Semiotik / semiologi

Den franske psykoanalytiker, filosof og semiotiker Félix Guattari udvider i sit essay De tre økologier definitionen af økologi til at omfatte sociale relationer ogmenneskelig subjektivitet, samt naturligvis miljøhensyn. I essayetargumenterer han for, at de økologiske kriser, der truer vores planet,er et direkte resultat af en ny udvidet form for kapitalisme, og at dermå etableres en ny økosofisk tilgang, der respekterer forskellene mellem alle levende systemer. Bogen rummer en markant kapitalismekritik og eret manifest for en ny måde at tænke på. Desuden er bogen en ideelintroduktion til en af Europas mest radikale tænkere. De tre økologier blev udgivet 1989, og er på 30 års afstand uhyggeligt vedkommende ogprofetisk, set i lyset af datidens økologiske kriser og de aktuelleproblemstillinger i 2019.*De tre økologier — Félix GuattariappendiksEfterord — Anders AbildgaardEksistentielle territorier — Peter BorumMaskinel Animisme — Angela Melitopoulos & Maurizio Lazzarato

For første gang foreligger nu en bredere dansk introduktion til den franske tænker Roland Barthes´ (1915-1980) mangesidige forfatterskab.Som sociolog, ideologikritiker, semiolog, strukturalist og essayist var Barthes en hovedfigur i efterkrigstidens franske åndsliv: fra eksistentialismen over den semiotiske strukturalisme til postmodernismens begærsanalyse og kropsforståelse. Det er især inden for den poststrukturalistiske retning, at Barthes i 70´erne fik en betydelig rolle med indflydelsesrige bøger såsom I tegnenes vold og Nydelsen ved teksten.Det vidner om Barthes´ popularitet, at han i modsætning til andre franske tænkere som Foucault eller Derrida blev oversat forholdsvis hurtigt til dansk. I modsætning til dem er der imidlertid ikke indtil nu udgivet en introduktion til hele forfatterskabet.Antologien har et dobbelt sigte. For det første introduceres de forskellige faser i forfatterskabet. For det andet dækker de ni artikler de vigtigste tematikker på tværs af værkerne og giver dermed et fyldestgørende billede af hele Barthes´ produktion. Tematikkerne er: utopiens former, skriftens væsen, forfatterkategoriens status, tegnets videnskab, institutionens magt, fotoets identitet, den teatralske tankemodus, romanens fristelser og amatørens aktiviteter.Artiklerne er skrevet af nordiske forskere:Jørn Boisen (Københavns Univ.), Peter Borum (Københavns Univ.), Arnfinn Bø-Rygg (Universitetet i Oslo), Julio Hans C. Jensen (Københavns Univ.), Peter Larsen (Universitetet i Bergen), Nikolaj Lübecker (University of Aberdeen), Carsten Meiner (Københavns Univ.), John Thobo-Carlsen (Syddansk Univ.), Anders Toftgaard (Københavns Univ.) og Frederik Tygstrup (Københavns Univ.).Bogen henvender sig til læsere med interesse for filosofi, sprog, litteratur- og kulturstudier.Udtaget til Årets Bedste Bogarbejde 2007 af Foreningen for Boghaandværk»Denne bogs design er et eksempel på det klassiske ideal, at typografiens ro

Kleine Formen sind jüngst in das Blickfeld literatur-, medien- und kulturwissenschaftlicher Untersuchungen geraten. Dabei wird oft das politische Potenzial kleiner Formen verkannt. Eingebettet in fluide Publikationsorgane und insbesondere im digitalen Kontext können sie unterschwellig kollektive Dynamiken bündeln, kritisch-subversiv den gesellschaftspolitischen Status quo infrage stellen und alternative Gemeinschaftsbildung entwerfen - auch in gattungspolitischer Hinsicht: So lenkt das Prekäre und Randständige kleiner Formen den Blick auf die Unabgeschlossenheit von Gattungen und lässt die dynamischen Wechselwirkungen zwischen Genres, Schreibweisen und Medien hervortreten. In drei Sektionen behandelt der Band die politische Kommunikation kleiner Formen: als Teil einer digitalen Streit- und Protestkultur; als diskursive Plattform für Zeitgeschichte sowie als kreative Ausdrucksregime, die - etwa als Paratexte - auch formalästhetisch hegemoniale Sichtweisen und Wahrnehmungsmodi entthronen können. Es sind Fragen von ästhetischer und politischer Gemeinschaftsbildung, die der Sammelband epochen- und medienübergreifend behandeln möchte und die interdisziplinäre Anschlüsse für die Forschung bilden.

A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology.

Shows how the method of close reading traveled from the United States to Brazil and Israel, revealing its profound impact on global modernisms and reframing the lasting significance of New Criticism.

