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Proposes that public disorder is most likely to occur where a group perceives that its rights are being violated or denied. The model is demonstrated in a selection of vivid case studies which are both international and historical in scope.
We are living in an age of permanent crisis. Pandemics, war and climate change are just some of the unexpected yet predictable events shaping the world today. In this timely book, David Ridley examines how we collectively respond to these events, whether we face them bravely and intelligently or turn to nostalgia or utopianism. While politicians, corporations and intellectuals all fall prey to what Ridley calls «consolation», drawing on the work of John Dewey, a new generation is rising up to the challenge. Standing alongside teachers, posties, train drivers, refuse workers - young activists are part of an emerging, global movement saying «enough is enough»«This fiery, startling yet engaging polemic is an injunction to think and act together. Eschewing glib or easy answers, Ridley builds on his experiences as a political activist to think about how we got here, while visioning ahead to a near future of reaction, struggle and opportunity. Read this and be prepared to think it all again, upside down, inside-out ¿ together. Rip it up and start again.»(Dan Taylor, Lecturer in Social and Political Thought, Open University and author of the Orwell Prize shortlisted book Island Story: Journeys Through Unfamiliar Britain)«An essential resource for the resistance now growing.»(Hilary Wainwright, Red Pepper co-founder and author of Arguments for A New Left: Answering the Free Market Right)
For those living in the Soviet Union, Orwell's masterpieces, Animal Farm and Nineteen Eighty-Four, were not dystopias, but accurate depictions of reality. Here, the Orwell scholar and expert on Russian politics, Masha Karp - Russian Features Editor at the BBC World Service for over a decade - explores how Orwell's work was received in Russia, when it percolated into the country even under censorship. Suggesting a new approach to the controversial 'Orwell's list' of 1949, Karp puts into context the articles and letters written by Orwell at the time. She sheds light on how the ideas of totalitarianism exposed in Orwell's writing took root in Russia and, in doing so, helps us to understand the contemporary political reality. As Vladimir Putin's actions continue to shock the West, it is clear we are witnessing the next transformation of totalitarianism, as predicted and described by Orwell. Now, over 70 years after Orwell's death, his writing, at least as far as Russia is concerned, remains as timely and urgent as it has ever been.
The Routledge Handbook of Civil and Uncivil Society in Southeast Asia explores the nature and implications of civil society across the region, engaging systematically with both theoretical approaches and empirical nuance for a systematic, comparative, and informative approach.The handbook actively analyses the varying definitions of civil society, critiquing the inconsistent scrutiny of this sphere over time. It brings forth the need to reconsider civil society development in today's Southeast Asia, including activist organisations' and platforms' composition, claims, resources, and potential to effect sociopolitical change. Structured in five parts, the volume includes chapters written by an international set of experts analysing topics relating to civil society:Spaces and platformsPlace within politicsResources and tacticsIdentity formation and claimsAdvocacyThe handbook highlights the importance of civil society as a domain for political engagement outside the state and parties, across Southeast Asia, as well as the prevalence and weight of 'uncivil' dimensions. It offers a well-informed and comprehensive analysis of the topic and is an indispensable reference work for students and researchers in the fields of Asian Studies, Asian Politics, Southeast Asian Politics and Comparative Politics.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. Funded by The Research Foundation for State University of New York, USA and The Stockholm Center for Global Asia, Sweden.
This book presents a radical, but compelling, argument that liberal democracies must be able accommodate violent protest.
This book explores a spontaneous uprising that occurred in the Ecuadorian Amazon, in which workers confronted a multinational oil company and a militarized state, examining the possibilities that exist for a radical politics of universality, how it can emerge on the frontiers of global capitalism and how it can be researched and conveyed.
Alois Derso (1888-1964) and Emery Kelen (1896-1978) were remarkable cartoonists who became internationally renowned, particularly for their depictions in the 1920s of efforts to build a better world following the establishment of the League of Nations; of the rise of fascism in the thirties; and of the world cooperation through the United Nations that emerged in the forties. Their sequence of cartoons, imbued with humour, wit, gentle satire, artistry and vision, captures the Zeitgeist of a period of history that resonates today. Surprisingly, no comprehensive account of their work and lives has been published before. The authors analyse and discuss the extraordinary political insights revealed in the cartoons, which contribute to our understanding of those years. Drawing on original research, this overdue book delves into all aspects of Derso and Kelen's careers, including the unusual, if not unique, technical nature of their artistic collaboration and Kelen's additional gifts as a writer. It will inform the non-expert of the history of the time and the often overlooked role of cartoons as historical evidence. So memorable and informative are the images, it will also be a useful supplement to the literature on modern history, international relations and art.
