Bøger af Adolf Michaelis

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The Holkham Bust of Thucydides: - A Study in Greek Iconography; translated from the German is an unchanged, high-quality reprint of the original edition of 1878.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Professor Adolf Michaelis (1835-1910) was a classical scholar specialising in Greek and Roman sculpture. He studied classical philology and archaeology at the University of Leipzig before being appointed Professor of Classical Archaeology at the University of Strasbourg in 1872. First published in 1882 and translated by Charles Augustus Fennel (1843-1916) a classicist and Fellow of Jesus College, Cambridge, these volumes provide a comprehensive catalogue with descriptions of all ancient Greek and Roman sculptures held in private collections in the United Kingdom between 1873 (when Michaelis started his survey of private collections) and 1882. Many classical sculptures were imported into Britain and private collections established during the seventeenth and eighteenth centuries. Michaelis discusses in detail the history and context of this collecting in this exhaustive account, still used as a reference by scholars.