, and design in decades to come.Here is also an intimate portrait of a complex artist, his solitude and avoidance of intimacy, his eccentricities and his philosophy, his passion for ballroom dancing, and his unwavering belief in art as a vehicle to reveal universal truths.

Vom Industriebau zum Architekturbüro: Dieses Buch dokumentiert die Entstehung des Projekts »Bremer Straße 42« der neuen Adresse von MAAS & PARTNER in Münster. Mit zahlreichen Bildern begleitet es den Umbau des hundertjährigen Fabrikgebäudes und gibt Einblicke in die Chancen und Herausforder-ungen, die es mit sich bringt, wenn ArchitektInnen ihr eigenes Büro gestalten.Im Prozess stellen sich grundlegende Fragen zur Architektur der Arbeitswelt von morgen: Was braucht ein Büro, damit wir alle gut darin arbeiten können? Wie lassen sich Teamarbeit, Kommunikation und Gemeinschaft unter ein Dach bringen mit Ruhe und Konzentration? Und welche Rolle spielt die Materialität des Bestands in der Gestaltung von Räumen, die auch Ausdruck einer Unternehmensphilosophie und einer sich ständig verändernden Berufswelt sind?»Bremer Straße 42« ist eine Geschichte über das Bauen, Verändern und Erneuern - ein lebendiges Beispiel dafür, wie Architektur nicht nur Räume, sondern auch Ideen und Zukunftsvisionen formen kann.

" ... Les biographes ont malheureusement cru d'ordinaire qu'ils étaient historiens. Et ils nous ont privés ainsi de portraits admirables. Ils ont supposé que seule la vie des grands hommes pouvait nous intéresser. L'art est étranger à ces considérations. Aux yeux du peintre le portrait d'un homme inconnu par Cranach a autant de valeur que le portrait d'Érasme. Ce n'est pas grâce au nom d'Érasme que ce tableau est inimitable. L'art du biographe serait de donner autant de prix à la vie d'un pauvre acteur qu'à la vie de Shakespeare. C'est un bas instinct qui nous fait remarquer avec plaisir le raccourcissement du sterno-mastoïdien dans le buste d'Alexandre, ou la mèche au front dans le portrait de Napoléon. Le sourire de Monna Lisa, dont nous ne savons rien (c'est peut-être un visage d'homme) est plus mystérieux. Une grimace dessinée par Hokusaï entraîne à de plus profondes méditations. Si l'on tentait l'art où excellèrent Boswell et Aubrey, il ne faudrait sans doute point décrire minutieusement le plus grand homme de son temps, ou noter la caractéristique des plus célèbres dans le passé, mais raconter avec le même souci les existences uniques des hommes, qu'ils aient été divins, médiocres, ou criminels..."

... La spécialisation tactile, la science qui en est comme le prolongement instrumental, nous apprennent que le monde est en réalité discontinu. L'espace interstellaire ne diffère de l'espace intermoléculaire que parce que nous sommes placés entre les deux et que nous mesurons leurs rapports. La notion de temps qui est engendrée par celle de l'espace n'est pas plus exacte sous son premier aspect continu. Il peut y avoir de l'infini entre les moments d'un temps divisé à l'infini. On perçoit très bien que le temps psychologique (et le temps astronomique se mesure par des différences de position dans l'espace) est essentiellement variable. Notre notion du temps se transforme du sauvage à l'homme civilisé, de l'enfant à l'adulte, du rêve à la veille...

In Self-Portrait of a Painter, a Triptych Memoirs, journey through the fascinating life of a remarkable woman, born to an Irish mother and Jewish father in the vibrant, working-class neighbourhood of The Rocks in Sydney. From her roots in a Socialist household committed to social justice, she defies convention to become a celebrated portrait artist. This compelling biography traces her life's arc, from her formative years to her education at Art School, from marriage and motherhood to the realization of her artistic ambitions. She paints the faces of diverse subjects - some at odds with her own ideals - yet each becomes a fascinating character study etched onto canvas. As she finds love a second time, her world expands further through international travels, taking her to the esteemed art galleries of Europe. Immerse yourself in a story rich in art, social activism, and personal growth, a tribute to a woman who never wavers in her values while capturing the essence of others. Self-Portrait of a Painter, a Triptych Memoirs is not just an interesting read; it is an exploration of a life passionately lived.