"Centering race across geographies, this book paints imaginaries about how Black Caribbean immigrant and transnational youth use translanguaging and semiotics to reflect a broad range of literacies. Scholars, teachers, librarians and parents can better understand and address the urgent needs of these youth through the compelling narratives presented"--

"Unveil the Truth Behind "The Chameleon Theory"Dive into the labyrinthine psychology of chameleon-like behavior with "The Chameleon Theory: Unmasking the Hidden Pursuit of Approval." This riveting exploration delves deep into the roots, consequences, and the path to liberation from the chameleon within. Melding rigorous scientific research, gripping personal narratives, and actionable advice, this book isn't just a guide-it's a compass for anyone yearning to fathom the enigma of their own chameleon tendencies or those of the people they cherish. Embark on a journey to decipher the intricate maze of the human psyche and emerge enlightened, liberated, and more authentically connected than ever before.

Das Buch stellt Mittel der multimodalen Kommunikation über Wissen der Physik für Kinder überblicksartig vor. Dabei steht die Texteigenschaft der Verständlichkeit im Zentrum. Der Überblick wird inhaltsanalytisch durch den Vergleich der Textsorten Schul- und Sachbuch erlangt. Die Analyseergebnisse erhalten ihre Schärfe durch Erkenntnisse der Semiotik, der Textlinguistik, der Didaktik und der Psychologie. Die Ergebnisse zu konkreten multimodalen Textgestaltungsmitteln aus Sprache, Bild und Typografie werden katalogartig systematisiert und die Ergebnisse zu den Textsorten durch exemplarische Teiltextanalysen gewonnen. Der Band zeichnet sich durch ein Fundament der pragmatischen Varietätenlinguistik aus, welches den Blick über die Textsorten des Korpus hinaus nahelegt.

A pattern language to cover from a small debugging trace to a distributed log with billions of messages from hundreds of computers, thousands of components, threads, and processes.

This book uses a theory of cyborg semiotics to explore the similarities between language and cyborgs in their formation, interpretation, and relationships. This intersectional theory provides a unique perspective on power and the human condition.

This book provides qualitative analyses of intercultural sense making in a variety of institutional contexts. It relies on the assumption that in an increasingly culturally diverse world, individuals often enter contexts that have communal, historically determined and stable sets of values, norms and expected identities, with little cultural compass to find their bearings in them. The book goes beyond interpreting differences in people's ethnic or linguistic roots and discusses instead people's interpretive efforts to navigate different sociocultural situations. The contributors examine such situations in educational, organizational, medical and community settings and look at how participants with different levels of sociocultural competences (such as, migrant patients, migrant adult learners, children) try to cope with institutional constraints and expectations, how they understand symbols, practices and identities in institutional contexts, and how their creative adjustments come to light. This book provides insights from the fields of psychology, education, anthropology and linguistics, and is for a wide readership interested in cultural meaning-making.

The translation of legal documents in today¿s globally interconnected world calls for novel approaches to overcoming traditional language barriers. The verbal language used in legal documents can be accompanied or even replaced by various types of semiotic resource, such as symbols, diagrams, and icons, while the advancement of digital tools and the introduction of new technologies offer those drafting contracts and other legal documents access to an ever-expanding toolbox for the translation process.This book makes a significant contribution to the existing literature on legal translation and intersemiotic translation by sharing valuable insights and opening up new avenues of inquiry, fostering further exploration of this evolving domain and enabling practitioners to use these diverse communication tools responsibly and effectively.Given the book¿s structured multidisciplinary approach and extensive analyses of the characteristics of intersemiotic legal translation, its potential, and the complexities that arise at the intersection of law, language, and semiotics, it will appeal to legal practitioners, translators, semiotic scholars, and legal philosophers alike.Whether you are a legal professional aiming to expand your expertise, an academic seeking a new research direction, or are simply intrigued by the fascinating interplay of law, language, and semiotics, this book offers a valuable resource that sheds light on the unique dynamics of translating legal concepts using approaches other than traditional verbal communication. As such, it is an essential read for anyone who is interested in the changing landscape of law, language, and translation.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks - as faces - are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicized, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object.By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl's long history of masks helps us to better understand what it is we value. Object Lessons is published in partnership with an essay series in The Atlantic.

This book draws from graph theory and a semiotic comparison between language and distributed ledger technologies (also known as Blockchains) to motivate three experiments on language and network structure. The work explores the importance of this concept in different areas of linguistic research and establishes elements of a tentative linguistics of networks. Its empirical investigation is based on data from threads posted to the imageboard Hispachan, which often displays radicalized language and hate speech. The experiments (based on topic modeling and sentiment analysis) reveal an impact of the network structure of interaction on the interaction itself as well as the use of ingroup signalling and emotionally charged vocabulary to expand the network of interaction..

What is the boundary between lying and (intentionally) misleading? How does perjury differ from a garden-variety lie? In these fourteen essays, distinguished linguists, philosophers, cognitive scientists, and legal scholars draw on theoretical and empirical studies to map the landscape of falsehood, deception, and perjury and to survey practices of manipulation through puffery, bluffing and bullshit in courtrooms, politics, and everyday life.

