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Like Adam Miller's work on Ecclesiastes and Romans, The Sun Has Burned My Skin is a loose paraphrase that aims more for the replication of a certain mood than for the correspondence of particular words and phrases. The songs themselves are a collection of age-old Israelite love songs, searing and intense, sung principally by a young woman who is bold, confident, and only just exposed to the tidal pull of love and sex.
This book models an object-oriented approach to grace. It experimentally ports a traditional Christian understanding of grace out of a top-down, theistic ontology and into a bottom-up, agent-based ontology. A systematic account of Bruno Latour's experimental, agent-based approach to metaphysics sets the object-oriented stage.
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