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This collection of over 170 stories provides a glimpse into Japan's rich folk literature. Japanese folktales include mysterious creatures often familiar to those of us in the West, such as kappa and foxes. But the tales also include stories about tools acquiring spirits and trees that marry men. Some stories undermine gender roles of their time, featuring female characters that defy their families' wishes. Still others provide moral lessons and face the fleeting nature of life.Many stories follow the adventures of historical figures with the added twists of legends. Ghosts and spirits abound in these stories, but they remain vulnerable to the steel of a sword. But the rarest of stories end happily. Japanese folktales prefer to take a realistic view of life, embracing the reality of death and separation. Willows face the axes of men, and men must accept the reality of aging. Despite the age of many of these stories, they remain fresh and often poignant for today's readers.
Who was Artemis and what part did she play in the battle of the Giants? Who was the whale-monster Qaqwaii and how did he hunt his prey? This dictionary of mythology is a wonderful and invaluable reference guide to the various myths and legends from across the globe. Dip into this A-Z guide to discover the names of devious gods, enchanted objects and ancient cities, as well as the cultures that these tales originate from. These myths are taken not only from the familiar Greek, Roman and Norse traditions but also Mesopotamian, Haitian, Tibetan, Native American and many more. Painstakingly researched over 25 years, this incredible resource provides more than just scholarly information but also showcases the staggering creativity and imagination of our ancient belief systems. This beautiful hardback edition is presented in a handsome slipcase, making a perfect collectable or gift for any mythology enthusiasts.
Da Ariadne lærte Theseus at danse er 31 essays om litteratur, kunst og eksistens, der tilsammen udgør en moderne dannelsesbog. Det er et forsvarsskrift for dét, den frie kunst kan – når den ikke spændes for et prosaisk nytteprojekt, som den ofte er blevet det i moderne tid. Bogen rummer en tro og insisteren på individuel dannelse, på ytringsfrihed og på kunst. Som Stidsen skriver i forordet: ”På samme måde som Ariadnes garntråd får Theseus til på frimodig vis at bevæge sig ind i labyrinten, som var det en elegant ballet, han var i gang med, får kunsten os til at turde være i den kringlede eksistentielle labyrint, som livet er, med en sikkerhed og en ro og forankring, som gør, at vi ikke får lyst til at stikke af fra det hele eller lukke øjnene for det, der er foran eller nedenunder os”. Da Ariadne lærte Theseus at danse nærmer sig kunstens dannende potentiale gennem refleksioner over æstetik, eksistens, humanisme og litteratur, og gennem engagerede læsninger af forfattere fra 1800-tallet og frem. Samtidig er den også en advarsel om, at hvis både Gud er død og Kunsten er død, har vi et problem. Marianne Stidsen (f. 1962) er lektor emeritus, dr.phil. og medlem af Det Danske Akademi. Hun modtog Kulturministeriets faglitterære pris i 2018. Hun har siden sin debut i redigeret og udgivet en længere række bøger om litteratur, kunst og identitet, blandt andet Ankomster – til 90’erne, Den nordiske MeToo-revolution 2018 – og dens omkostninger, Hovedsporet. Dansk litteraturs historie (s.m. Knud Wentzel m.fl.), Rilkes engle. Eksistentialismen i går – i dag – i morgen og disputatsen Den ny mimesis. Virkelighedstolkningen i dansk og nordisk litteratur efter Anden Verdenskrig.
Arkham House, based in Sauk City, Wisconsin, is the most famous small press in the field of weird fiction. Since 1939, it has been a pioneering publisher of the work of H. P. Lovecraft, Clark Ashton Smith, Robert E. Howard, Ray Bradbury, Fritz Leiber, Ramsey Campbell, and many other titans of horror, fantasy, and supernatural fiction. In 1999, S. T. Joshi, a leading authority on weird fiction (and the author or editor of 6 Arkham House books), published Sixty Years of Arkham House. In this new and expanded edition, Joshi charts Arkham House's publications right down to the present day. In this definitive compilation, Joshi lists the entire contents of all Arkham House publications (as well as those of its sub-imprints, Mycroft & Moran and Stanton & Lee). He provides an illuminating history of the firm's eight decades of publishing, and also includes three rare essays by August Derleth-co-founder (with Donald Wandrei) of Arkham House-that discuss the status of the firm. In addition, there is a thorough index of names and titles. No devotee of Arkham House will want to be without this invaluable reference work.
