Slaveri og afskaffelse af slaveri

With a new introduction, Northup's memoir reveals the living truth of slavery, poverty and racism in a world set apart from elite metropolitan lifestyles.The 1853 memoir and slave narrative by Solomon Northup as told to and written by David Wilson. Northup, a black man who was born free in New York, relates his tale, of being tricked to go to Washington, D.C., where he was kidnapped and sold into slavery in the Deep South. He was in bondage for 12 years in Louisiana before smuggling information to friends and family in New York, who in turn secured his release with the aid of the state. Northup's account provides extensive details on the slave markets in Washington, D.C. and New Orleans, and describes the cotton and sugar cultivation and slave treatment on major plantations in Louisiana.Foundations of Black Science Fiction. New forewords and fresh introductions give long-overdue perspectives on significant, early Black proto-sci-fi and speculative fiction authors who wrote with natural justice and civil rights in their hearts, their voices reaching forward to the writers of today. The series foreword is by Dr Sandra Grayson.

A vividly told tale of a forgotten American hero—an impassioned newsman who fought for the right to speak out against slavery. The history of the fight for free press has never been more vital in our own time, when journalists are targeted as “enemies of the people.” In this brilliant and rigorously researched history, award-winning journalist and author Ken Ellingwood animates the life and times of abolitionist newspaper editor Elijah Lovejoy. First to Fall illuminates this flawed yet heroic figure who made the ultimate sacrifice while fighting for free press rights in a time when the First Amendment offered little protection for those who dared to critique America’s “peculiar institution.” Culminating in Lovejoy’s dramatic clashes with the pro-slavery mob in Alton, Illinois—who were destroying printing press after printing press—First to Fall will bring Lovejoy, his supporters and his enemies to life during the raucous 1830s at the edge of slave country. It was a bloody period of innovation, conflict, violent politics, and painful soul-searching over pivotal issues of morality and justice. In the tradition of books like The Arc of Justice, First to Fall elevates a compelling, socially urgent narrative that has never received the attention it deserves. The book will aim to do no less than rescue Lovejoy from the footnotes of history and restore him as a martyr whose death was not only a catalyst for widespread abolitionist action, but also inaugurated the movement toward the free press protections we cherish so dearly today.

'A warm, sweet love story, and a thought-provoking examination of the British slave trade and its legacy' MARIAN KEYESWhen Layla and Andy first meet, they can't believe they have the same surname. It feels like fate... until they realise their families could be linked in the worst possible way.Sera, Layla's best friend, has her doubts about Andy right from the start. As the couple fall deeper in love, and start to plan their future, Sera becomes more and more vocal about Layla settling down with a white boy. And then, only a few weeks before their wedding, Layla makes a devastating discovery....What seemed like a fairy-tale romance is rapidly derailed as Layla begins to uncover parts of her history and identity that she had never imagined - or, perhaps, had simply learnt to ignore.And now, she faces an impossible choice, between past and future, friendship and marriage, the personal and the political.**A STYLIST UNMISSABLE BOOK FOR 2024**'I loved this book' JACQUELINE CROOKS, author of Fire RushREADERS LOVE DOMINOES:'Tender, thought-provoking and hard-hitting''Kept me second guessing how things would turn out until the very end''Incredibly thought-provoking''Such an important novel''I laughed, I cried, I learned A LOT''So much more than a love story'

At a time when the subject of the trans-Atlantic slave trade is seldom out of the news, this book provides a challenge to the popularly accepted view of the matter.

This book addresses historical issues of colonialism and race, which influenced the formation of multicultural society in Mauritius. It presents a legal analysis of core historical events, drawing on an in-depth examination of the two labour systems through which the island came to be populated: slavery and indentured labour.

"From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it." --

In Madison's Militia, Carl Bogus illuminates precisely why James Madison and the First Congress included the right to bear arms in the Bill of Rights--and the reason will surprise readers. This gripping and wide-ranging history overturns the conventional wisdom about the Second Amendment--showing that the right to bear arms was not about protecting liberty but about preserving slavery.

