Bøger af Aleksandr Isaevich Solzhenitsyn

Foreshadowing his later detailed accounts of the Soviet prison-camp system, Solzhenitsyn's classic portrayal of life in the gulag is all the more powerful for being slighter and more personal than those later monumental volumes. Continuing the tradition of the great nineteenth-century Russian novelists, especially Dostoevsky and Tolstoy, Solzhenitsyn is fully worthy of them in narrative power and moral authority. His greatest work.

"The pictorial quality of the whole poem is an eye-opener. There is always a tendency, on the part of his detractors, to make of Solzhenitsyn something less than he is, but here is further evidence that he is something more than even his admirers thought." - Clive James, New Statesman

The action of this full-length play is set in 1945 in a Stalinist slave-labor camp similar to the one where the author himself served an eight-year term. It is basically a love story of two prisoners: Nemov, the "innocent," a new prisoner who is unwilling to compromise in order to survive, and Lyuba, a girl who tells him that in the labor camp integrity is a passport to death. He tries desperately to keep his honor and self-respect while she tries to convince him that he must compromise. The love story is told gradually and intermittently against the background of labor-camp life. The large number of characters on stage, working, arguing and fighting, emphasizes the cruel, unprivate world in which the pair have to live their lives. Finally the "innocent" realizes that if he will share Lyuba with one of the higher-ups, he will then have everything: extra food, a comfortable job and the woman he loves. All he has to do is make that one compromise. The Love-Girl and The Innocent was accepted for performance in 1962 by the Moscow Contemporary Theatre but was then banned. It has never been performed in Russia, as the author complained in his courageous letter to the Congress of Soviet Writers, reprinted in the Farrar, Straus and Giroux edition of Cancer Ward. Solzhenitsyn's works have been barred in the Soviet Union since 1966 and he was recently expelled from the Russian Writers' Union. The publication of Solzhenitsyn's play in England and America marks its first appearance in print in any language.

In March 1953, seventeen years before he received the Nobel Prize, Alexander Solzhenitsyn ended his term in the Ekibastuz labor camp with the play Victory Celebrations and seven of the twelve scenes of Prisoners committed to memory. During his ensuing internal exile, he completed Prisoners and started another play, The Love-Girl and the Innocent. The result is a dramatic trilogy focusing on events of the year 1945: the Russian army's advance into East Prussia and the "repatriation" of former Russian prisoners of war to the Gulag labor camps. The three plays transmute Solzhenitsyn's own bitter experience of war and imprisonment. In Victory Celebrations (translated by Helen Rapp and Nancy Thomas), one can recognize the author in Sergei Nerzhin, a captain in a Soviet artillery battalion whose staff improvises a banquet in a captured castle in East Prussia. Celebration turns to conflict when Nerzhin sides with Galina-a Russian emigree whose husband is fighting with the Germans-against Lieutenant Gridnev, an officer in military counter-intelligence who insists Galina is a spy. Prisoners (translated by Helen Rapp and Nancy Thomas, and based in part on Solzhenitsyn's own initial arrest and captivity) follows a group of political prisoners, including ex-POWs, from their arrival in a Soviet prison on the Prussian border through their perfunctory interrogation, trial, and conviction. Solzhenitsyn's alter-ego in The Love-Girl and the Innocent (translated by Nicholas Bethell and David Burg) is Rodion Nemov, a new prisoner in a labor camp whi is unwilling to compromise in order to survive. This final play in the trilogy is, as Martin Esslin wrote of the 1981 Royal Shakespeare Company production, "a classic portrayal of the Gulag."These plays from the 1950s are among the Nobel laureate's earlier writings. But in his indignation at injustice and moral bankruptcy, Solzhenitsyn the playwright prefigures Solzhenitsyn the great novelist.

In "An incident at Krechetovka Station", a Red Army lieutenant is confronted by a disturbing straggler soldier and must decide what to do with him. "Matryona's House" is the tale of an old peasant woman and her tenacious struggle against cold, hunger and greedy relatives.