The Road to Middle-earth, Tom Shippey's classic work, now revised in paperback, explores J.R.R. Tolkien's creativity and the sources of his inspiration. Shippey shows in detail how Tolkien's professional background led him to write The Hobbit and how he created a timeless charm for millions of readers. Examining the foundation of Tolkien's most popular work, The Lord of the Rings, Shippey also discusses the contribution of The Silmarillion and Unfinished Tales to Tolkien's great myth cycle, showing how Tolkien's more ?difficult? books can be fully appreciated. He goes on to examine the remarkable twelve-volume History of Middle-earth, written by Tolkien's son and literary heir Christopher Tolkien, which traces the creative and technical processes by which Middle-earth evolved.
A broad examination of climate fantasy and science fiction, from The Lord of the Rings and the Narnia series to The Handmaid's Tale and Game of Thrones.
A Guide Through Narnia was one of the first in-depth studies of C.S. Lewis's seven Chronicles of Narnia. The focus and organization of this revised and expanded edition is on why Lewis wrote the books as fairy tales, the best "Form" for his ideas. It is written for both students and scholars who want to expand their understanding of these popular classics. Chapters include: -Seeing Pictures: How the books were written, chronological summaries, publication history -Selecting the Ideal Form: Why Lewis chose the fairy tale form, fairy tale elements and style -Seeing Man as Hero: Child heroes -Stealing Past Dragons: Characteristics of religious fantasy, allegory and "supposition," Christian elements -Stepping Through the Door: Themes and effects of fantasy -Dictionary of Names and Places Martha C. Sammons is Professor of English at Wright State University.
Anyone who has read The Hobbit and The Lord of the Rings can gather that their author hated tyranny, but few know that the novelist who once described himself as a hobbit "in all but size" was--even by hobbit standards--a zealous proponent of economic freedom and small government. There is a growing concern among many that the West is sliding into political, economic, and moral bankruptcy. In his beloved novels of Middle-Earth, J.R.R. Tolkien has drawn us a map to freedom.Scholar Joseph Pearce, who himself has written articles and chapters on the political significance of Tolkien's work, testified in his book Literary Giants, Literary Catholics, "If much has been written on the religious significance of The Lord of the Rings, less has been written on its political significance--and the little that has been written is often erroneous in its conclusions and ignorant of Tolkien's intentions.... Much more work is needed in this area, not least because Tolkien stated, implicitly at least, that the political significance of the work was second only to the religious in its importance."Several books ably explore how Tolkien's Catholic faith informed his fiction. None until now have centered on how his passion for liberty and limited government also shaped his work, or how this passion grew directly from his theological vision of man and creation. The Hobbit Party fills this void.The few existing pieces that do focus on the subject are mostly written by scholars with little or no formal training in literary analysis, and even less training in political economy. Witt and Richards bring to The Hobbit Party a combined expertise in literary studies, political theory, economics, philosophy, and theology.
Ce volume se propose de faire des pas significatifs dans la direction d¿une meilleure compréhension et application de la méthodologie de la recherche dans les productions scientifiques actuelles, dans les sciences humaines. La recherche se poursuit d¿après une approche rigoureuse qui se propose de trouver des réponses à des questions qui conduisent à des investigations dans le réel. La recherche scientifique veut mettre en évidence ce qui est caché, se propose d¿établir une loi, un principe. C¿est un processus dynamique et une démarche rationnelle qui permet d¿examiner des phénomènes littéraires ou linguistiques et se propose d¿obtenir des réponses qui mènent à de nouvelles perspectives dans le champ étudié.
Roman Jakobson stands alone in his semiotic theory of poetic analysis which combines semiotics, linguistics and structuralist poetics. This groundbreaking book proposes methods for developing Jakobson's theories of communication and poetic function. It provides an extensive range of examples of the kinds of Formalist praxis that have been neglected in recent years, developing them for the analysis of all poetry but, especially, the poetry of our urban future. Throughout the book the parameters of a city poetic genre are proposed and established; the book also develops the theory of the function of shifters and deixis with special reference to women as narrators. It also instantiates an experimental poetic praxis based on the work of one of Jakobson's great influences, Charles Sanders Peirce. Steadfastly adhering to the text in itself, this volume reveals the often surprising, hitherto unconsidered structural and semiotic patterns within poems as a whole.
This new edition of The House of Memory: Stories by Jewish Women Writers of Latin America revisits the meaning of heritage and home, exploring the experience of losing the familiar to embrace the unknown. While often painful in its examination of antisemitism, this collection of essays embraces the belief that hope and love can triumph over adversity and racism. This collection contains over thirty stories from internationally acclaimed writers, such as Clarice Lispector and Margo Glantz, as well as new voices, with some appearing for the first time in English translations. Although many of the stories are rooted in the Jewish experience and tradition, there is a universal resonance that transcends place, race, gender and religion to speak of matters that are still ever-present to all of us.
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