How suffragette and jujitsu trained bodyguard 'Kitty' Marshall protected her close friend, Emmeline Pankhurst, in their fight for political equality - all the while being shadowed by the government and Scotland Yard detectives (the 'Cats')
We live in times when large numbers of people are participating in democracy in deeper and more meaningful ways. From India to the United States to Hong Kong, democratic societies have seen movements that have brought about change. They have one thing in common: large scale participation by civil society and individuals and the absence of organized political parties. How can individuals make their participation more effective? This book talks about ways in which the best campaigning organizations in the world effect change in democratic societies, how a citizen can engage with others who are likeminded, and how vibrant and participative action by citizens makes democracy better and more responsive. Featuring political cartoons that have the power to inspire, outrage or amuse, The Anarchist Cookbook is a book for our times."
Blinde, die im Takt prozessieren, Analphabet*innen, die Musik komponieren, Rentner*innen, Skater*innen, Chöre, Aktivist*innen: Sie alle sind Gäste von Marinella Senatore. Ihre kollektiven Arbeiten von gesellschaftspolitischer Sprengkraft verbinden Strategien politischer Protestbewegungen mit künstlerischen Ausdrucksformen in unterschiedlichen Medien wie Performance, Skulptur, Textil, Foto, Collage, Zeichnung und Video. Der Katalog begleitet die bisher größte Ausstellung der Künstlerin im Museum VILLA STUCK und der Sammlung Generali Foundation am Museum der Moderne Salzburg: Internationale Autor*innen erörtern Fragen nach der Spannung zwischen Individuum und Kollektiv, nach Sehnsüchten und Zugehörigkeit, nach gesellschaftspolitischer Exklusion und alternativen Organisationsformen sowie dem transformativen Potenzial der Kunst.MARINELLA SENATORE (*1977) ist eine zentrale Figur der italienischen Gegenwartskunst. Ausgebildet in Film und Musik spezialisierte sie sich auf eine kollaborative künstlerische Praxis. Als vielfach ausgezeichnete Künstlerin, Aktivistin und Dozentin hat Senatore zuletzt auf der Manifesta in Palermo, auf der Bienal de São Paulo und im Palais du Tokyo Aufsehen erregt.
This book analyses the arrival of emerging and traditional information and technology for public and economic use in Latin America. It focuses on the governmental, economic and security issues and the study of the complex relationship between citizens and government.The book is divided into three parts:¿ 'Digital data and privacy, prospects and barriers' centers on the debates among the right of privacy and the loss of intimacy in the Internet,¿ 'Homeland security and human rights' focuses on how novel technologies such as drones and autonomous weapons systems reconfigure the strategies of police authorities and organized crime,¿ 'Labor Markets, digital media and emerging technologies' emphasize the legal, economic and social perils and challenges caused by the increased presence of social media, blockchain-based applications, artificial intelligence and automation technologies in the Latin American economy.This first volume in a two volume set will be important reading for scholars and students of governance in Latin American, the protection of human rights and the use of technology to combat crime and the new advances of digital economy in the region.
As Bolivia reels from the collapse of the government in November 2019, a wave of social protests, and now the impact of Covid-19, this book asks: where next for Bolivia?After almost 14 years in power, the government of Bolivia's first indigenous president collapsed in 2019 amidst widescale protest and allegations of electoral fraud. The contested transitional government that emerged was quickly struck by the impacts of the Covid-19 public health crisis. This book reflects on this critical moment in Bolivia's development from the perspectives of politics, the economy, the judiciary and the environment. It asks what key issues emerged during Evo Morales's administration and what are the main challenges awaiting the next government in order to steer the country through a new and uncertain road ahead.As the world considers what the ultimate legacy of Morales's left-wing social experiment will be, this book will be of great interest to researchers across the fields of Latin American studies, development, politics, and economics, as well as to professionals active in the promotion of development in the country and the region.
