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A thunderstorm. A windswept country house. A family of failures - a detective who has never solved a case, a writer, an artist, a composer, and a dysfunctional teenager - are all arguing over a bequest. But the victim is not who we think it will be and the murderer could be one of three people.
Benjamin Cooper provides comfort and satisfaction to his wealthy patients, by improving their good looks with the aid of surgery. One of his patients is Angie Dell, a model at the peak of her powers. Her charms do not escape Benjamin, nor his old friend and former mentor, Hravic Zyergfoovc.
Henry Bell has come to the Albert Bridge to throw himself off because he has lost his wife and his job. Instead, he saves Karen Knightly who has thrown herself off the bridge already and is dangling by her caught coat. They spend a long night driving. Henry learns that Karen has been jilted by a lover who has gone back to his wife. She suggests revenge as a way to heal their emotional wounds: she will fix Henry's dreadful former boss and Henry must ruin her ex lover's wife.-12 women, 11 men
What could be more pleasant than cruising through the picturesque English countryside? This voyage combines the comedy touches that make Ayckbourn one of the world's best loved playwrights with a darker thread of menace.-4 women, 3 men
Time of My Life charts the decline and fall of a successful family business founded and nurtured by Gerry and Laura Stratton. It is Laura's fifty-fourth birthday and Gerry has organized a small family dinner at their favourite restaurant. Domestically, all seems well. Glyn, their eldest son, has patched up his marriage with Stephanie; younger son Adam has a new girlfriend and is deeply in love. But, as we suspect, all this is surface stuff. For, as their evening proceeds, the play reveals skeletons from the past and a spectre of the future.
An entertainment on marriage by George Melly, Alan Ayckbourn, James Saunders, Harold Pinter, Alun Owen, Fay Weldon, David Campton, Lyndon Brook and John Bowen.1 woman, 1 man or flexible casting
In this play, Annie has arranged to spend an illicit weekend with her sister Ruth's husband Norman, and for this reason, suitably disguised, has asked her elder brother Reg and his wife Sarah to look after their widowed mother and the house. As it happens the seduction, thought or planned, by each of the six characters never takes place either. Table Manners is part of The Norman Conquests trilogy.
Roland, a hard drinking tycoon, is considering buying an old Victorian house, once a brothel. His solicitor and the vendor, a builder, arrive to complete the deal. Also in the house are his wife, a frustrated dancer who is always considering leaving him, her brother and later the brother's fianc¿, who is uncertain whether or not to run away. In the course of one hectic night and morning, with continual running up and downstairs and in and out of rooms, these characters, each immersed in a personal problem, try to sort themselves out.-2 women, 4 men
Fans of his Ernie's Incredible Illucinations are sure to enjoy this story. Suzy lives in a cottage with her mother and her dog, Neville. Suave but sinister Mr. Accousticus moves into the big house across the street and Neville suddenly loses his bark. Suzy is certain the new neighbor is responsible so she and Neville search his house. What happens next? It's up to the audience in this imaginative tale.-8 women or men
Annie, the Cinderella of the family, lives in the shabby Victorian vicarage type house where the family was brought up. Reg, her brother, and his wife Sarah come to stay for a week end so that she may go away for a "rest". The general idea is that Annie ought to pair off with Tom. But for this weekend it is Norman, the raffish assistant librarian husband of Annie's sister Ruth, with whom she planned to go. They were to meet secretly but Norman turns up early. When Annie calls the whole thing off Norman decides to stay on at the house and gets roaring drunk.3 women, 3 men
Well, that's one down, isn't it. Nine to go. Next! Thou shalt not kill. What about that then? Let's have a crack at that one next, shall we?Jack McCracken: a man of principle in a corrupt world. But not for long. Moments after taking over his father-in-law's business he's approached by a private detective armed with some compromising information.Jack's integrity fades away as he discovers his extended family to be thieves and adulterers, looting the business from their suburban homes. Rampant self-interest takes over and comic hysteria builds to a macabre climax.A riotous exposure of entrepreneurial greed, Alan Ayckbourn's A Small Family Business, premiered at the National Theatre in 1987 and returned there in April 2014.
Love stories yet to happen, in a future filled with surprises.Who is the amorous stranger, Titus, who materialises in young Grace's bedroom? Can she believe he is who he says he is? For her parents, Franklin and Martha, does love everlasting still hold true if death is postponed indefinitely? Can lawyer Lorraine, who prides herself on her infallibility, have finally discovered the ideal partner, one who is also never wrong? Will lonely secretary Sylvia, after unhappy affairs with everyone from deep sea divers to space shuttle pilots, ever find her Mr Right?A comedy with its head in the future and its heart in the past, Alan Ayckbourn's Surprises premiered in July 2012 at the Stephen Joseph Theatre, Scarborough, in a co-production with Chichester Festival Theatre.
It's Christmas, and Beth Timms is mourning the recent death of her health and safety officer husband, Gordon. Beth's sister-in-law Connie and son Martin have come to stay, but between Connie's drinking problem and Martin's unspeaking and emotionally volatile girlfriend Ella, their intentions prove to be short-lived.