AP205 Amancio Williams widmet sich mit dem argentinischen Architekten Amancio Williams(1913-1989) einer Schlüsselfigur der modernen Architektur in Lateinamerika. Sein bekanntestesProjekt, die Casa sobre el Arroyo in der Provinz Buenos Aires, ist eines der wenigen Bauwerke, dieer realisiert hat. Das breite Spektrum von Projekten und Entwürfen, die sein Büro von den 1940erbis in die 1980er Jahre hervorgebracht hat, zeigt sich allerdings in einem umfangreichen Archivmit Zeichnungen, Fotografien, Korrespondenz und Modellen, das die Familie Williams 2020 demCanadian Centre for Architecture (CCA) überlassen hat. Diese Publikation beruht auf Recherchenvon Studio Muoto, Claudia Shmidt und Pezo von Ellrichshausen, die alle einen, je eigenen, Hinter-grund in Architektur und Architekturgeschichte haben. Ihre Lesarten ergeben ein neues, weiter-gehendes Verständnis von Williams' Werk und verorten seine Praxis mit ihren sozialen, materiellenund politischen Dimensionen im zeitgenössischen Architekturdiskurs.Studio Muoto ist ein Architekturbüro, das 2003 von Gilles Delalex und Yves Moreau in Paris ge-gründet wurde. Claudia Shmidt ist Professorin an der Universidad Torcuato Di Tella in Argentinien.Pezo von Ellrichshausen ist der Name eines 2002 gegründeten Studios für Kunst und Architekturim Süden Chiles.

"A groundbreaking look at the life and art of one of the most influential and modern painters of the late nineteenth century and founder of the Impressionist movement. Drawing on thousands of never-before translated letters and unpublished sources, this new biography reveals dramatic new information about the life and work of one of the late 19th century's most important painters. Despite being mocked at the beginning of his career, and living hand to mouth, Monet risked all to pursue his vision, and his early work along the banks of the Seine in the 1860s-70s would come to be revered as Impressionism. In the following decades, he emerged as a celebrated leader of the new painting in one of the most exciting cultural moments in Paris, before withdrawing to his house and garden to paint the late Water Lilies, which were ignored during his lifetime and would later would have a major influence on all 20th century painters both figurative and abstract. This is the first time we see the turbulent life of this volatile and voracious man who was as obsessed by his love affairs as he was by nature. He changed his art three times when the women at the center of his life changed with a nod to the behavior of such painters as Picasso. His closest friend was Prime Minister Georges Clemenceau but Proust as well as Zola, Renoir, Pissarro and Manet were also a part of his life. Brilliant and absorbing, this biography will forever change our understanding of Monet's life and work"--

Judith Mariner's life is a portrait of non-conformity and unique experiences. She wasn't like the other girls in the '40s. She reveled in the outdoors and played with the boys. She discovered yoga and vegetarianism long before they became fads. She faced abuse of every kind and a feeling of "not enoughness" with everything she attempted. In high school, she taught herself to play tennis and became the state champion-twice. Through tenacity and conviction, she followed her artistic passions from the streets of Venice, Italy, to the barrios of Tucson, Arizona. She didn't care where she lived or how she made money, as long as she could paint and provide for her children. No matter what obstacles she faced, she found a way to survive and thrive, never losing the fire in her belly.

Giancarlo de Carlo besuchte Urbino zum ersten Mal 1951, um das Büro des Rektors der Universität zu renovieren. Dies war der Beginn einer lebenslangen Beschäftigung in dieser kleinen Stadt, in der er in den nächsten fünf Jahrzehnten weiterarbeitete. Dieses Buch ist Teil der Reihe "Everything without Content" und stellt Arbeiten vor, die Giancarlo de Carlo in den 1960er und 70er Jahren in Urbino verwirklichte, während er sich gleichzeitig an den Debatten des Team 10 beteiligte, das die modernistischen Doktrinen über Architektur und Städtebau in Frage stellten. Acht Gebäude in diesem Buch werden anhand von Zeichnungen von Studenten der Akademie für Architektur USI, Mendriso, und Fotografien von Stefano Graziani vorgestellt.

Die Architektur des 2003 von Laurent Vuilleumier und Paul Humbert gegründeten Büros LVPH (Pampigny/Fribourg) ist vornehmlich in der Westschweiz situiert. Die Bandbreite reicht von dem auf 14 Pfählen ruhenden autarken Wohnhaus in Treyvaux bis zu grösseren Projekten wie dem Monolith einer Turnhalle in Genf mit farbig eloxierter Streckmetallfassade. Gemeinsam ist ihnen allen eine Form der Poesie, die ihren Ausdruck in einer reduzierten, radikalen Architektur findet.

