Bøger af Ace Boggess

"Ace Boggess's The Prisoners gives voice to those forgotten Americans behind the ever increasing miles of razor wire. Complicated with the mixed emotions of regret and defiance, of loss and perseverance, of hope and frustration, these aren't just persona poems, nor are they just poems of witness; rather these poems are metaphors, too, for the way each of us may feel jailed by circumstance only to find a kind of freedom in the possibilities of poetry." -Gerry LaFemina, author of Vanishing Horizon and Notes for the Novice Ventriloquist

I Have Lost the Art of Dreaming It So is comprised of poems the author wrote as responses to questions he collected over the years, whether asked directly or mined from other poems, novels, billboards, surveys, Facebook memes, leaflets, and many other places. He used these questions as a way of looking inside his life, the lives of the askers, and the world around him.

ULTRA DEEP FIELD is a direct follow-up to Ace Boggess’s previous collection of poetry THE PRISONERS (Brick Road, 2014), composed of poems written during Boggess's last year in lock-up in a West Virginia penitentiary, his year on parole, and his first year of freedom. They reflect his journey from the smallness of inmate life to the seeming vastness of the world (and universe) beyond.Ace Boggess is a freelance writer and editor living in Charleston, West Virginia. He spent five years in a West Virginia penitentiary, during which he wrote the poems that became his previous poetry collection, THE PRISONERS (Brick Road, 2014).  ULTRA DEEP FIELD is his third book of poetry. His other books include THE BEAUTIFUL GIRL WHOSE WISH WAS NOT FULFILLED (Highwire Press, 2003) and the novel A SONG WITHOUT A MELODY (Hyperborea, 2016). He has worked as a reporter, a customer-service rep for a phone bank, a sales clerk in record store with accompanying head shop and adult room, and security guard. His writing has appeared in HARVARD REVIEW, NOTRE DAME REVIEW, LUMINA, MID-AMERICAN REVIEW, RIVER STYX, RATTLE, NORTH DAKOTA QUARTERLY, and hundreds of other journals. He received a fellowship from the West Virginia Commission on the Arts.