"We all marry the wrong people" announces Edward Gray, looking at his three daughters and their unsuitable partners. But when his daughters change partners and then again - every combination is played out. The outcome being that none of them works any better than any of the others.
Snake in the GrassA terrific piece - brilliant, bizarre and yet totally believable . . . In fact, it's more than classic; it's close to the top of its class. Yorkshire Post If I Were YouA blissfully funny comedy that's also filled with sadness, a devilishly simple theatrical idea that spins out all kinds of complex truths about human nature. Daily Telegraph Life and BethA wise, humane, funny play about the inevitability of death and the continuity of life. GuardianMy Wonderful DayA transformation happens as magical as the most magnificent pantomime transformation anyone could ever imagine . . . the playwright dissolves the paraphernalia of our adult selves and uncovers that space inside each of us that is still the child we once were. ObserverLife of RileyAs perceptive as ever . . . Ayckbourn has once again achieved a satisfyingly rich, tragi-comic complexity. Daily Telegraph
The Revengers' ComediesA hugely entertaining pitch that recalls the old movies to which it frequently pays homage - Strangers on a Train, Rebecca, Kind Hearts and Coronets - and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times Things We Do for LoveLloyds Private Banking Playwright of the Year AwardOne of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday TimesHouse & GardenThe triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times
A gloriously inventive play for children by Alan Ayckbourn, Britain's most popular and most frequently performed playwright.'Something to savour.
Fred sits next to a sign which reads "Stories told here today". The storyplayers arrive, followed by the ageing storytellers, who create the characters and plots for the storyplayers to act out. Reality and fiction mix in this play for young people which combines theatre, storytelling and music.
Now we don't want to start Christmas like this, do we?Cheating at snakes and ladders, fighting over comic books, a bungled infidelity beneath the tree. Christmas has arrived in the Bunker household along with family and friends. But as the children lurk just out of sight, it's the adults who are letting the side down. I couldn't. Not in our sitting-room. Not in front of the television. Somewhere else. Presiding over the festivities are two warring uncles, one a kindly, incompetent doctor with an interminable puppet show to perform; the other a bullying retired security guard who dominates the TV, brings toy guns for his nieces and determines there's a thief in their midst. Alan Ayckbourn's masterly Season's Greetings offers a seriously entertaining look at the misery and high jinks of an average family Christmas. The play opens at the National Theatre, London, in December 2010.Three times I caught him at it. Ripping open presents, helping himself to the contents.
'What is remarkable about Alan Ayckbourn's comedy is that it contrives to be simultaneously hilarious and harrowing. The settings are simple - a kitchen, a bedroom, a party - but the relationships between the husbands and wives are more complicated.
This third volume of Alan Ayckbourn plays includes Haunting Julia, Sugar Daddies, Drowning on Dry Land and Private Fears in Public Places, with an introduction by the author.Haunting Julia'A play for today. It touches on the failures of education and parenting, on media pressure and overdoses. Kurt Cobain comes to mind. More universally, Haunting Julia mourns how in adolescence and adulthood, we do our loves wrong.' Financial TimesSugar Daddies'A timely warning about the dangers of role-playing and pretence . . . But the real fascination lies in watching Ayckbourn's own transformation from social observer to impassioned moralist.' GuardianDrowning on Dry Land'Ayckbourn at the top of his game.' Guardian'A coruscatingly acid and funny play.' The TimesPrivate Fears in Public Places'Ayckbourn's construction has a masterly clarity; his writing combines ruthless observation with mature tolerance. Nobody else writing today can create a sense of a complicated little world in 90 minutes, or make banal lives seem so unforgivably interesting. Listen: it's a master's voice.' Sunday Times
I mean, what do you do when you suddenly find you've got a mother who's younger than you are? And a very, very big dog . Heeeeeelllllp!The Jollies is another magical tale for children from Britain's most popular and most frequently performed playwright.
With over sixty plays written and premiered at the Stephen Joseph Theatre in Scarborough before going on to play in the West End or the Royal National Theatre, London, or Broadway, Alan Ayckbourn's expertise in writing and directing plays is unsurpassed.For the first time, here in The Crafty Art of Playmaking, he shares all his tricks of the trade. From helpful hints on writing (Where do you start? How do you continue? What is comedy and how do you write it? What is tragedy and how does it work?), to tips on directing (working with actors and technicians, when to listen to the other experts, how to cope with rehearsals), the book provides a complete primer for the tyro and a refresher for the more experienced. Written in an accessible and highly entertaining style, with anecdotes galore to illustrate the how, when, where and why, it's worth the cover price for the jokes alone.'A marvellously useful and enjoyably good-humoured book' Daily Telegraph
Rockfist Slim's enemies have just plunged him into yet another desperate situation when Kevin has to close his detective book and go to sleep. But his own adventure is only just beginning. Fast-moving, fun and full of special effects, Ayckbourn's wonderfully inventive play for children brings alive several well-known children's books as Kevin and Rockfist Slim escape the baddies and plunge into many different worlds.The Boy Who Fell into a Book premiered at the Stephen Joseph Theatre, Scarborough, in December 1998.
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