Die Bauten des Aarauer Büros Frei Architekten AG - 1988 von den Brüdern Peter und Christian Frei gegründet - entwickeln jenseits gestalterischer Eskapaden und mittels einer reduzierten Materialpalette eine starke Gebäudepräsenz. So fügt sich etwa der Ersatzneubau in der Zürcher Engelstrasse subtil in die historische Häuserreihe, während die Holzfassade des neuen Tanklagers der Weinkellerei Aarau das Geschehen im Innern widerspiegelt und sich zugleich dem industriellen Charakter der Umgebung anpasst.

Seit 20 Jahren wirkt das Büro von Markus Schaefer und Hiromi Hosoya mit Sitz in Zürich und Kyoto in den Bereichen Architektur, Städtebau, Medieninstallationen, strategische Planung und Beratung. Im Austausch mit einem internationalen Netzwerk realisieren sie Projekte in ganz Europa - vom Elbinselquartier in Hamburg-Wilhelmsburg über diverse private und öffentliche Bauten bis zur Modernisierung von Europas höchstgelegenem Regionalflughafen in Samedan.

Founded in Zurich in 2008 by architect Christian Penzel and structural engineer Martin Valier, Penzel Valier have established themselves as one of Switzerland's leading design firms. In fifteen years, they have realized projects that uniquely demonstrate the interplay between the two disciplines. Their portfolio includes a wide range of different typologies, including transportation and infrastructure buildings, office and sports structures, as well as housing, interior design, and objects. This first monograph on Penzel Valier combines the fundamentals of their design principles with a presentation of their key buildings and projects. Essays by distinguished authors examine the firm's work from different perspectives. A detailed illustrated complete catalog of their built, unrealized, and ongoing projects since 2007-2024 rounds off the beautiful volume.

Arata Isozaki (1931-2022) undoubtedly ranks among Japan's, and in fact the world's, most distinguished architects. He ran his own firm in Tokyo from 1963 and realized buildings in many countries, as well as holding teaching appointments at Columbia, Harvard, and Yale universities. He created a body of work that has constantly evolved and transformed over decades. His best-known designs include the Kitakyushu Municipal Museum of Art in Fukuoka, the Shenzhen Cultural Center Concert Hall, the Museum of Contemporary Art in Los Angeles, the Palau Sant Jordi in Barcelona, the Berliner Volksbank office building on Berlin's Potsdamer Platz, the Palasport Olimpico in Turin, and the Allianz Tower (Il Dritto) in Milan. Isozaki was awarded the RIBA Royal Gold Medal in 1986 and the Pritzker Prize in 2019. This book is the first new monograph on Arata Isozaki in 15 years. Conceived in close collaboration with Arata Isozaki & Associates, the book features photographs, plans, model images, drawings, and watercolors from all periods of Isozaki's career. Arranged thematically, it follows key concepts of the architect's creative development from the 1970s throughout his lifetime. Introductory essays round off this comprehensive survey of an outstanding architectural oeuvre.

BUREAU, with offices in Geneva and Lisbon, is directed by architects Daniel Zamarbide and Carine Pimenta, and visual artist, designer, and art educator Galliane Zamarbide. The practice operates at the intersection of architecture, scenography, design, landscape design, and education. Founded in 2012, the firm focuses on building new and converting existing structures, interior design and furniture, exhibition design, inhabitable sculptures, and temporary pavilions. Their buildings and interventions feature spatial experiments, unusual shapes and perspectives, and play with the time factor as well. BUREAU thus navigates across the traditional boundaries of architecture, design, visual art, architectural teaching, and cultural education. Short Stories is the first survey of the firm's work to date. Brief texts-some narrative, some descriptive and categorizing-are contributed by architects and researchers Fabrizio Gallanti, André Tavares, and Marina Otero Verzier; curators and critics Julia Albani and Tirdad Zolghadr; designer and curator Alexandra Midal; and by Daniel Zamarbide. Some 360 images, as well as concise information on the depicted buildings and projects by BUREAU, round off this beautiful book.

