Traditionelle afrikanske religioner og traditionel afrikansk mytologi

This book explores the symbiotic relationship that exists between African spirituality and ethics. Felix Murove discusses how these two concepts are entwined, and illustrates how they play a role in applied ethical issues. He argues that the general understanding of spirituality in Africa stems from Christianity, which has had a negative impact on African indigenous spirituality. The conceptual tools that run throughout the book are considerably Afro-centric, a methodological strategy which inevitably requires the reader to adopt some prior willingness to learn these Afro-centric concepts without easily resorting to western Christian and philosophical categories of thought. The book advocates for an Afro-centric conceptualization of spirituality and ethics, and encourages the reader to adopt a more holistic approach to African spirituality.

This collection focuses on the role of religious leaders and religious institutions in supporting or resisting the democratization process in Zimbabwe. It scrutinizes the actions of religious leaders such Andrew Wutawunashe and Jeremiah Mutendi who were prominent in the political scene and participated as enablers of the undemocratic regime. The contributors to this volume employ a variety of methodological approaches to understand the operational dilemma of the second republic under Emmerson Dambudzo Mnangagwa, commonly referred to as Zanupfism. It is an empirical study to determine the impact of religious leaders as regime enablers and assess the effects of such an approach in terms of social development, democracy, and social transformation as espoused in the rise of the second republic. In order to balance the narrative, the book highlights and offers critique of religious leaders and institutes who are the resistors of the regime. It specifically explores the Zimbabwe Catholic Bishops Conference, Evangelical Fellowship of Zimbabwe, Zimbabwe Council of Churches, Talent Chiwenga and Shingi Munyeza. This is a critical study of decoloniality in a religious context that documents characters such as Shingi Mayeza, Bishop Mutendi, Mapostori who seldomly appear in scholarship despite their great impact (either positive or negative) on the lives of the people of Zimbabwe.

This Handbook explores the ways in which religion among the African people has been applied in situations of conflict and violence to contribute to sustainable peace and development. It analyzes how peacebuilding inspired and enabled by religion serves as the foundation for sustainable development in Africa, while also acknowledging that religion can also be a tool of destruction, and can be used to fuel violence and underdevelopment. Contributors to this volume offer theoretical discussions from existing literature, as well as experiences of practitioners, to deepen the readers¿ understanding on the role of religion and religious institutions in peacebuilding and development in Africa. The Handbook provides reflections on possible future developments as well, thereby aligning with the goals of SDG 16.

This handbook argues that the study of Islam from an African context is integral to the broader Muslim world. An important and timely contribution to a subject that is often diffusely studied, and will be of interest to researchers across religious studies, African studies, politics, and sociology.

Architectural Conservation in Australia, New Zealand and the Pacific Islands addresses cultural heritage protection in a region which comprises one third of the earth's surface.

'A true artist. A brilliant writer. An original thinker' Chimamanda Ngozi AdichieYorùbá Boy Running charts Samuel Ajayi Crowther's miraculous journey from slave to liberator, boy to man, running to resisting'Run, Àjàyí, run!'The day the Malian slave traders invaded the Nigerian town of Òsogùn, thirteen-year-old Àjàyí's life was split in two.Before, there was his childhood, surrounded by friends and family, watched over by the ancient Yorùbá gods of forest and water, earth and sky. After: capture, slavery - and release, into the service of a new god, his own culture left far behind. So Àjàyí becomes Samuel Crowther - missionary, linguist, minister - and abolitionist: driven to negotiate against his own people to end the miserable trade in human beings which destroyed his family.Drawing on the prolific writings of Samuel Ajayi Crowther, Biyi Bándélé has created a many-voiced, kaleidoscopic portrait of an extraordinary man. From the heart-stopping drama of Àjàyí's last day of freedom to the farcical intrigue of the Òsogùn court; from a meeting with Queen Victoria; to his consecration as the first African Bishop of the Anglican Church, his journey, like all great odysseys, circles back to where he began. By turns witty, moving and quietly political, Biyi Bándélé's reimagining of Crowther's life is a brilliant tour de force.WITH AN INTRODUCTION FROM WOLE SOYINKA'Biyi Bándélé had a prolifically talented and creative mind, shown in everything he touched. Yorùbá Boy Running is no exception' Chiwitel EjioforCover artwork Chris Ofili, Blind Leading Blind, 2005 (c) The artist.

A fresh perspective on conflict and peace-making that highlights the cosmologies and invisible entities that state, society and religious authorities draw on to claim or reclaim legitimacy and control.

This book is a sociological study of the resilience of Tingkao Ragwang Chapriak - one of the indigenous religions of the Rongmei people of Manipur. It is intended to serve the academic interests of researchers working on indigenous religions.

"Under Different Moons: African Art in Conversation shares--for the first time in print--the UBC Museum of Anthropology's extensive collection of brilliant objects from dozens of African cultures, gathered over nearly a century. These include masks from the Baule peoples of ôCte d'Ivoire, the Bijogos people of Guinea Bissau, and the Dogon peoples from Mali; three Bamana / Bozo puppet sets from Mali and Burkina Faso, with floats, cloth awnings and related animal masks; and Benin panels and castings, Makonde sculpture, and Yoruba thorn carvings that will make their public debut in the exhibition that this book accompanies. Throughout the book are beautiful photos of over 100 objects from the collection, as well as a dozen photos of contemporary artworks by Nigerian and Nigerian-Canadian artists. The first part of this book, by Anthony Alan Shelton, draws on an expansive ethnographic literature to contextualize MOA's collection within seven themes that reoccur in a wide number of societies across the African continent as well as in areas of Brazil and the Caribbean. In the second part, Titilope Salami focuses on contemporary Nigerian and diasporic artists to show the continued relevance of ritual practices in Nigerian artworks. And in the third part, Nuno Porto examines specific items in MOA's collection to reveal the social, historical, and market networks in which they once circulated and the changing significances ascribed them. Under Different Moons is part of a wider attempt to bring to public attention, especially that of African and diasporic Canadian communities, parts of an important cultural legacy, safeguarded in museums across the country, that can help empower new sectors and generations of citizens and widen the breadth and understanding of Canada's multi- and intercultural character."--