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A collection of humorous Irish songs and ballads, filled with wit, humor, and satire. The book offers a charming glimpse into the popular culture of Ireland during the 19th century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A collection of popular Scottish tunes, arranged for the German flute. This seven-volume set includes a comprehensive index to help readers navigate the various pieces contained within. The author, James Oswald, was a noted Scottish composer and music publisher of the 18th century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A collection of songs encompassing everything from love to nature. Written by Cy Warman and originally published in 1896, this compilation is a true gem in American folk music and will appeal to anyone with an appreciation for the genre.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This seminal work on the popular ballads of medieval Europe remains essential reading for anyone interested in the history of folk music. Steenstrup's meticulous scholarship sheds light on the origins, themes, and performance traditions of these beloved songs, offering a glimpse into a rich and vibrant cultural world that continues to captivate listeners to this day. Scholars of literature, history, and musicology will find much to admire in this groundbreaking study.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This collection of folk songs from the Kentucky Mountains is carefully curated by Loraine Wyman, who collected and edited the words. It includes a diverse range of songs that capture the essence of mountain music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this fascinating work, composer Lazare Saminsky explores the ways in which Jewish music has evolved through the centuries, drawing on a rich mix of influences from the ghetto and the wider world of classical music. With detailed musical analysis and historical context, this book is a must-read for anyone interested in the diversity and richness of Jewish music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The "anthropological turn" in ethnomusicology is generally associated with Alan P. Merriam's "Anthropology of music" (1964). The present volume intends to correct this picture from a European perspective, presenting insights into early fieldwork-based ethnomusicology, hitherto largely restricted by linguistic borders. Eleven authors from different parts of Europe present pioneers in the field who carried out research on the continent and beyond as musicologists, philologists, and folklorists. The volume also includes panoramic overviews of folk music research from specific regional and national perspectives, including national and regional schools of early European ethnomusicology.
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