*WINNER OF THE PULITZER PRIZE IN NON-FICTION**Finalist for the National Book Award for Non-fiction*'His Name Is George Floyd is essential for our times.' Ibram X. Kendi, author of How to Be an Antiracist'An intimate, unvarnished and scrupulous account of his life...brilliantly revealing.' NEW YORK TIMESYou know how he died. This is how he lived.Who was George Floyd? What did he hope for? What was life like for him? And why has his death been the catalyst for such a powerful global response?The murder of George Floyd sparked a summer of activism and unrest all over the world in 2020, from Shetland to São Paolo, as people marched under the Black Lives Matter banner, demanding an end to racial injustice. But behind a face that would be graffitied onto countless murals, and a name that has become synonymous with civil rights, there is the reality of one man's stolen life.In His Name is George Floyd we meet the kind young boy who talked his friends out of beating up a skinny kid from another neighbourhood and then befriended him on the walk home. Big Floyd the high school American football player who ignored his coach's pleas to be more aggressive and felt queasy at the sight of blood. The man who fell victim to an opioid epidemic we are only just beginning to understand. The sensitive son and loving father, constantly in search of a better life in a society determined to write him off based on things he had no control over: where he grew up, the size of his body and the colour of his skin.Drawing upon hundreds of interviews with friends and family members, His Name Is George Floyd reveals the myriad ways that structural racism shaped Floyd's life and death - from his forebears' roots in slavery to an underfunded education, the overpolicing of his community and the devastating snare of the prison system. By offering us an intimate portrait of this one, emblematic life, Robert Samuels and Toluse Olorunnipa deliver a powerful and moving exploration of how a man who simply wanted to breathe ended up touching the world.
This book develops a new conceptualisation of lawfare that recognises the polysemantic nature of the term.Drawing on theoretical developments from legal anthropology, international relations, and social theory, the book scrutinises the multiple dimensions of this phenomenon. It illustrates the multifaceted character of lawfare with a wide range of historical and contemporary cases from across the globe and analyses the implications of actors pursuing political objectives through legal means. This includes the use of lawfare by states as a legal instrument to accomplish geopolitical objectives, domestic lawfare, or the use of legal instruments to undermine internal opposition, and state lawfare used by governments to 'protect' the state from internal territorial-secessionist challenges. Finally, the book shows that lawfare is not exclusively a tool for hegemonic actors, as it can also be used by civil society actors that aim to uphold their rights through legal instruments in asymmetric lawfare.This book contributes to new developments in lawfare without shying away from controversy, acknowledging its sometimes-brutal efficacy as well as its potential pitfalls. The book will appeal to scholars and students of law, international relations, political science, anthropology, and sociology.
International Discourses of Authoritarian Populism provides 15 cutting-edge chapters probing into the diversity of present-day populist discourse from across the world.Not adhering to any particular school, the volume explores populism from a variety of disciplines and perspectives, with contributions characterized by heuristic openness as called for by the manifold manifestations of populism. The chapters balance theoretical and empirical studies, as well as quantitative and qualitative surveys and case studies, to offer readings on historical and new types of populism, and the politicians associated with these variates. Authors draw on a variety of print, digital, textual, and visual source materials to provide a close examination of the phenomena interconnected with populism including separatism (Catalexit), human rights and legal issues, debate rhetoric, and journalism, with many authors writing as insiders about the situation within their own country.Through its multi-disciplinarity, International Discourses of Authoritarian Populism provides fresh insights into the existing and potential dangers of populism, and a basis for further critical assessment and discussion. It will be a key resource for scholars and students across a range of disciplines, including sociology, political science, linguistics, media and communication studies, literary studies, and history. Moreover, it will be of special interest to professionals who deal with both national and international issues of populism.
From the storied ache of mbube harmonies of the '40s to the electronic boom of kwaito and the amapiano and house explosion of the '00s, this book explores vignettes taken from across South Africa's popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality. In the grip of the brutal apartheid era, South Africa crafted its own idiosyncratic popular musical vernacular that operated both as sociopolitical tool and realm of escape. In a country with 11 official languages, music had the power to unite South Africans in protest. Artists bloomed a new idyll from the branches of countless storied musical traditions, and in turn found themselves banned or exiled-the profound epiphany that music can exist both within the pleasure of itself and for serving a far greater purpose.
In this volume, Professor Clark shows that for two hundred years Canadian society was subject to the same kind of disturbing and disruptive forces that revealed themselves in the United States in the Revolutionary period.
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