In 2023, the new Maison de la Chine was opened as part of the Cité Internationale Universitaire de Paris (CIUP), the French capital's famous campus of student residencies founded in 1925. Designed by Beijing-based Atelier Feichang Jianzhu (Atelier FCJZ) and realized in collaboration with the French architecture firm Coldefy, the building continues the tradition of national pavilions within the CIUP. The Maison de la Chine's design bears the DNA of traditional Chinese architecture, yet Atelier FCJZ also clearly acknowledges its inspiration from Le Corbusier. This book documents the building and its design process in rich detail through sketches, drawings, plans, and photographs. Architectural historian and curator Martino Stierli places the Maison de la Chine in the context of the evolution of contemporary Chinese architecture. Yung Ho Chang and Yishi Cheng, respectively the founding partner of and project architect at Atelier FCJZ, discuss conceptual and technical aspects of the design. The volume is completed by American critic Ariel Genadt, whose essay relates the building to the site's extraordinary history and the culture within which it was created.

In einer Zeit, in der der Klimawandel und Ressourcenknappheit die Architektur und Städteplanung zu einerradikalen Neuausrichtung zwingen, gibt dieses Buch tiefgehende Einblicke in die Zukunft des nachhaltigenBauens. Das renommierte Architektur- und Ingenieurbüro SSP, das seit seiner Gründung im Jahr 1977 Vorreiter für innovative und verantwortungsbewusste Architektur ist, präsentiert in diesem Buch seine bahnbrechenden Ansätze und Strategien unter dem Label »GreytoGreen®«, dass für nachhaltiges Planen und Bauen mit ökologischem Fokus steht.Hier sind 53 Projekte versammelt, die nicht nur in der Planung, sondern auch in der Umsetzung zukunftsorientierter ökologischer Konzepte eine führende Rolle spielen. Von der Steigerung der Klimaresilienz bis zur Förderung der Biodiversität bietet dieses Buch einen umfassenden Einblick in die Umsetzung der Ziele ökologischer Nachhaltigkeit von SSP. Bei den ausgewählten Projekten stehen die Bestandserhaltung, Transformation und Weiterentwicklung bestehender Gebäude und Quartiere nach dem Prinzip "Die doppelte Chance. - Der beste Baustoff ist der Bestand." im Vordergrund, da hier der größte Effekt für die ökologische Bilanz erzielt werden kann. Drei Schlüsselprinzipien der Nachhaltigkeit - Suffizienz, Effizienz und Konsistenz - werden dabei konsequent angewendet.At a time when climate change and resource scarcity are forcing a radical rethink of architecture and urbanplanning, this book provides in-depth insights into the future of sustainable building. The renowned architecture and engineering firm SSP, a pioneer of innovative and responsible architecture since its establishment in 1977, presents its groundbreaking approaches and strategies under the »GreytoGreen®« label, which stands for sustainable design and construction with an ecological focus.The book features 53 projects that are leading the way, not only in terms of planning, but also in the implementation of forward-looking ecological designs. From increasing climate resilience to promoting biodiversity, this book provides a comprehensive insight into the realisation of SSP's environmental sustainability goals. The selected projects focus on the preservation, transformation and development of existing buildings and quarters under the premise »The double opportunity - building stock is the best building material«, as this is where the greatest impact in terms of environmental footprint can be achieved. Three key principles of sustainability - sufficiency, efficiency and consistency - are applied consistently.

The Stadlmann property at the market square in Freystadt, dating back to the late 14th century, was in a particularly bad state of repair due to the poor craftsmanship of numer-ous alterations and extensions as well as a lack of maintenance. Thanks to the restoration work and structural additions performed by the architects' practice Kühnlein Architektur, the estate now features a beautiful courtyard and blends into the urban fabric. Fragments from the past, such as the timber framework and wall paintings have been uncovered and preserved. As in former times, the facade facing the market square is once again fitted with wooden-framed, divided-light windows. The town archive has been accommodated in the main building of the listed Stadlmann property with a variety of meeting rooms on the upper floor. The site of the former barn has been used to develop a new connecting structure with an impressive, free-spanning hall under the roof. A timber-framed exterior staircase and corridor have been set along the outside as a reference to medieval arcades. This structure is the perfect place for a stage or box seat at a courtyard festival.

2001 von Martin Bez und Thorsten Kock gegründet, erhält das 50-köpfige Team von bez+kock architekten seine Aufträge vornehmlich aus Wettbewerben. So vielfältig die Aufgabenfelder auch sein mögen, eint die Entwürfe des Stuttgarter Büros der Anspruch, einen eigenständigen, ortspezifischen und nachhaltigen Beitrag zur Baukultur zu leisten. Ihr Grünes Erlebniszentrum im Luisenpark zählt zu den Highlights der Bundesgartenschau 2023 in Mannheim.

