Bøger af Alan Paton

Set against a background of apartheid, this is the story of Kumalo, an elderly clergyman who goes to Johannesburg in search of his son.

This book examines Muslim tradition and modern scholarship concerning how the Quran came into existence as written pages between two covers. How this happened and how the text was agreed is not always clear and there are different explanations. Muslim tradition is a huge field, and it is a formidable challenge to draw out and understand what it has to say about the collection and codification of the Quran, a subject of great importance. The information is sometimes inconsistent or contradictory involving different caliphs and scholars.Arabian society at the time of the Prophet depended on oral transmission, the word "Quran" means recitation, and Arabic writing was at an early stage of development with fewer symbols, and written words might be read in different ways. Variant readings of the Quran became a concern.The book also explains what we can learn about the early history of the Quran from extant early manuscripts such as the great find at Sanaa in the Yemen and the Birmingham Quran, and the use of radiocarbon dating. The book is for well informed and interested citizens and students who want to have some depth on key topics, while avoiding the need for extensive prior knowledge. It provides an excellent introduction to scholarly work.

With a mixture of compassion and despair, this collection of ten short stories by the distinguished author of 'Cry, the Beloved Country' speaks eloquently yet incisively of the injustices of the author's native land, South Africa.

After violating his country's ironclad law governing relationships between races, a young white South African police lieutenant must struggle alone against the censure of an inflexible society, his family, and himself.

Cry the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son Absalom, set against the background of a land and a people riven by racial injustice.

Ah, But Your Land is Beautiful is set in the 1950s, the time of the Passive Resistance campaign, the Sophiatown removals, the emergence of the South African Liberal Party and the early stages of the Nationalist government in power.