Rechtsprechung steht unter dem Diktat der Urteilspflicht und muss Mehrdeutigkeit daher einhegen und urteilend auflösen. Literatur hält Formen und Prozesse von Mehrdeutigkeit dagegen ohne Schwierigkeit aus. Sie werden als Potenzierung der ästhetischen Qualität sogar gerühmt und forciert. Die Beiträge des vorliegenden Bandes sind Texten und Rezeptionszusammenhängen gewidmet, die Rezipientinnen und Rezipienten explizit in eine Richterposition setzen. Konkret geht es um literarische Phänomene, bei denen Rezipierende nicht bloß verstehen und deuten, sondern (be- und ver-)urteilen ¿ zum einen im engen (juristischen) und zum anderen im weiten (ästhetischen) Sinne des Urteilsbegriffs. Zu unterscheiden sind hierbei Laienurteile in Strafsachen und die Einforderung professioneller Urteile, bei denen Leserinnen und Leser (metaphorisch) als Kunstrichter angesprochen, konstruiert oder zu agieren verpflichtet werden. Das literaturgeschichtliche Spektrum reicht dabei vom 18. Jahrhundert bis zur Gegenwart, mit einem Schwerpunkt im frühen 20. Jahrhundert.

This collection of essays brings together a selection of some of the most important studies of Professor Ivo Assad Ibri about the work of Charles Sanders Peirce. In the last decades, Prof. Ibri made important contributions to Peirce studies by showing that the various individual aspects of Peirce's work actually form a coherent philosophical system, a metaphysical architecture, as he describes it in his previous book Kosmos Noetos (Springer, 2017). Now this new book brings together a selection of 24 articles and book chapters originally published in both Portuguese and English on different topics and aspects of Peirce's work, such as philosophy of art, heuristic logic, theories of beliefs and habits, objective idealism, pragmatism and pragmaticism. By bringing together this collection of essays in a single publication, Semiotics and Pragmatism: Theoretical Interfaces will be a valuable source for scholars interested in Prof. Ibri's unique contributions to the study of the philosophy of Charles Sanders Peirce. "e;In recognizing Ivo Assad Ibri as one the leading exponents of qualitative interpretations of Peirce in the world today, I refer especially to Ibri's concentration on Peirce's later-phase metaphysical writings. Ibri's expertise will be seen to consist in his precise reformulations of Peirce's full-fledged philosophy, not just pursuing specialized minor topics."e; David A. Dilworth Professor of Philosophy, Stonybrook University"e;Ivo Ibri's collected essays brims with clarifying insights from beginning to end. He manages to reveal plenty of aspects of Peirce's thought from angles the traditional scholarship has not been equipped to notice. How not to miss such kairotic theoretical opportunities and how to exploit them to heuristic advantage is a lesson well taught in this outstanding book."e; Andr De TienneProfessor of Philosophy and Director of the Peirce Edition Project, Indiana University

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Verrechtlichungsprozesse von Literatur stellen als Kollisionsfall von Kunstfreiheit und allgemeinem Persönlichkeitsrecht nicht nur für die Jurisprudenz eine Herausforderung dar. Auch die Fiktionstheorie findet im besonderen Redestatus und den Fiktionslizenzen der Literatur ein reiches Feld. Die vorliegende Studie widmet sich systematisch anhand tatsächlich verhandelter Fälle und mit Blick auf neuere Fiktionsansätze der Frage, ob fiktionalen Texten Persönlichkeitsrechtsverletzungen angelastet werden können. Hierfür wird ausgehend von der Referenzstruktur fiktionaler Literatur untersucht, in welchen Fällen sich Elemente in der Darstellung literarischer Figuren auf reale Personen beziehen lassen und infolgedessen justiziabel werden können.

This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics.

The Beatles and the Beatlesque address a paradox emanating from The Beatles¿ music through a cross-disciplinary hybrid of reflections, drawing from both, musical practice itself and academic research. Indeed, despite their extreme stylistic variety, The Beatles¿ songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage. The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles' music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs "in the making").Through an investigation into the work of George Martin and his team, as well as The Beatles themselves, this text sheds light on the role of the studio in shaping the group's eclectic but unique sound. The chapters address what makes a song ¿Beatlesque¿, towhat extent production choices are responsible for developing a style, production being understood not as a mere set of technicalities, but also in a more conceptual way, as well as the aesthetics, semiotics and philosophy that animated studio activity. The outcome is a book that will appeal to both students and researchers, as well as, of course, musicophiles of all kinds.

"Introduces the workings and uses of Egyptian hieroglyphs, the various degrees of cultural knowledge of their makers and - most importantly - the influence hieroglyphs had on other scripts and notations in antiquity"--