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"Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores -- Mexican wrestlers donning flamboyant masks and capes -- were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name recognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena. Years later, in East Los Angeles, his son, Freddy Vega, is struggling to save his father's gym while Freddy's own son, Julian, is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes. With alternating perspectives, Ernesto and Elena take you from the ranches of Michoacàn to the makeshift colonias of Mexico City. Freddy describes life in the suburban streets of 1980s Los Angeles and the community their family built, as Julian descends deep into our present-day culture of hook-up apps, lucha burlesque shows, and the dark underbelly of West Hollywood."--
Growing up in a rural village at the height of the Mexican Revolution, Diego León has many first loves: singing, dancing, and hearing the stories of his ancestors, the P'urhépecha. But when tragedy strikes, young Diego is sent to the city to live with his white, aristocratic grandparents, who insist he forget his roots and groom him to take over the family business. Under pressure to enter a profession-and a life-he cares nothing for, and haunted by the violence once again erupting all around him, Diego flees his war-torn country to forge his own destiny. Diego arrives in Hollywood in 1927, when silent films are giving way to talkies, Prohibition is in full swing, and "Latin lover" types are sought out even as they are looked down upon. Working his way up in the movie business with talent and ingenuity, Diego soon figures out that getting one's face on the silver screen has as much to do with what goes on behind the camera as what goes on in front of it. But the closer Diego comes to stardom, the more he finds that the past is not so easily escaped, as he is drawn again and again to the painful legacy of history and the wounds of his homeland. A sweeping, sensual novel of love, ambition, and identity, The Five Acts of Diego León bears all the marks of a classic Hollywood story: romance, betrayal, glamour, and an underdog hero to root for till the end.
Espinoza takes readers on an uncensored journey through the underground to reveal the timeless art of cruising, "combining historical research and oral history with his own personal experience [to examine] the political and cultural forces behind this radical pastime. From Greek antiquity to the notorious Molly houses of 18th century England, the raucous 1970s to the algorithms of Grindr, Oscar Wilde to George Michael, cruising remains at once a reclamation of public space and the creation of its own unique locale--one in which men of all races and classes interact, even in the shadow of repressive governments"--Front cover flap.
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