"Joseph McGill, Jr., a historic preservationist and Civil War reenactor, founded the Slave Dwelling Project in 2010 based on an idea that was sparked and first developed in 1999. Since founding the project, McGill has been touring the country, spending the night in former slave dwellings--throughout the South, but also the North and the West, where people are often surprised to learn that such structures exist. Events and gatherings are arranged around these overnight stays, and it provides a unique way to understand the often otherwise obscured and distorted history of slavery"--

"A sweeping new history that reveals how British, African, and American merchants developed the transatlantic slave trade."--

In the fall of 1863, the Union Army controls the Mississippi River and much of Louisiana, as the Civil War rolls on.Wade Lufkin is a man without a country or a cause - an idle spectator since New Orleans surrendered, he now paints at his uncle's plantation. That is until he finds an intriguing new subject...Hannah Laveau is an enslaved woman who stands accused of everything from adultery to insurrection, from magic to murder. But all she wants is to find her missing son - and she will risk her life for it.When Hannah goes on the run, she must dodge the calculating and merciless local constable and the slavecatchers that prowl the bayou as she flees through Louisiana, from the cottonmouth snakes and tree-lined swamps to the dingy saloons of New Orleans. From 'the king of Southern noir' (Daily Mirror) comes a powerful and deeply moving Civil War thriller - a story of tragic acts of war, lost and desperate people, and love enduring through it all.PRAISE FOR JAMES LEE BURKE, THE AWARD-WINNING KING OF SOUTHERN NOIR:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed' Michael Connelly'A gorgeous prose stylist' Stephen King'No argument: James Lee Burke is among the finest of all contemporary American novelists' Daily Mail

In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does.In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass.Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

Following a story from the Caribbean to the colony of Georgia through debates over the abolition of the slave trade and finally to the antebellum South, The Nature of Slavery demonstrates the pervasiveness of a groundless theory about climate, labor, and bodily difference that ultimately contributed to notions of race.

This is an essay by Booker T. Washington about slavery. It was originally published in 1913.

The traditions and historic glory that surround the Federal Government as our fathers formed it, are yet dear to the hearts of the whole American people. That government still belongs to them - it is their heritage, and they, I trust, will yet restore and preserve it The horoscope of the future daily brightens with hopeful signs, not the least of which is the fact that the President of the United States, who was elected to his high Office upon a declaration of political principles logically Involving the extermination of slavery as existing in fifteen States of the Federal Union, and which could not therefore be carried out without making the Union a divided house, has himself become the supporter of a constitutional and conservative policy in regard to Slavery. Let us thank God and take courage. If the govern ment will but stand firmly on constitutional ground, we will not despair of the Republic.It is also due to truth to say that one object [have in the present publica tion is to disabuse the minds of some of my fellow-citizens, whose good Opinion I value, who have been misled by false statements charging me with sympathy with the Southern rebellion. The Opinions now published were the result of patient investigation, and are still held with earnest conviction, confirmed by the events of the past year. Of their justice and patriotism, and whether or not they are the Opinions of a sympathizer with rebellion, candid men will judge.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

I have been a slave once in my life-a slave in body. But I long since resolved that no inducement and no influence would ever make me a slave in soul, in my love for humanity, and in my search for truth.

Reverend Pascoe G. Hill has left us a chilling testament. Fifty Days on Board A Slave Vessel is his unforgettable account of life on a slave ship. Hill's narrative locks fifty days into an existence of forever. It is a forever that haunts, not from the fear of the unknown, but the fear of the known.Because of Hill and Fifty Days we can know. At the relatively safe distance of more than one hundred years away from Hill's time we know, as he did, the extended suffering of enslaved Africans. We know and hear the "shrieks of the sufferers through the gloom of night, rising above the noise of the winds and waves." We know, see and reach across generations to feel the lash of the whip-punishment meted out for daring to "steal" water. Serving as a doctor on board the ship, Hill recorded these acts and more in his journal of the voyage.It is predictable that readers will feel discomfort and pain as they read this book. It must be kept in mind that Fifty Days was written to support the crusade against slavery. Our pain is our connection with the crusade. It is also our connection with the millions of enslaved Africans who suffered the great rape of personhood. They are not forgotten.Fifty Days is an important reminder of the horrors of the exploitive African Slave Trade. Hill's account of the stench, overcrowding, acts of depravity and murder has the effect of strong medicine. It clears your head and you never, never want to get sick again.

2020 Reprint of the 1927 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurston made an incredible connection: She located one of the last surviving captives of the last slave ship to bring Africans to the United States. Hurston, a known figure of the Harlem Renaissance who would later write the novel Their Eyes Were Watching God, conducted interviews with the survivor but struggled to publish them as a book in the early 1930s. In fact, they were only released to the public in a book called Barracoon: The Story of the Last "Black Cargo" that came out on May 8, 2018. Reprinted here is the original article outlining Hurston's discovery. It is also, perhaps, Hurston's first published work. Originally published in The Journal of Negro History, Volume 12, Number 4 October 1, 1927.