Seit mehr als 20 Jahren vermittelt und schafft der aus dem österreichischen Altenmarkt stammende Architekt Tom Lechner zeitgemässe Architektur. Mit seinem Büro LP Architektur überführt er regionale Bautraditionen auf innovative Weise in neue Formen, Materialien und Räume - und wird dafür immer wieder mit Architektur- und Designpreisen ausgezeichnet: etwa für die Auferstehungshalle in Straß und das Projekt Vivid Planet (u.a. im Rahmen der DEAwards 2023).

Die vorliegende Publikation widmet sich Marie-José Van Hees Projekten - von kleinen Interventionen und Möbeln bis zu preisgekrönten öffentlichen Räumen. Neun Schlüsselprojekte werden detailliert betrachtet und diverse Essays und ein Interview bieten einen umfassenden Überblick über ihr Schaffen. Zudem zeigen drei Fotografen Van Hees Architektur aus ihrem jeweils persönlichen Blickwinkel und drei Bauherrschaften berichten von ihrem Leben in ihren eindrucksvollen Häusern. Abgerundet wird die Publikation durch eine kleine Sammlung von Van Hees «schwarzen Zeichnungen», eine Betrachtung der kontextuellen Beziehung zwischen Architektur und Natur sowie eine aktualisierte Projektliste.Neue, überarbeitete Auflage der 2019 in Belgien erschienenen Ausgabe.Marie-José Van Hee (*1950) war 2008 RASAB Fellow und 2017 RIBA International Fellow. Für ihr Schaffen erhielt sie zahlreiche Preise. Zweimal war sie für den Preis der Europäischen Union für zeitgenössische Architektur - Mies van der Rohe Award nominiert und ihr Werk wurde mehrfach ausgestellt.This publication is dedicated to projects by Marie-José Van Hee - from small interventions and furniture to award-winning outdoor spaces. Nine key projects are examined in detail, while various essays and an interview provide a comprehensive overview of her work. Furthermore, three photographers present Van Hee's architecture from their personal perspectives, while three clients report on their lives and their impressive houses. The publication is rounded off by a small selection of Van Hee's "black drawings", affording insight into contextual relationships between architecture and nature, as well as an updated project list.New, revised edition of the volume published in Belgium in 2019.Marie-José Van Hee (born in 1950) became a RASAB Fellow in 2008 and a RIBA International Fellow in 2017. Her work has won numerous awards. She was nominated twice for the European Union Mies van der Rohe Award for contemporary architecture and her work has been the subject of several exhibitions.

Die vorliegende Publikation widmet sich Marie-José Van Hees Projekten - von kleinen Interventionen und Möbeln bis zu preisgekrönten öffentlichen Räumen. Neun Schlüsselprojekte werden detailliert betrachtet und diverse Essays und ein Interview bieten einen umfassenden Überblick über ihr Schaffen. Zudem zeigen drei Fotografen Van Hees Architektur aus ihrem jeweils persönlichen Blickwinkel und drei Bauherrschaften berichten von ihrem Leben in ihren eindrucksvollen Häusern. Abgerundet wird die Publikation durch eine kleine Sammlung von Van Hees «schwarzen Zeichnungen», eine Betrachtung der kontextuellen Beziehung zwischen Architektur und Natur sowie eine aktualisierte Projektliste.Neue, überarbeitete Auflage der 2019 in Belgien erschienenen Ausgabe.Marie-José Van Hee (*1950) war 2008 RASAB Fellow und 2017 RIBA International Fellow. Für ihr Schaffen erhielt sie zahlreiche Preise. Zweimal war sie für den Preis der Europäischen Union für zeitgenössische Architektur - Mies van der Rohe Award nominiert und ihr Werk wurde mehrfach ausgestellt.This publication is dedicated to projects by Marie-José Van Hee - from small interventions and furniture to award-winning outdoor spaces. Nine key projects are examined in detail, while various essays and an interview provide a comprehensive overview of her work. Furthermore, three photographers present Van Hee's architecture from their personal perspectives, while three clients report on their lives and their impressive houses. The publication is rounded off by a small selection of Van Hee's "black drawings", affording insight into contextual relationships between architecture and nature, as well as an updated project list.New, revised edition of the volume published in Belgium in 2019.Marie-José Van Hee (born in 1950) became a RASAB Fellow in 2008 and a RIBA International Fellow in 2017. Her work has won numerous awards. She was nominated twice for the European Union Mies van der Rohe Award for contemporary architecture and her work has been the subject of several exhibitions.