Bøger af Alan Gullette

John Thomas Allen and Alan Gullette engage in breaking the levees of the poetic imagination and distilling an ore of ivy bamboo in this almost perversely intense volume. They read like a spell written in hieroglyphs of baking sheet letters spinning without a head. To miss this is to forsake vision, a parasurrealism that sees everything and nothing at once in a small annihilating point. With a foreword by Donald Sidney-Fryer.

The Case of the Light Fantastic Toe: The Romantic Ballet and Signor Maestro Cesare Pugni, and their survival by means of Tsarist Russia. A chronicle and source book. This is the INDEX to Volumes I, II, III, IV, V, Revised Edition.

Poems on life, death, time, breath and other mystical topics.

Recounts the life and career of the Italian composer Cesare Pugni (1802-1870), who worked in Milan, Paris, and London prior to going to St. Petersburg. During the 1840s, 1850s and 1860s he produced the music for most of the new ballets at Her Majesty's Theatre in London and at the Bolshoi Theatre. He worked with the greatest ballet-masters of the 19th c., including Jules Perrot, Paul Taglioni, Arthur Saint-Léon, and Marius Petipa. He composed over 300 ballets, including Ondine (1843), La Esmeralda (1844) and The Pharaoh's Daughter (1862).

Recounts the life and career of the Italian composer Cesare Pugni (1802-1870), who worked in Milan, Paris, and London prior to going to St. Petersburg. During the 1840s, 1850s and 1860s he produced the music for most of the new ballets at Her Majesty's Theatre in London and at the Bolshoi Theatre. He worked with the greatest ballet-masters of the 19th c., including Jules Perrot, Paul Taglioni, Arthur Saint-Léon, and Marius Petipa. He composed over 300 ballets, including Ondine (1843), La Esmeralda (1844) and The Pharaoh's Daughter (1862).

Recounts the life and career of the Italian composer Cesare Pugni (1802-1870), who worked in Milan, Paris, and London prior to going to St. Petersburg. During the 1840s, 1850s and 1860s he produced the music for most of the new ballets at Her Majesty's Theatre in London and at the Bolshoi Theatre. He worked with the greatest ballet-masters of the 19th c., including Jules Perrot, Paul Taglioni, Arthur Saint-Léon, and Marius Petipa. He composed over 300 ballets, including Ondine (1843), La Esmeralda (1844) and The Pharaoh's Daughter (1862).

Recounts the life and career of the Italian composer Cesare Pugni (1802-1870), who worked in Milan, Paris, and London prior to going to St. Petersburg. During the 1840s, 1850s and 1860s he produced the music for most of the new ballets at Her Majesty's Theatre in London and at the Bolshoi Theatre. He worked with the greatest ballet-masters of the 19th c., including Jules Perrot, Paul Taglioni, Arthur Saint-Léon, and Marius Petipa. He composed over 300 ballets, including Ondine (1843), La Esmeralda (1844) and The Pharaoh's Daughter (1862).